Tag Archives: KB&B Borlum pipes

Reworking another trade, a Borlum KB&B Italian Briar Unbreakable Stem Bent Billiard


by Steve Laug

A month or so ago I received an email from a fellow in Japan who had some pipes he wanted to sell. We came to an agreement and he sent me a few. One of them was this interesting smooth finish Bent Billiard. This pipe is stamped on the left side of the shank with the words BORLUM in an arc over KB&B in a cloverleaf. Underneath that it is stamped ITALIAN BRIAR in a reverse arc. On the right side of the shank it is stamped UNBREAKABLE BIT. The stamping was clear and readable. The band on the shank is cosmetic and original and reads KB&B in a cloverleaf [over] Nickel Plated. The bowl had been reamed and the pipe cleaned. The shank is very clean inside and the pipe smelled very clean. It was so clean that I don’t think the pipe had been smoked since the fellow in Japan picked it up. The rim top was clean though there were some scratches and darkening and the inside edge of the rim showed some nicks. There was no damage to the outer edges. The finish around the bowl was in decent condition with great grain under some of the grime and scratching. The stem looked good, though it was not centred on the shank. The diameter of the stem extended beyond the band on the right side and a little above the top and underside. I would need to reduce the stem diameter to fit the shank band. There were some light tooth marks and chatter on the top and underside ahead of the button. Overall, I am happy with it but I will need to rework the stem fit to the shank and clean up the rim top and edges. I took photos of the pipe before I started my work on it.  I took a photo of the rim top to show the condition of the bowl and the top. You can see clean bowl and marks on the rim top. The inner edge is slightly out of round. The stem looks good with light tooth damage and no oxidation on the surface of the hard rubber. It will look much better once I trim down the top, underside and the right side of the stem.I took photos to show the stamping on the sides of the shank and the nickel band. It is clear and readable as noted above. You can also see the fit of the stem to the shank on the top and the right side. I took the stem off and took a photo of the pipe to show its condition.

From an earlier Borlum pipe that I had refurbished back in 2014, I had learned a lot about the background of the manufacturer of the brand. I quote from that blog to summarize the historical background of the pipe (https://rebornpipes.com/tag/kbb-borlum-pipes/). The italicized portions of the text come from the blog with minor edits.

I already knew that Kaufmann Brothers and Bondy was the oldest pipe company in the USA, established in 1851. The Club Logo predated Kaywoodie with the “KB&B” lettering stamped within the Club, and a multitude of KB&B lines were in production long before “Kaywoodie” first appeared in 1919. Therefore, I knew that the pipe I had was a pre-1919, pre-Kaywoodie KB&B Made BORLUM.

As noted above, this particular pipe is stamped on the left side of the shank with the words BORLUM in an arc over KB&B in a cloverleaf. Underneath that it is stamped ITALIAN BRIAR in a reverse arc. On the right side of the shank it is stamped UNBREAKABLE BIT. As stated above it was made before Kaywoodie became the flagship name for pipes from Kaufman Brothers & Bondy (KB&B). It was made before the Kaywoodie invention of the “Stinger” was added, and even before shank logos, model stamps and other features invented by Kaywoodie came to be standards of the pipe making industry. It comes from a time when names like Ambassador, Heatherby, Melrose, Suez, Rivoli, Cadillac and Kamello dominated the pre-Kaywoodie scene. Borlum is one of those names.

I learned while researching for that blog and rediscovered while working on this one that the Borlum pipe featured some innovations that were new for the time but commonplace to us. These included (1) a solid rubber bit (vulcanite, ebonite), (2) an aluminum inner-tube construction in the stem that stabilized and strengthened the stem explaining the stamping of “Unbreakable Bit” on the right side of the shank, (3) a standard nickel-plated band (marked KB&B) to strengthen the shank connection for the stem. The stem features the older style more rounded bit tip/orific button, and you can see the aluminum inner-tube fitting just inside the tip.

I have included several pictures that I found on the internet that show the unique stem tube in the Borlum that gives rise to the claim that it has an Unbreakable Bit. The first photo shows the bent stem, third from the left with the same metal tube showing at the button. The second photo shows the other end of the tube in the tenon in the Borlum stem. That told me that the pipe I had was made after 1851 and before 1919. I am guessing that because of the other pipes in this lot dating in the late 1890s to about 1905 this one is probably from that same era. Not too bad for a 100+ year old pipe. During the hunt for information, I also found the next photo of a Borlum display and sales card. What is particularly interesting to me is the diagram at the top of the card showing the interior of the stem in place in the shank. It also includes the claim, “Guaranteed against Breakage”. I love the advertisements and sales brochures of these old pipes. The descriptive language that promises so much and the prices the pipes sold for are a nostalgic journey to the past. Note the $1 and up price tag on the sales card. The pipe that I am working on presently is identical to the bottom pipe on the right side of the photo. I have circled it in red. It has the identical shape, curved shank but has a nickel-plated band like mine. It has the hard rubber stem with an orific button. It is more rounded than the modern flat stem but it is still a comfortable feeling stem in the mouth.Now it was time to work on the pipe. I decided to deal with the diameter of the stem against the shank first. I used a folded piece of 220 grit sandpaper to take off the extra diameter of the stem on the right side and the top and bottom. I also sanded the tooth marks and chatter on the stem surface. It was a lot of handwork and fussing to get the fit correct. Once finished it looked much better. I worked over the stem with 320-3500 grit sanding pads to smooth out the scratches left in the hard rubber surface of the stem. Once finished the stem had a deep shine and really looked much better.I polished the stem surface with micromesh sanding pads. I dry sanded it with 1500-12000 grit pads. I wiped it down between pads with an Obsidian Oil impregnated cloth. I finished polishing it with Before & After Pipe Stem Polish – both Fine and Extra Fine. It looked much better. I set the stem aside and turned my attention to the bowl. I smoothed out the damaged inner edge of the bowl with a folded piece of 220 grit sandpaper. It looked much better. I started polishing out the damage on the rim top with the 220 grit sandpaper. It looked much better.I wiped the bowl down with isopropyl alcohol on a cotton pad to remove the shiny wax or shellac coat on the bowl surface. It cleaned up very well. There was a deep sandpit/flaw on the lower front left side of the bowl. I filled it in with a combination of CA glue and briar dust. I sanded the repair with 220 grit sandpaper and smoothed it out into the surrounding briar. I touched up the sanded spot on the bowl front with a Walnut stain pen. It matched the rest of the bowl surface. Once I polished it some it would blend in very well.I polished the bowl and the shank with 1500-12000 grit micromesh sanding pads. I dry sanded with each pad and wiped the briar down with a damp cloth after each pad. I paused the polishing and touched up the stain on the bowl front and the rim top. It really was looking much better at this point. Once it cured I went back to polishing with the micromesh. I worked some Before & After Restoration Balm into the finish of the bowl, rim top and shank with my fingertips and a shoe brush to get it in to the crevices and valleys. The product works to clean, enliven and protect the briar. I find that the balm really makes the briar come alive again. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The bowl really looks good at this point. I polished the nickel ferrule on the shank end with a jeweller’s cloth. It works to polish and protect the metal from further oxidation. It is a great looking addition to the pipe. With the bowl and the stem finished I put the Borlum KB&B Italian Briar Bent Billiard with an unbreakable stem back together and buffed it on the wheel using Blue Diamond to give it a shine. I gave the bowl and the stem multiple coats of carnauba wax on the wheel. I buffed it with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. It really is a great looking pipe. The dimensions of the pipe are – Length: 4 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 1/8 inches, Chamber diameter: ¾ of an inch. The weight of this large pipe is 1.20 ounces /33 grams. This Borlum KB&B Italian Briar Bent Billiard is another great looking pipe. It is much more beautiful in person than these photos can capture. I will be putting it in my older American Pipe Collection to enjoy in the future.  This is another pipe that has the possibility of transporting the pipe man or woman back to a slower paced time in history where you can enjoy a respite. Thanks for walking through the restoration with me.

Reclaiming a Hard Smoked KB&B Borlum Unbreakable Stem Billiard


Blog by Steve Laug

The next restoration on my worktable was a Borlum Bent Billiard. It came to me in the lot of older pipes that my brother brought home from our virtual pipe hunt in Montana. It was in rough condition with the finish very worn and almost non-existent. The bowl had a thick cake that had overflowed the bowl onto the rim top. The previous owner had obviously loved this pipe and the condition was testimony to it being a great smoker. He also seemed to have a very utilitarian view of his pipes. This one appeared to have never been cleaned – a veritable stranger to the aid of a pipe cleaner. The outer edge of the bowl had been knocked about a lot and there was lots of damage to the edge – it was broken down and rounded all the way around. He had obviously knocked the pipe out on a fence, a rock or his boot heel when finishing a bowl. There were dings and nicks in the sides and bottom of the bowl. The stem was oxidized and had some tooth marks on the top and underside near the button. Jeff took the next photos of the pipe before he started to work on cleaning it.From an earlier Borlum pipe that I had refurbished back in 2014, I had learned a lot about the background of the manufacturer of the brand. I quote from that blog to summarize the historical background of the pipe (https://rebornpipes.com/tag/kbb-borlum-pipes/). The italicized portions of the text come from the blog with minor edits.

I already knew that Kaufmann Brothers and Bondy was the oldest pipe company in the USA, established in 1851. The Club Logo predated Kaywoodie with the “KB&B” lettering stamped within the Club, and a multitude of KB&B lines were in production long before “Kaywoodie” first appeared in 1919. Therefore, I knew that the pipe I had was a pre-1919, pre-Kaywoodie KB&B Made BORLUM.

This particular pipe is stamped on the left side of the shank with the words BORLUM in an arc over KB&B in a cloverleaf. The cloverleaf is faintly stamped but still readable with a bright light and lens. Underneath that it is stamped ITALIAN BRIAR in a reverse arc. On the right side of the shank it is stamped UNBREAKABLE BIT. As stated above it was made before Kaywoodie became the flagship name for pipes from Kaufman Brothers & Bondy (KB&B). It was made before the Kaywoodie invention of the “Stinger” was added, and even before shank logos, model stamps and other features invented by Kaywoodie came to be standards of the pipe making industry. It comes from a time when names like Ambassador, Heatherby, Melrose, Suez, Rivoli, Cadillac and Kamello dominated the pre-Kaywoodie scene. Borlum is one of those names.

I learned while researching for that blog and rediscovered while working on this one that the Borlum pipe featured some innovations that were new for the time but commonplace to us. These included (1) a solid rubber bit (vulcanite, ebonite), (2) an aluminum inner-tube construction in the stem that stabilized and strengthened the stem explaining the stamping of “Unbreakable Bit” on the right side of the shank, (3) a standard nickel-plated band (marked KB&B) to strengthen the shank connection for the stem. (This particular pipe does not have the nickel-plated band and does not appear to have had one).The stem features the older style more rounded bit tip/orific button, and you can see the aluminum inner-tube fitting just inside the tip.

I have included several pictures that I found on the internet that show the unique stem tube in the Borlum that gives rise to the claim that it has an Unbreakable Bit. The first photo shows the bent stem, third from the left with the same metal tube showing at the button. The second photo shows the other end of the tube in the tenon in the Borlum stem. That told me that the pipe I had was made after 1851 and before 1919. I am guessing that because of the other pipes in this lot dating in the late 1890s to about 1905 this one is probably from that same era. Not too bad for a 100+ year old pipe. During the hunt for information, I also found the next photo of a Borlum display and sales card. What is particularly interesting to me is the diagram at the top of the card showing the interior of the stem in place in the shank. It also includes the claim, “Guaranteed against Breakage”. I love the advertisements and sales brochures of these old pipes. The descriptive language that promises so much and the prices the pipes sold for are a nostalgic journey to the past. Note the $1 and up price tag on the sales card.

The pipe that I am working on presently is identical to the bottom pipe on the right side of the photo. I have circled it in red. It has the identical shape, curved shank and lack of a nickel-plated band as mine. It has the hard rubber stem with an orific button. It is more rounded than the modern flat stem but it is still a comfortable feeling stem in the mouth.

Jeff took some close up photos of the pipe bowl to give an idea of the condition of the pipe before we started to work on it. The first two photos show the sides of the bowl. You can see from those photos that the bowl is in rough shape. The outer rim has a lot of damage to it and the finish is worn and tired.The next two photos show the rim top and the clean bowl. Note how beat up the edge of the rim is in both photos. The third photo below shows the heel of the bowl and all of nicks and dents in the surface of the briar. The stamping on the left side of the shank and the right side of the shank is readable in the next two photos.The next photos show the condition of the stem. It is oxidized and there is a dark line across the top of the stem that looks like a crack. Under a bright light there is no crack visible, it is merely a mark on the vulcanite.Jeff rarely varies his established process for thoroughly cleaning the pipes he sends to me. He reamed the bowl with a PipNet reamer and touched it up with a Savinelli Fitsall Pipe Knife. He scrubbed out the mortise and the airway in the shank and the stem with pipe cleaners, cotton swabs and alcohol. He scrubbed the exterior of the pipe with Murphy’s Oil Soap to remove the grime and grit on the bowl. He worked over the rim and removed the lava overflow. He scrubbed it with a tooth brush and the oil soap until he removed the buildup and clean up the damaged edges of the rim. The grain on this pipe is quite stunning. He soaked the stem in an Oxiclean bath to bring out the oxidation and scrubbed the debris from the exterior of the stem. I took photos of the pipe to show the condition it was in when it arrived in Vancouver. I took a close up of the rim to show the damaged condition of the edges. It really is a mess and will be an interesting restoration. The idea is to get it back to a smooth condition without changing the profile of the pipe.A lot of the grime and grit on the stem disappeared in the OxiClean soak. The dark line on the top left of the stem disappeared and showed that there were no cracks in the “Unbreakable Bit”. There were some tooth marks on both sides of the stem near the button. The ones on the underside were definitely deeper. The last photo below shows the inner tube from the button end view.I decided to try something a little different this time around on the removal of the oxidation. Months ago I had purchased some Before & After Pipe Stem Deoxidizer from a guy on Facebook. His name is Mark Hoover and he is on the Gentlemen’s Pipe Smoking Society Group on Facebook. He has a pen making site where you can email and order the deoxidizer and the polishes (http://www.lbepen.com/). I have actually never used it according to the directions. I have sponged it on and scrubbed it off. In talking with Mark the concept was simple – put the stem in the Deoxidizer to soak. The Deoxidizer will do its work and leave the stem oxidation free. With a bit of skepticism I poured the mixture into a tray and set the stem in it to soak overnight.I worked on the bowl for a while that evening before calling it a day. I lightly topped the bowl to remove some of the damage on the top surface of the rim and leave a flat, smooth surface. I wiped down the bowl with alcohol on a cotton pad to remove the dust. I carefully filled in the outer rim edge with clear super glue to build up the chipped and damaged areas. I think that this is the first time that I have worked on a pipe with this much damage and chipping all the way around the outer rim. It did not take too long for the glue to dry and when it did I sanded the outer edge of the rim smooth blending the fills into the surface of the briar and ‘sharpening’ the edge itself. The photos that follow tell the story. When I finished smoothing out the fills I wiped the bowl down with alcohol on a cotton pad to remove the sanding dust and check to make sure I had sanded the rim edge enough. If any spots are still too large and not blended they will show up glaringly when the bowl is stained. I stained the bowl with a dark brown aniline stain mixed 50/50 with isopropyl alcohol. I flamed the stain on the bowl and repeated the process until the coverage was even. I set the bowl aside for the evening. In the morning I “unwrapped” the bowl (borrowing one of Dal Stanton’s terms) to see what the stain had done. I wiped it down with alcohol on cotton pads to make it more transparent. Once I finished it was still too dark to my liking and obscured the grain too much. I sanded the bowl with micromesh sanding pads to remove more of the stain. After sanding with 1500-2400 grit pads I wiped it down with a bit of alcohol on a cotton pad and I was pleased with what I was seeing. I polished it some more with 3200-12000 grit pads and finished by giving it a light buff with a microfiber cloth. Now the colour was what I was aiming for – a reddish brown that highlighted the grain and muted the repairs and some of the imperfections.  I buffed the bowl on the buffing wheel using Blue Diamond polish and hand buffed it with a cloth. The following photos show what the finish looked like after the buffing. I still needed to wax it but I really liked what I saw. I took the stem out of the deoxidizer bath and wiped it down with cotton pads. The bath definitely had removed much of the oxidation and wiping it down afterward it was clear to see how much had come off the brown looking stem. I ran a pipe cleaner through the airway to remove the deoxidizer from the inside of the pipe. The stem clearly looked better than when I had started. The surface was dull and there was still some stubborn oxidation on the curve. The tooth marks in the surface are very visible in the photo of the underside of the stem.I painted the tooth marks with the flame of a lighter to lift them as much as possible and filled in the remaining tooth marks with clear superglue. I chose to use the clear super glue rather than black as I have found it blends better with the hard rubber stems on these older pipes. When the repair had dried I sanded the stem with 220 grit sandpaper to smooth out the area on the underside and used a needle file to sharpen the edge of the button on the top and underside.I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the stem down after each pad with Obsidian Oil and after the final pad gave it a last coat and set it aside to dry. I buffed the stem with Blue Diamond and then gave the pipe mulitple coats of carnauba wax. I buffed it with a clean buffing pad to raise the shine and hand buffed it with a microfibre cloth to deepen the shine. The finished pipe is shown in the photos below. I am not a 100% happy with the stem – the flash seems to reveal some more oxidation in it but to my eye it looks fine. I will do some more polishing and buffing to get it do the rich black that my eye sees but the camera does not at this point. Ah well, the refurbisher’s work is never finished. Thanks for looking.

 

 

Restoring an older KB&B Borlum Dublin


I was gifted a small KB&B Dublin from a friend on Smokers Forums. I always like to know what I am working on when restoring old pipes so I did a bit of digging into the stamping on the pipe and found the following information. I already knew that Kaufmann Brothers and Bondy was the oldest pipe company in the USA, established in 1851. The Club Logo predated Kaywoodie with the “KB&B” lettering stamped within the Club, and a multitude of KB&B lines were in production long before “Kaywoodie” first appeared in 1919. So I knew that the pipe I had was a pre-1919, pre-Kaywoodie KB&B Made BORLUM Dublin.

pipe141 pipe140

It is stamped BORLUM in an arc over KB&B in a cloverleaf. Underneath it is stamped ITALIAN BRIAR in a reverse arc. All of the above is stamped on the left side of the shank. On the right side of the shank it is stamped UNBREAKABLE BIT. It was made before Kaywoodie became the flagship name for pipes from Kaufman Brothers & Bondy (KB&B). It was made before the Kaywoodie invention of the “Stinger” was added, and even before shank logos, model stamps and other features invented by Kaywoodie came to be standards of the pipe making industry. It comes from the time when names like Ambassador, Heatherby, Melrose, Suez, Rivoli, Cadillac and Kamello dominated the pre-Kaywoodie scene. Borlum is one of those vintage names.

The Borlum pipe featured some innovations which were new for the time but commonplace to us: (1) A solid rubber bit (vulcanite, ebonite), (2) aluminum inner-tube construction in the stem thus marked “Unbreakable Bit” on the right side of the shank, (3) a standard nickel plated band (marked KB&B) to strengthen the shank connection for the stem. The stem features the older style more rounded bit tip/orific button, and you can see the aluminum inner-tube fitting just inside the tip.

I have included several pictures that I found on the internet to show the unique stem tube that the Borlum has. The first photo shows the type of stem the pipe has. My little Dublin has a stem that is shaped like the second stem from the left but includes the same metal tube that shows in the bent stem, third from the left. The second photo shows the tenon end of the stem and the other end of the metal tube in the Borlum stem. It is the inclusion of the tube that gives rise to the claim that is stamped on the shank – Unbreakable Bit. The third photo below is a Borlum display and sales card. What is particularly interesting to me is the diagram at the top of the card showing the interior of the stem in place in the shank. It also includes the claim, “Guaranteed against Breakage”. I love these old pipes and the prices they sold for back in the day. Note the $1 and up tag on the sales card. pipe139 Exif_JPEG_PICTURE pipe137 The pipe that was a gift to me is similar to the Dublin at the bottom left of the above card. It has the same shape and straight shank. It also has a similar profile. The difference is that min has a shank band which is also part of the unbreakable system of these pipes. I guess they found that an unbreakable stem can still leave a breakable shank. The band stabilizes the shank and makes the pipe more indestructible. The band is stamped with the Club/Cloverleaf with KB&B in the center and under that Nickel Plated. It adds a touch of class to this little Dublin. The pipe was gifted to me by Jim Wagner from Smokers Forums. I recently refurbished an older KBB Yello-Bole and Jim said he had this one. It came this week and I took it on today. The pipe was in good shape when I took it out of the shipping package. The finish was clean but the rim had a few minor issues. There was a slight darkening near the back of the bowl and there were some ripples in the varnish finish on the rim. The cake was thin and even. The bowl was in round. The nickel band and the stem showed oxidation. I really like these old timers with the orific buttons. They are more rounded than the modern flat stem but are very comfortable in the mouth. Jim had mentioned that the stem was a hard material. In cleaning it up I found that it was indeed vulcanite or vulcanized rubber. It was hard but not as hard as an acrylic stem. There were no bite marks in the stem and minimal tooth chatter near the button. It was a beautiful old pipe that truly did not show it 100+ year age. IMG_7848 IMG_7849 IMG_7850 IMG_7852 I reamed the bowl lightly with a PipNet reamer to smooth out the thin cake. I cleaned out the shank with pipe cleaners, cotton swabs and isopropyl alcohol. I kept at it until the cleaners came out the same way they went into the shank – white.IMG_7858 IMG_7856 In order to address the issues with the rim I wiped it down with acetone on a cotton pad and then gently sanded it with an extra fine grit sanding sponge. My intent was not to top the bowl but to smooth out the ripples of the varnish and remove some of the darkening. In checking it out the darkening was not deep in the briar but merely on the surface so this method would remove the damage. IMG_7861 IMG_7862 I wiped the bowl and shank down with the acetone and cotton pads to clean off the slight darkening of the finish. I wanted to remove the varnish coat so that I could use just wax on the bowl. I did not want to remove any of the colour/stain. I wanted to leave the colour/patina intact with no change. IMG_7863 IMG_7864 IMG_7865 IMG_7866 I sanded the stem with 220 grit sandpaper and medium and fine grit sanding sponges. I shone a flashlight on the stem to highlight the oxidation and continued to sand with this combination until the brown/green hue was gone and the stem was a dull black. I rubbed it down with Obsidian Oil and then sanded it with my usual array of micromesh sanding pads. I wet sanded with 1500-2400 grit pads and dry sanded with 3200-12,000 grit pads. I rubbed the stem down with the Obsidian Oil after each set of three micromesh pads. IMG_7872 IMG_7873 IMG_7874 I polished the nickel band with a silver polishing cloth and then used the higher grits (6000-12,000) of micromesh on it to polish it further. I buffed the pipe and stem with White Diamond and then gave it multiple coats of carnauba wax, buffing with a soft flannel buff between applications of the wax. The finished pipe is shown below. It has been restored with little intrusion into the original shape or finish and is ready for many more years ahead. Thanks Jim for the beautiful little Dublin that you have added to my collection. IMG_7875 IMG_7876 IMG_7878 IMG_7879