Tag Archives: repairing a previously repaired cracked shank

A Well Travelled 1967 Dunhill Shell Briar LB F/T Billiard


blog by Steve Laug

The next pipe on the table came to us from a seller on Facebook Instant Collection in Oregon City, Oregon, USA on 03/21/2024. It is a Dunhill Tanshell Briar Billiard that is in good condition. The original stem is on the pipe and it is made for a filter. It is stamped on a smooth panel on the underside of the shank. On the heel of the bowl it is stamped with the shape number LB F/T followed by Dunhill [over] Tanshell Briar [followed by] Made in [over] England 7. After that it is stamped with a 4 in a circle [followed by] T for Tanshell. The stamping is clear and readable. The pipe has a mix of tan and brown stains on a sandblast finish and some amazing grain that the shape follows well. The finish was dusty around the nooks and crannies of the sandblast but otherwise fairly clean. The shank had repaired cracks around the end that actually included about 1/3 of the shank and extended up the shank about ½ inch. The bowl had a thick cake in the bowl and there was lava in the sandblasted rim top or edges. The taper stem was dirty and had tooth marks and chatter ahead of the button. Jeff took photos of the pipe to show what it looked like before he started working on it. He took photos of the bowl and rim top to show how clean they were and of the stem to show the condition of both sides of the stem. The photos of the sides and heel of the bowl show the deep sandblast grain on the pipe. There were some dark spots on the back of the bowl, the rim top and spots on the sides. It is a beauty. The stamping on the heel of the bowl and shank read as noted above. It was faint but it is readable in good light.He took some photos of the cracks in the shank. It is clear and visible. It had been well repaired and the repair was well done. To the naked eye the crack is hidden in the valleys and low areas in the sandblast.One of the first things I like to do is to unpack the stamping and understand each element in it. I turned to Pipephill helpful site (http://pipephil.eu/logos/en/dunhill/shell-briar1.html). The stamping is interpreted as follows: The LB is the shape for a larger thick shank billiard and the F/T is the stem shape – a Fish Tail stem. The Dunhill Tanshell Briar is the finish which is corroborated the S at the end of the stamping. The size of the pipe is a Group 4. The 7 following the D of England gives the date the pipe.Pipephil also has some helpful dating keys on the site that are basically flow charts that you can walk through to date your pipe (http://pipephil.eu/logos/en/dunhill/cledat-en1a.html). I turned to Part 2 of the Dating Key and followed the chart. This pipe has a suffix of 8 following the D in England. It is not raised /smaller so that took me to the section on the chart below (column three) which instructed me that the pipe could be dated by adding the suffix 7 to 1960 which made the pipe a 1967 Tanshell Briar.  I turned to Pipedia’s section on Dunhill Root Briar to get a bit of background on the Dunhill finishes (https://pipedia.org/wiki/Dunhill#Root_Briar). I quote:

Tanshell
The Tanshell, introduced between 1951 and 1952, was Dunhill’s fourth major finish and its first significant post-war addition to the product line. It is a light tan sandblast, a finish achieved by using Sardinian briar exclusively through the 1960s. As Sardinian briar is considerably harder and denser than the Algerian variety, the resulting sandblast pattern is far more even and regular in its texture.

The development of the Tanshell was not straightforward. According to John C. Loring, the finish was the product of “certain processes… not previously employed”. The pipe was initially slated to be named the ‘Root Shell’, and a stamp to that effect was ordered in May 1951. Ultimately, however, the name ‘Tanshell’ was chosen, though the stamp for the new name was not received until December. This delay explains why most, if not all, Tanshell pipes manufactured in 1951 did not enter retail distribution until 1952 and were consequently stamped with a 1952 date code.

I have also included a chart from the site from Dunhill spelling out the Standard Pipe Finishes and giving short information and a timeline. I turned to work on the pipe itself. Jeff had carried out his usual thorough cleanup of the pipe. He reamed the bowl with a PipNet reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed the internals of the bowl, shank and stem with alcohol, cotton swabs, shank brushes and pipe cleaners. He scrubbed the externals with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed the bowl off with running water and dried it off with a soft cloth. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and once it had soaked rinsed it off with warm water to remove the residual solution. He dried it off and rubbed it down to remove any oxidation that was still on the stem. The pipe looked very good when I received it. There were dark spots on the back of the bowl, the back of each side and the back of the rim top.  I took a photo of the rim top to show the condition. You can see the clean bowl and darkening on the rim top. The stem came out looking quite good. There are some deep tooth marks and chatter on both sides ahead of the button.I took a photo of the underside of the shank to show the stamping. It is clear and readable as noted above. I removed the stem from the shank and took a photo of the pipe parts to show what I was working with. It is a nice looking pipe.I started my work on the pipe by dealing with the cracks in the shank. I took photos of the shank cracks. I trickled some clear CA glue into the cracks on the top and underside of the shank. I worked it into the cracks with a tooth pick. I went through my bag of brass bands and found one that fit the shank. It was a snug fit and once glued in place it would pull the cracks tight. I flattened the bottom of the band and put a few spots of glue on the band inside. I pressed it onto the shank for a tight fit. I took some photos of the banded shank. I really liked the look of it and the band worked well to tie the repairs together. I wiped the dark areas on the back of the bowl, rim top and shank with acetone on a cotton pad. I was able to remove the darkening and the bowl was washed out in those spots but it was very clean. I restained the bowl with a brown aniline stain. I applied it with the wool dauber and then flamed it to set it in the grain. I repeated the process multiple times until the colour was consistent all around the bowl sides.Once I had flamed the stain on the bowl I wiped it down with isopropyl alcohol on cotton pads to make the stain a bit more transparent. I wanted to hide the burn and darkening marks and this stain would blend them into the surface a bit more. I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips and a horsehair shoe brush to work it into the nooks and crannies of the sandblast finish. The product works to clean, enliven and preserve the briar. I let it sit for 10 minutes then I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm. I filled in the tooth marks on the top and underside of the stem with a black, rubberized CA glue. Once it cured I used small files to flatten the repaired areas. I sanded them with 220 grit sandpaper to smooth them and blend them into the surface of the vulcanite. I sanded the stem surface with 320-3500 grit 2×2 inch pads. I wiped the stem down with an Obsidian Oil cloth after each sanding pad.I polished the vulcanite with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This Dunhill Tanshell Briar LB F/T Chunky Billiard with taper stem has a beautiful, unique Dunhill Sandblast finish made in 1967. The thin brass repair band adds to this great looking pipe that is in almost new condition. The rich brown washed finish that is identified with some great grain around the bowl and shank. It has some great rugged sandblast that Dunhill specialized in making. The polished black vulcanite taper stem adds to the mix. I put the stem back on the bowl and buffed the pipe with Blue Diamond on the buffing wheel being careful to not buff the stamping. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Dunhill Tanshell Briar LB F/T Shell Briar Billiard is quite nice and feels great in the hand. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ¾ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. Thanks for walking through the restoration with me as I worked over another beautiful pipe. This one will stay with me for a while. I love the thick shank and solid feel of the LB shape. Thanks for your time.

Is it possible to give this Horribly Abused Stanwell 1986 POY Dublin New Life?


Blog by Steve Laug

The next pipe I am working on was purchased on 11/14/2022 as part of a group of pipes from a fellow in Copenhagen, Denmark. This was a horribly tired and dirty pipe with a lot of wear and tear and obviously it had been someone’s favourite smoker. The pipe has an identifying plate on the left side of the shank that reads Stanwell [over] 1986. There was no other stamping on the shank and the silver plate confirmed for me that it was a Stanwell Pipe of the Year. The dirty sandblast finish on this was worn and tired looking. There were tars and oils ground into the surface of the briar. The silver band on the shank was an later addition to address a crack in the shank on the underside. one showed some nice grain around the bowl and shank and though it was a little dirty it was a nice looking pipe. The bowl had a thick cake that flowed over the top of the lightly crowned rim in a thick coat of a lava and showed potential damage on the top and the inner edge. The stem was a black vulcanite saddle stem with a silver Crown S on the left side of the saddle. It had some deep and wide tooth marks and chatter on both sides ahead of the button. There was also some oxidation and calcification on both sides of the stem. For me the question was would it clean up well enough to make it worth doing a thorough restoration. Time would tell once it was cleaned up and I had a chance to look it over. Jeff took photos of the pipes before he started his clean up work.  He took photos of the rim and bowl to show the heavy cake and thick lava coat covering the rim top. It really was filthy and a mess. He also took photos of the stem surfaces to show its overall condition when it arrived. The photos of the sides and heel of the bowls show beautiful grain around the bowl and shank sides. The sandblast is nicely done and highlights the grain. The brown stain on the briar adds depth finish on the pipe and makes the grain really stand out. It shows some promise. He took a photo of the crack in the underside of the shank. It had been repaired before but the band had slipped off a bit and the crack had opened up. He also took a photo of the stamped silver plate on the left underside of the shanks. It reads as noted above. Jeff cleaned up the pipe for me. He reamed the bowl with a PipNet pipe reamer and cleaned it up with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior with Murphy’s Oil Soap and a tooth brush to clean off the grime off the finish and the heavy overflow of lava on the rim top. The cleaning had removed the thick coat on the rim top. He cleaned up the internals of the shank, mortise and stem with pipe cleaners, cotton swabs and alcohol to remove all of the oils and tars in the pipe. He soaked the stem in Before & After Deoxidizer and was able to remove much of the oxidation, calcification. When it arrived here in Vancouver it was a clean pipe and I knew what I had to work with. I took photos of it before I started my part of the restoration. I took a photo of the rim top and the stem to show their condition once it arrived in Canada. Jeff was able to clean up the incredibly thick cake and the lava overflow that was shown in the rim and bowl photos above. The rim top showed damage on the surface and the inner edge of the bowl was in rough condition. It was chipped and out of round. He was also able to get rid of the grime and grit in the surface of the briar around the sandblast. The last photo of the three below shows the crack in the shank. The stem looked better, though there were deep tooth marks and chatter on both sides near the button. I took a photo of the stamping on the silver plate on the left side of the shank to show that it was readable and undamaged by the cleanup work.I removed the stem from the shank and took a photo of the parts to give a sense of what the pipe looks like.I started my work on the inner edge and rim top with a folded piece of 220 grit sandpaper. I was able to remove that damage on the rim top and bring the inner edge back into round. It looked much better. (I also filled in the remnants of the crack on the underside of the shank with clear CA glue to further strengthen the  previous repair. I forgot to take pictures of this step.)I started polishing the smooth rim top with micromesh sanding pads. I wet sanded it with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cloth. The crowned rim top began to take on a rich shine and grain was beginning to stand out. I wet sanded with all of the pads and wiped the bowl down after each pad with a soft cloth. I used an oak stain pen to touch up the stain on the rim top to match the other smooth portions of the bowl and shank.I rubbed the bowl and shank down with Before & After Restoration Balm to deep clean the finish on the bowl and shank. The product works to clean, enliven and protect the briar. I worked it in with my fingers to get it into the briar. I used a horsehair shoe brush to work it into the sand blast. I let it sit for 10 minutes then I wiped it off and buffed it with a soft cloth. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. It is a beautiful bowl. I polished the silver band and plaque on the side of the shank with a jewelers cloth to remove the slight remaining oxidation and to protect and preserve it. I set the bowl aside and worked on the stem at this point in the process. The stem sat straight in the shank but the fit was thicker on the right side of the shank rather than the left side. I would need to reduce the diameter of the stem on the right side to get a more centered fit. I sanded the side with a piece of 220 grit sandpaper to reduce the diameter on that side. At the same time I filled in the deep tooth marks with clear CA glue. I flattened the repairs with a small file. And sanded the smooth with 220 grit. I started polishing the whole stem with 600 grit sandpaper until the sanding marks were gone. I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each pad with a damp cloth to remove the sanding dust. I gave it a further polish with Before & After Stem Polish – both Fine and Extra Fine. I finished by wiping the stem down with a final coat of Obsidian Oil and set it aside to dry. I put the stem back on the Stanwell Pipe of the Year 1986 Dublin Calabash pipe and took the pipe to the buffer. I buffed the bowl and stem with Blue Diamond to polish the briar and the acrylic. Blue Diamond does a great job on the smaller scratches that remain in both. I gave the bowl and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. Considering the mess the pipe was when we received it I am amazed at how well it turned out. The finished pipe is shown in the photos below. This is a beautiful Stanwell POY 1986 – the vulcanite saddle stem and crowned rim top and sandblast finish combine to give the pipe a great look. The polished black, vulcanite stem looks really good with the rich browns standing out in the sandblast. The dimensions of the pipe are Length: 5 inches, Height: 2 inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.34 ounces/38 grams. This is another pipe that I will be putting on the rebornpipes online store in the Danish Pipe Pipemaking Companies Section shortly, if you are interested in adding it to your collection. Thanks for walking through the restoration with me on this beauty!