Daily Archives: April 4, 2025

Breathing new life into a BBB Own Make Made in London England 636 Billiard


by Steve Laug

The next pipe on the work table is a BBB pipe with a silver shank band and a vulcanite taper stem. We picked the pipe up from a seller in Ogden, Utah, USA on 12/12/2024. It is stamped on the left side of the shank and reads BBB in a Diamond with Own on the left side of the Diamond and Make on the right side. On the right side of the shank it is stamped Made in London [over] England [over] 636. The silver band is stamped Sterling Silver under BBB in a Dimaond on the left side of the band. It is oxidized and scratched. The finish is a reddish-brown colour that really highlights the grain around the bowl and shank. The bowl colour is a stark contrast to the silver band and the black taper stem. There is a BBB Diamond brass logo inlaid on the top of the stem. The bowl was moderately caked and there was some lava on the inner bevelled edge of the rim and the top. The vulcanite stem had some oxidation and some chatter and light tooth marks on the top and underside of the stem near the button. It also looks like it had a softee bit on the stem at one time as it left a defined line. Jeff took some photos of the pipe to show the general condition of the pipe before he started his clean up. He took some photos of the rim top and bowl from various angles to give me a clear picture of the condition of the rim top and bowl. You can see the moderate cake in the bowl and the lava on the rim edge and top. The next photos show the top and underside of the stem. It is oxidized and appears to have had a Softee bit on it at one time. Jeff took photos of the sides of the bowl to show the condition of the finish on the pipe. The photos showed some great grain. It is a pretty piece of briar. He took some photos of the stamping on the underside of the shank and the Sterling Silver band. The stamping was clear and readable on both shank sides and the band as noted above. He also took a photo of the BBB logo on the topside of the taper stem. Jeff did his usual thorough job cleaning the pipe which I really appreciate because of the freedom it gives me in dealing with pipes. He reamed it with a PipNet pipe reamer and got rid of the cake. He cleaned up the reaming with a Savinelli Fitsall Pipe Knife so that we could see the walls of the bowl and assess for damage. He cleaned the internals of the shank and stem with alcohol, pipe cleaners and alcohol. He scrubbed the exterior with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed the pipe under warm water. He dried it off with a cloth and then let it air dry. The stem was scrubbed with Soft Scrub and had a soak in Before & After Deoxidizer to remove the oxidation. One it was rinsed off, it came out looking very good. The finish on the bowl and the rim top cleaned up nicely. I took pictures of the pipe to show how it looked when I unpacked it. I took a close up photo of the bowl and rim top to show how clean the pipe was. The bowl was very clean and showed that the inner tube sitting in the bottom of the bowl. The stem looked good with very light tooth marks and chatter. Overall the pipe is a beautiful looking piece.I took photos of the stamping on the sides of the shank. It read as noted above. It is very clear and readable. I also removed the stem from the shank and took photos of the pipe to show the look of the parts. I decided to start my work on the bowl by polishing the rim top and the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down with a damp cloth after each sanding pad to remove the dust and debris. I gave the bowl and shank a coating of Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I polished the silver band with a jeweller’s cloth to remove the tarnish and oxidation. It took some elbow grease but the cloth works to clean and protect the silver from further tarnishing. It looks significantly better than when I started. I set the bowl aside and turned my attention to the stem. I polished it with micromesh sanding pads – 1500-12000 grit sanding pads and water to wet sand the stem. I wiped it down after each sanding pad with Obsidian Oil on a cotton rag after each sanding pads. After finishing with the micromesh pads I rub the stem down with Before & After Fine and Extra Fine stem polish as it seems to really remove the fine scratches in the vulcanite. I finished polishing the stem with a final coat of Obsidian Oil and set the stem aside to let the oil absorb. This process gives the stem a shine and also a bit of protection. This BBB Own Make 636 Made in London England Billiard turned out to be a great looking pipe. With polishing, the grain shines through clearly. The black vulcanite stem is in excellent condition and works great with the polished briar. The polished silver is a touch of class. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished BBB Own Make 636 Billiard fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 43 grams/1.52 ounces. It is a great looking pipe that I will soon be adding it to the rebornpipes store in the British Pipemakers Section. If you are interested in adding it to your collection let me know Thanks for reading this blog and my reflections on the pipe while I worked on it.

The Resuscitation of an Old Airograte Yello-Bole


by Kenneth Lieblich

A gentleman recently contacted me to ask if I would restore his Airograte Yello-Bole. I was happy to take on the project, as it was an interesting pipe – and it looked like it could use some TLC. In the end, the pipe turned out very well, but it was a very labour-intensive cleaning and restoration. Take a close look at the before and after photos – I think they speak for themselves. This pipe has had a hard life, but it must have been greatly loved. This restoration made the pipe look so much better, but the battle scars of the past will always be with it – and so they should be! They are part of its history. Let’s talk about the background of the pipe. The patent on the Airograte dates to 1949, and I have included the pages from the US Patent Office below, for those who wish to read them: I also found a blurb from inside the box of an Airograte Yello-Bole from years ago. I’ve included the photo below, but I also typed out the words in case you can’t quite make them out:

Airograte Yello-Bole introduces an entirely new principle in pipe smoking. One of the basic, patented features is a removable metal grate which holds the tobacco in suspension. This allows fresh air to be drawn into, and circulate through, the lower aluminum chamber resulting in a cool, dry smoke. The metal grate may be easily washed and cleaned. Ordinary cleansing tissue will wipe clean the aluminum chamber and bottom of bowl. Shank and bit should be cleaned with a pipe cleaner. Airograte Yello-Bole’s design and patented construction give better combustion and moisture evaporation. Result? No messy juices, no bite, no bitterness, no drag and no smelly heel. Interchangeable bowls in assorted shapes are available. Buy an extra bowl… Smoke one, rest the other. Each bowl is caked with Real Honey. You’ll enjoy Airograte Yello-Bole because it’s the sweetest, driest, coolest pipe smoking sensation!On Pipedia, there is a good article about the history of the Yello-Bole company and its progenitor, Kaufmann Bros. & Bondy. On the Airograte itself, Pipedia says:

The Yello Bole Aristocrat Airograte: An Aluminum and wood pipe with a twist. This pipe doesn’t have a bowl per say, but more a briar cylinder that screws into the base of the body. At the bottom of the bowl is a metal grate, thus allowing air to be pulled through all the tobacco and reducing any chance of clogging. The lower bowl catches all moisture and tar reducing bite. These pipes can be had in a silver/chrome finish as well as a soft gold finish. The stem of these pipes has cooling fins up each side, and can be found in a straight or bent form.Steve has written several blogs about the Airograte and here is one of his comments about it:

The Airograte Pipe was also made by Yello-Bole and was their version of the Falcon pipe or the Dr. Grabow Viking. It had a metal base and shank with an interchangeable bowl. Yello-Bole made a variation to the theme by make the bowl more of a tube and inserting a metal grate between the bowl and the base for dry smoking air flow. It also had the Nylon Bit like the Grabow and the Falcon version. These pipes sold for $5.95 and you could purchase a variety of interchangeable bowls for the base.Let’s examine the condition of this pipe a little more closely. The bowl is dirty-beyond-dirty. As you can see, the chamber is absolutely choked with old cake and there is a lot of lava on the rim. To make matters worse, there is a serious abrasion on the rim. On the underside of the bowl, there are small cracks in the base which extend into the screw threads. The stem was, sadly, no better. There is plenty of calcification on the bit. Fortunately, since the stem is made of a hard nylon, there is no oxidation. However, the tooth marks, dents, and chomps on this stem are among the most severe I’ve seen in a long while. The photos do not accurately convey just how concave (and low) these tooth marks are. The aluminum body of the pipe was dull, dirty, and heavily scratched. Some of those scratches would come out, but some wouldn’t. Unsurprisingly, the metal grate was clogged with tobacco filth.

Suffice it to say that I had my work cut out for me! Let’s begin with the stem. As it is made of nylon, there was no oxidation – and no oxidation means no need for deoxidation fluid. I used 99% lemon-infused isopropyl alcohol on a few cotton rounds and scoured the stem. Then, I cleaned the inside of the stem with pipe cleaners dipped in the alcohol. I scrubbed thoroughly to make sure the interior was clean. I used ‘zillions’ of pipe cleaners for this stem. Now that the stem is clean and dry, I set about fixing the marks and dents in the nylon. This was done by filling those divots with black cyanoacrylate adhesive, impregnated with carbon and rubber. This took a lot of work (and more than one try) to get right. I left this to cure and moved on. Sorry – I neglected to take a photo of this step.The penultimate step for the stem is sanding. First, with my set of needle files, I reduce the bulk of the cyanoacrylate repairs. I want to remove the excess adhesive as near to the surface as possible, without cutting into the nylon. Following that, I use all nine of the micromesh sanding pads (1,500 through 12,000 grit) to sand out flaws, even out the nylon, and provide gentle polishing of the finished surface. I also apply pipe-stem oil while using the last five micromesh pads. There was a wonderful, deep black shine to the stem when I was done, but I had to do this whole process twice, as I wasn’t happy with the initial results.Now that the stem is (nearly) complete, I can move on to the bowl. The first step for me is to ream it – that is to say, remove all the cake inside the bowl. This accomplishes a couple of things. First (and most obviously), it cleans the bowl and provides a refurbished chamber for future smoking. Second, when the old cake is removed, I can inspect the interior walls of the bowl and determine if there is damage or not. I used a reamer and a piece of sandpaper taped to a wooden dowel. Collectively, these ensure that all the debris is removed. To my surprise, the walls were in decent shape, but, as I mentioned earlier, there were tiny cracks in the base of the bowl. To tidy up the briar, I also wiped down the outside with some oil soap on cotton rounds (and a toothbrush). This does a good job of cleaning any latent dirt on the surface of the briar. One of the difficulties in maintaining an Airograte Yello-Bole is that the wooden threads of the bowl are impregnated with the awful filth at the bottom of the metal shank. I used a brass-wire brush, a dental tool, and a small butter knife to try and clean things up. This didn’t help much. So, the next step of the cleaning process was to scour the inside of the bowl with some soap and tube brushes. This also didn’t help the base much. So, I poured some acetone into a small container and soaked the bowl’s threads for a little while. This helped quite a bit. I continued to wipe with some cotton rounds and it cleaned up fairly well. Quite frankly, this bowl was never going to be new again, but I was satisfied with it after soaking. The damage to the rim is significant. In order to lessen (but not eliminate) the nicks on the rim, I ‘topped’ the pipe – that is to say, I gently and evenly sanded the rim on a piece of 220-grit sandpaper. This effectively minimizes the damage, without altering the look of the pipe. There will always be some sign of the wound on the rim, but, as I’ve said before, it is part of the pipe’s history.

I decided to repair the tiny cracks in the briar next. This was initially straightforward enough: I was able to fill them with cyanoacrylate adhesive. However, it ended up being a bit tricky because I didn’t want to risk affecting the bowl threads by gumming them up with glue! I acted carefully and the repairs worked out perfectly.At long last, I used all nine micromesh pads (1,500 through 12,000 grit) on the outside of the bowl to finish it off. This sanding minimizes flaws in the briar and provides a beautiful smoothness to the wood. I rubbed some Before & After Restoration Balm into the briar and let it sit for 20 minutes or so. The balm moisturizes the wood and gives a beautiful depth to the briar. I then buffed it with a microfibre cloth. I’ve done the nylon, I’ve done the briar – now on to the two pieces of aluminum: the shank and the grate. As both were so dirty, I decided to drop them in an isopropyl alcohol bath and let them sit overnight. This accomplished precisely nothing. I then used my technique from above and dropped both bits in acetone for a while. This worked much better! A lot of filth came off. With that inspiration, I took both pieces to the sink and scrubbed them inside and outside with my cream cleanser. Now we’re getting somewhere! Over the next little while, I used several tools with acetone etc. to get into all the nooks and crannies in order to really clean everything well. Now to bring some shine back! Polishing up the aluminum was troublesome because of the grooves on the side. I used some 0000 steel wool to give a beautiful polish to the shank. This worked very well, but it’s such a mess! I laid out some paper towel to catch the debris because it goes everywhere. I did the same procedure on the grate as well.You can see in the following photo the difference that steel wool makes. On the left is the unsanded metal and on the right is the metal after an initial pass of steel wool. This is promising!The buffing procedure was different because of the metal – although the briar bowl and nylon stem did receive the normal White Diamond and carnauba wax treatment. I used Red Tripoli first and White Diamond second to polish the metal shank nicely. It came out so well! When I went back to my workbench, I cleaned the grooves in the metal with some soft pipe cleaners – just to remove any slight, remaining polishing compound. I then took a microfiber cloth to wipe the metal parts of the pipe to make it shine!Wow. That was quite the restoration job! This Airograte Yello-Bole looks so much better and I am happy to send it back to its owner. It was a lot of work, but I learned a lot and I am pleased with the results. The approximate dimensions of the pipe are as follows: length 5⅔ in. (144 mm); height 1⅝ in. (41 mm); bowl diameter 1⅜ in. (36 mm); chamber diameter ⅞ in. (21 mm). The weight of the pipe is 1¼ oz. (37 g). I hope you enjoyed reading the story of this pipe’s restoration as much as I enjoyed restoring it. If you are interested in more of my work, please follow me here on Steve’s website or send me an email at kenneth@knightsofthepipe.com. Thank you very much for reading and, as always, I welcome and encourage your comments.