Daily Archives: August 2, 2020

Life for a well used American Made John Bessai Custom Made Special Bent Poker/Sitter


Blog by Steve Laug

A fellow Vancouver Pipeman named Alex continues to keep me busy with working on the pipes he is picking up. He has picked up some interesting American and English made pipes. The next of those pipes is Bent Poker that is a Sitter. It is quite a stunning pipe. From what I can see it is a flawless piece of briar. The grain is mixed around the bowl and shank. The pipe is stamped on the left side of the shank and the flat heel of the bowl. On the left side it reads CUSTOM MADE [over] FIRST QUALITY. On the heel it reads JOHN BESSAI [over] SPECIAL. There was a thick cake in the bowl and some lava overflowing onto the rim top. The thick lava and cake make it hard to ascertain the condition of the inner edge of the rim. The finish was very dirty with grime and oils ground into the surface of the bowl and shank. The vulcanite saddle stem is stamped with a JB (John Bessai) logo on the left side of the saddle. The stem was calcified, oxidized, dirty and had tooth marks and chatter on both sides near the button. Here are some photos of the pipe when I first received it.    I took a close-up photo of the rim to show the condition of the rim top, bowl and the inner edge of the bowl. You can see the thick cake in the bowl and the lava overflowing on the top of the rim. The stem had tooth damage and chatter on the button edges and the stem ahead of the button. The stamping on the side of the shank and heel of the bowl is shown in the photos below. It reads as noted above.  You can also see the JB logo on the left side of the saddle stem.   I removed the stem from the shank and took a photo of the flow of the pipe. The pipe was really going to look great once it was cleaned and polished.I have worked on quite a few Bessai pipes over the years and back in 2014 I restemmed a bowl. I wrote a blog on the pipe and did quite an extensive amount of research on the brand (https://rebornpipes.com/2014/07/14/restemming-and-restoring-a-john-bessai-special-diamond-shank-bent-brandy/). I am including that information here for ease of reference.

HISTORY & BACKGROUND

I started out with what I had found previously and written about on the blog. I quote the following paragraph from Pipedia http://pipedia.org/index.php?title=Bessai

 John Bessai was a long time pipemaker, repairman and tobacco shop owner who operated his pipe shop at the “Old Arcade” in Cleveland, Ohio. The shop was opened in approximately 1898. It was a small 2-room shop where he hand-crafted his own pipes in the back room and could work when customers were not there. Like so many other shop made brand, John Bessai’s limited production was quickly acquired by regular customers and thus his craftsmanship remained little known outside of Ohio and the Midwest. While his name is known by pipe collectors in the Midwest, his work is seldom seen elsewhere! He died before 1969. Nevertheless, John Bessai left behind a small number of classic shaped pipes; all were made on-site. They are praised worthy of collecting and reflecting skills well beyond most American pipe makers. John Bessai’s logo “JB” appeared as one letter as the “back” of the “J” and the “back” of the “B” share a single line. The logo was stamped on the stem and on the left side of the shank. His son Herb Bessai took over the business and also continued making pipes. He closed the shop in about 1978.

I suspected that there would be more information three years later. I did some further research and came across the information found in the paragraph below on one of the pipe forums.

John Bessai was located in the Colonial Arcade at least into the late 1980s. After his death, his son Herb ran the shop. It was taken over after Herb’s retirement by a male and then name was changed to “Old Erie Pipes”. This was then located in the Erieview Plaza and when that mall closed, taken over by Cousin’s Cigars which has a store on Euclid Avenue near CSU, and a store on Chagrin Boulevard in Woodmere Village.

That small quotation gave me a bit more information of the state of the store after John’s death and Herb’s retirement. But I still wanted more information. I wanted to know about the history of the brand and if there was any information on the various grades in the brand and the stamping on the pipes. I wanted to know a bit of a timeline for the brands. Finally my digging paid off. ON one of the pipe forums I came across a link that led me to a gold mine of information gathered by a man after my own heart, Andrew Hross. He has a blog called Classic Pipe Shop on Blogspot. I have included the link below for those who want more information. Andrew has done an amazing job of gathering information on the Bessai Brand so rather than rewrite the history I am quoting portions of Andrew’s work on The John Bessai Pipe Clinic. (http://classicpipeshop.blogspot.ca/2014/04/the-john-bessai-pipe-clinic-information.html)

The John Bessai Pipe Clinic, 35 Colonial Arcade, Cleveland, OH 44115 – by Andrew Hross

Owner(s): **John Bessai 1920s until his passing in 1969, **Herb Bessai ~1962-1983, **Daniel Gottschall 1984-~1993, **Purchased by Dad’s Smoke Shop / Cousin’s Smoke Shop and rolled into the Old Erie Smoke Shop about 1993. Cousin’s Cigars purchased the remaining stock of Bessai pipes near after Herb Bessai passed away in 2002.

Years of Operation: 1920s (unkown specific date at this time) – 1983. After 1983 the business was sold to Daniel Gottschall who later sold it to Cousin’s Cigar (Euclid Ave) around 1993. The name was changed to “Old Erie Tobacco Company”. They were forced to move to the Galleria when all the tenants of the Old Arcade were cleared out to make room for renovations. Their new address was The Galleria at Erieview, 1301 East 9th Street in Cleveland.

After this move the location wasn’t as busy as they had hoped and Cousin’s moved all the Old Erie Tobacco assets to their Euclid Avenue Store. The store has since moved to a St. Clair location after Cleveland State forced them out due to anti-smoking regulations on campus. Their St. Clair location offers many of John Bessai Pipe Clinic’s old tobacco blends.

Their new store opened in the Merriman Valley area in Akron, Ohio where the store manager John Coleman oversees the day to day operations. John was instrumental in helping me piece together a lot of loose ends during Bessai Pipe Clinic’s transition years.

My father visited their shop several times in the early 60s as he attended Fenn College (now Cleveland State University) as an undergrad before moving on to Ohio State University for his Masters. He’s way smarter than I am so I just go with the flow…

He mentioned meeting John at that time who quickly gave my father some pointers on smoking a pipe and how to take samples from the shop’s expansive sample jar collection. His pipes were on display in the shop although I don’t believe he had a lot of pipes on display at any given time due to production in-shop.

John’s son Herb took over the shop in the early 60s after he graduated from Cleveland State University / Fenn College (unclear) as he is listed as having played Basketball for CSU. Herb was also a helpful, informative and friendly individual. Articles exist from the Herald in 1962 where they interviewed Herb (with photograph) about the state of smoking in the new age of the early 60s. I visited the shop in the late 70s / early 80s with my father during a trip to Cleveland and couldn’t tell you much about the shop other than the guy working was very friendly. Back then it wasn’t unusual to be a kid and walk into a smoke shop with your father. Clearly I didn’t purchase anything but my father probably picked up some tobacco but I remember him looking at pipes displayed on a back wall. The shop was small but impressive.

If anyone has any pictures of the shop or old catalogs, I would love any additional information as it’s tough to come by 30+ years later!

Pipes offered by John Bessai Pipe Clinic: Most of the pipes that were offered by the John Bessai Pipe Clinic were fairly standard in shape… I would say most of the pipes Bessai offered were smooth pipes. My assessment would be 90% smooth and 10% rusticated / sandblasted…

…The story is that John crafted pipes in the back room or off site and finished them in house while the store wasn’t busy. Very little information is available on the accuracy of this statement. Some of his pipes from the late 1960s through the 1970s (John passed away in 1969) I feel were left over stock from previous turnings and sometimes showed fills or sand pits. Some of these pipes even carry Herb’s markings (see below). These pipes still smoke very well but are not as eye-appealing as other earlier pipes from the store’s career.

Stampings and rough dating of John Bessai Pipe Clinic Pipes: Which pipes did John make and which ones did Herb make/finish? All Bessai pipes carry his standard large JB stamp either on the stem or shank or both. Typically the JB on the stem is within a circle.

All pipes created by John Bessai’s hands reportedly contain the miniscule ‘jb’ stamp on the shank or body of the pipe. I have older pipes in my possession that do not contain this stamp (condenser, old stamps, etc) that were clearly shop made pipes. I feel he started using the tiny ‘jb’ stamp in the 50s to early 60s.

An interesting note about John Bessai’s stems – they always clean very nicely and aren’t prone to as much oxidation (that brownish / green color) as most dunhill and Charatan pipes tend to oxidize. His cuts to his stems were very impressive and often transitioned from diamond-shaped shanks almost architecturally. Very comfortable to smoke.

John Bessai Special Pipes:

… I have a couple Bessai Special pipes. These stand out either by large size, graining or possibly shape. Most Specials are unique pipes and are rare to find in comparison to his regular issue pipes.

John Bessai Special X pipes:

I only have one of these and it’s a beauty. This one is a larger bowl (around a group 4 dunhill) with deep colored grain and a hefty substantial shank. Special X pipes are probably the rarest of John Bessai pipes and should be sought out if possible. I’ve smoke mine roughly 4 or 5 times and it performs with the best of my pipes…

Herb Bessai Pipes:

Unfortunately none of these pipes that I’ve seen have astounded me with grain or general appearance. Having said this, these pipes smoke nicely and are a great value if you can find them. I have one that my father found at an Antique Show in the South. There’s another author shape on reborn pipe’s blog that someone refinished because of the amount of fills in the pipe. He also states it’s a wonderful smoker (Editor’s note: This is my pipe and the write up I did on the blog). These pipes are likely from the late 60s through the early 70s. I believe many pipes after this period were created en masse at a factory in the US. It is unclear what stamp was used on these later pipes…

Dating / Circa era Bessai Pipes: If the pipe carries a stamp stating Cleveland, O U.S.A. it’s considered an older production pipe (pre1960s). I’ve not seen any newer pipes with that stamp.

Bullseye stamping usually indicates an earlier pipe as that stamp seems to have been abandoned pre1960 as well.

Most of the earlier Bessai pipes have an unusual ‘stinger’ or condenser at the end of the tenon which is unique to Bessai pipes. They are either a hard plastic or created out of wood. They are typically easy to remove and could have been easily lost if misplaced. These pipes I would consider pre-1960 and possibly 1940s-early 1950s production based on their stamps and patina of the pipes.

1970s 1980s and beyond: My feeling on these pipes after John’s passing is that they purchased finished pipes from a large manufacturer and stamped them with the John Bessai or Bessai stamp (on shank and/or stem). Most of these shapes are standard among many stores from that period and offer less than spectacular grain (and sometimes fills). Stamps on these pipes are probably fairly plain and don’t have the tiny ‘jb’ stamp on the shank indicating it was produced by John Bessai.

I know that is a lot of information and if you want to you can skip ahead to read about the restoration. I started my restoration with cleaning the internals and the externals of the pipe. I cleaned out the inside of the pipe with pipe cleaners, cotton swabs and alcohol. It was a filthy pipe on the inside.

The pipe in hand was a John Bessai Special. As noted above these stand out either by large size, graining or possibly shape. Most Specials are unique pipes and are rare to find in comparison to his regular issue pipes. It is certainly the first SPECIAL I have worked on.

Now it was time to work on the pipe itself. I reamed the thick cake back to the walls with a PipNet pipe reamer using the first two cutting heads. I followed up – cleaning the remnants of cake on the walls with a Savinelli Fitsall Pipe Knife. The final step for me to assess the condition of the walls of the bowl is to sand it with 220 grit sandpaper on a piece of dowel. I sanded the walls smooth. I was happy with the condition of the inside walls of the chamber.  I scrubbed the exterior of the bowl with a tooth brush and undiluted Murphy’s Oil Soap to get the grime and debris out of the briar. I rinsed it with running water and dried it off with a towel. With that the outside was clean… progress!      I cleaned out the mortise, shank in the briar and airway in the stem with pipe cleaners, cotton swabs and 99% isopropyl alcohol. The pipe was dirty with lots of tars and oils.       I worked on the damage to the inner edge of the bowl with 220 grit sandpaper to remove as much of the damage as possible and bring the bowl back to round. I took a photo of the rim top after the cleanup to show the progress in cleaning up the edges.     I polished the briar with micromesh sanding pads – wet sanding with 1500-12000 grit pads and wiping the bowl down with a damp cloth after each pad. The grain is really beginning to stand out and the rim top is blending in quite well.    I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. I am very happy with the results.   I set the bowl aside and turned my attention to the stem. I painted the tooth marks in the stem with the flame of a lighter to lift them to the surface. It worked quite well but there were a few small tooth marks left in the surface.I repaired the tooth marks in the vulcanite and rebuilt the edge of the button with Black Loctite 380 Adhesive. Once the repairs had cured I used a needle file to recut the edges of the button and flatten out the repairs.        I sanded the stem surface and button with 220 grit sandpaper to smooth out the repairs and blend them into the surface. I also worked to remove the remaining oxidation on the stem surface. I started the polishing with 400 grit wet dry sandpaper.   I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads and wiping it down after each pad with Obsidian Oil. I polished the stem with Before & After Stem Polish – both Fine and Extra Fine. I wiped it down a final time with Obsidian Oil when I finished.        This John Bessai Special Bent Poker with a vulcanite saddle stem turned out to be a real beauty. John Bessai really maximized the grain with the shape of the pipe. Everything about the pipe – the finish, the rim top and the cut of the briar work well to highlight the grain around the bowl. I polished stem and the bowl with Blue Diamond polish on the buffing wheel and the finish just popped and came alive. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The pipe took on life with the buffing. The rich brown finish works well with the polished vulcanite stem. The finished pipe has a rich look that is quite catching. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 5 inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. The John Bessai Special will back in the box of pipes that I am working on for Alex. I am looking forward to what he will think of this one. Thanks for walking through the restoration with me as I worked over another estate pipe.

Life for an F&T Bruyere Dublin for Abercrombie & Fitch Co. New York


Blog by Steve Laug

A fellow Vancouver Pipeman named Alex has been keeping me busy with working on the pipes he is picking up. He has picked up some interesting American and English made pipes. The next of those pipes is forward canted Dublin. This Dublin is quite a stunning pipe. Front what I can see it is a flawless piece of briar. The grain is mixed around the bowl and shank. The pipe is stamped on both sides of the shank. On the left side it reads F&T in a Diamond followed by Bruyere. On the right side it reads Made in London [over] For Abercrombie & Fitch Co. [over] New York. On the underside of the shank it is stamped with the shape number 45. There was a thick cake in the bowl (heavier in the bottom half of the bowl) and some darkening on the rim top. The rim top has some scratching and dents and some damage on the inner edge of the rim. The finish was very dirty with grime and oils ground into the surface of the bowl and shank. The vulcanite taper stem does not have any stamping on the top or sides. The stem was calcified, oxidized, dirty and had tooth marks and chatter on both sides near the button. Here are some photos of the pipe when I first received it.  I took a close-up photo of the rim to show the condition of the rim top, bowl and the inner edge of the bowl. You can see the thick cake in the lower half of the bowl. It also looked as if someone had started to ream the bowl and stopped. The stem had tooth damage and chatter on the button edges and the stem ahead of the button.    The stamping on the sides of the shank is shown in the photos below. It reads as noted above.         I removed the stem from the shank and took a photo of the flow of the pipe. The pipe was really going to look great once it was cleaned and polished.I turned to Pipephil’s article on Fribourg & Treyer London Made pipes because I recognized the F&T Diamond logo (http://www.pipephil.eu/logos/en/logo-f4.html). I did a screen capture of the write up on the brand.I turned to the article on the brand on Pipedia to gather information and history of the makers (https://pipedia.org/wiki/Fribourg_%26_Treyer). I have copied an illustration of the shop and included the article from Pipedia below.

Storefront scene, courtesy SmokersMag.com

Although FRIBOURG & TREYER’s closed in the 1980s and has been gone for many years, their pipes and related products continue to command the respect of pipe smokers around the globe!

FRIBOURG & TREYER’s was one of all LONDON’S GREAT OLD PIPE SHOPS established in 1720! Their primary shop was located in the HAYMARKET DISTRICT of London where they catered to the rich and famous including Royalty for nearly 300 years! While most collectors are familiar with the “Royal Appointment” accorded certain well-established businesses in England (most commonly seen on Dunhill packaging) FRIBOURG & TREYER’s not only held an identical appointment by the King of England, but they also had a similar “Royal Appointment” by the King of Belgium! From their well-known Haymarket Shop with its picturesque Bay Windows, the tobacconists blended their own line of tobaccos and snuff (and became known as “Britain’s premier snuff chandler”)! Like Astleys in London and famous American landmarks like Bertrams and Leonard’s, Fribourg & Treyer had their pipes manufactured by various unnamed pipe makers. But because of the quality of their clientele, they demanded and received the very choicest pipes!

The success of Fribourg & Treyer saw them expand to other “upper end” locations and at the height of their success they also operated shops in the equally famous Burlington Arcade as well as at Oxford and Cambridge! In the 1970s they were acquired by Imperial Tobacco and as “urban legend” has it, they could not afford to renew their lease at the Haymarket so they moved to a new location on Regent Street in London. However, that was short-lived and this famous old shop was permanently closed and its snuff and tobacco recipes sold.

Today Fribourg & Treyer is remembered primarily for its snuff and tobaccos! They supplied tobacco to pipesmokers around the world, and much like Drucquer’s in California and Garfinkel’s in Washington, D.C., their oldest blends are still vigorously pursued by knowledgeable pipesmokers today whenever they make a rare reappearance on eBay or elsewhere! (However, Fribourg and Treyer snuff and tobacco are still readily available throughout the world made by other tobacconists.)

This pipe was made by Fribourg & Treyer in London for the Abercrombie & Fitch Company in New York City. I would assume that pipe was sold by Abercrombie & Fitch along with fine tobaccos and other sundry smoking items in their Flagship Store on Fifth Avenue.

Now it was time to work on the pipe itself. I reamed the thick cake back to the walls with a PipNet pipe reamer using the first two cutting heads. I followed up – cleaning the remnants of cake on the walls with a Savinelli Fitsall Pipe Knife. The final step for me to assess the condition of the walls of the bowl is to sand it with 220 grit sandpaper on a piece of dowel. I sanded the walls smooth. I was happy with the condition of the inside walls of the chamber.    I scrubbed the exterior of the bowl with a tooth brush and undiluted Murphy’s Oil Soap to get the grime and debris out of the briar. I rinsed it with running water and dried it off with a towel. With that the outside was clean… progress!   I cleaned out the mortise, shank in the briar and airway in the stem with pipe cleaners, cotton swabs and 99% isopropyl alcohol. The pipe was dirty with lots of tars and oils.   I worked on the damage to the inner edge of the bowl with 220 grit sandpaper to remove as much of the damage as possible and bring the bowl back to round. I took a photo of the rim top after the cleanup to show the progress in cleaning up the edges.  I polished the briar with micromesh sanding pads – wet sanding with 1500-12000 grit pads and wiping the bowl down with a damp cloth after each pad. The grain is really beginning to stand out and the rim top is blending in quite well.   I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. I am very happy with the results.        I set the bowl aside and turned my attention to the stem. I painted the tooth marks in the stem with the flame of a lighter to lift them to the surface. It worked quite well but there were a few small tooth marks left in the surface.    I repaired the tooth marks in the vulcanite and rebuilt the edge of the button with Black Loctite 380 Adhesive. Once the repairs had cured I used a needle file to recut the edges of the button and flatten out the repairs.   I sanded the stem surface and button with 220 grit sandpaper to smooth out the repairs and blend them into the surface. I also worked to remove the remaining oxidation on the stem surface. I started the polishing with 400 grit wet dry sandpaper.    I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads and wiping it down after each pad with Obsidian Oil. I polished the stem with Before & After Stem Polish – both Fine and Extra Fine. I wiped it down a final time with Obsidian Oil when I finished.      This Fribourg and Treyer (F&T) Bruyere Dublin with a vulcanite taper stem turned out to be a real beauty. The carver at F&T really maximized the grain with the shape of the pipe. Everything about the pipe – the finish, the rim top and the cut of the briar work well to highlight the grain around the bowl. I polished stem and the bowl with Blue Diamond polish on the buffing wheel and the finish just popped and came alive. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The pipe took on life with the buffing. The rich brown finish works well with the polished vulcanite stem. The finished pipe has a rich look that is quite catching. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The F&T Dublin made for Abercrombie & Fitch New York will back in the box of pipes that I am working on for Alex. I am looking forward to what he will think of this one. Thanks for walking through the restoration with me as I worked over another estate pipe.