Tag Archives: micromesh sanding pads

BBB Own Make #166 Reconditioning

Blog by Dave Gossett

I’ve owned a few BBB’s for years but lately I’ve taken a real liking to the Own Make. I picked this up from eBay on the cheap. Even with the blurry pictures it looked rough, but it was even worse upon arrival.

The one time this pipe was actually reamed, I think it was with a knife. The inner rim was hacked up and the top was charred. I like a challenge so I got to work. I used a Dremel drill with a barrel sander to make way for a reamer.

Here is it after the initial cleaning. Lots of rim char and missing briar. I started with a slight topping to give it a crisp symmetrical outer rim ring and then beveled the inner rim to smooth out the damage. Next I sanded the outside of the bowl to remove the scratches. Once the rim and stummel repairs were finished, I sanded the bowl chamber smooth and added a fresh carbon coating.

Next up: the stem. Once the stem was cleaned and sanitized I removed the tooth chatter with needle files and began wet sanding. I use craft sticks and glue various grits of sand paper to them for wet sanding the sharp edges and angles. Wet sanding the entire stem by hand can soften the crisp edges of the original design. Using these small sticks, can remove all the oxidation without compromising the original shape.

Here is an example from another project pipe. The stem in this picture also has a button patch repair. To finish up, I gave it few coats of carnauba wax and polished the silver band.

A Facelift for Colored Billiard

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Blog by Aaron Henson

Last fall I went to a flea market at our fair grounds and found a pipe that I could not leave without. It is was a Yello-Bole, Chesterfield, bent billiard with P-lip stem and nickel-plated shank band. It had been well used but was in good shape. When I got into restoring it I found that it had two significant issues, one of which was a deep burn on the outside of the rim. After a consultation email with Steve, I decided to build up the outside of the bowl and then rusticate the bowl to hide the repair. Since I had not rusticated a bowl before I thought I should try my hand on another pipe first. This is the story of my first pipe rustication. I’ll do a write up on the Chesterfield when I get it done.Incidentally, I also picked up a white bent billiard at the same flea market. Truth be told (and revealing my inexperience), I thought I was buying a smooth meerschaum. It had a nice smooth bowl, with a gold shank band and a yellow acrylic stem. The stem attached to the bowl with a tenon that threaded into an insert in the shank. The rim was dark and heavy with tar. It wasn’t until I cleaned off the rim that I noticed the chipped paint and the wood underneath and realized my error. After deciding to rusticate the Chesterfield, I thought that this pipe would be a perfect candidate on which to practice. I began by reaming the bowl and cleaning the shank. The tar was very thick and hard even the stem was plugged about halfway. Once the internal of the stummel were cleaned I started removing the white paint. Not a necessary step but I wanted to see just what kind of wood lay underneath the white coat of paint. To my surprise it wasn’t briar at all. I’m still not certain what it is; very little grain, very light in color and quite soft compared to briar. My guess is pear wood but it could be any of a variety of alternate woods. I used 60-grit sand paper to remove the paint which left a rough surface. I didn’t bother to smooth in any further but rather applied a heavy coat of black aniline dye. The dye was sacrificial and would help me see the extent and depth of the rusticating.I made my rustication tool using ten 10d nails set with Gorilla Glue into the hollowed out end of a large dowel. Before gluing the nails, I cut off the heads and sharpened the points. Taping them all together so the points were even I set them in the dowel and waited for glue to set. The nails extended a little more than 2 inches from the dowel and I later found that this was too far. Using the push and twist method the nails would flex and separate while twisting the tool. Placing a hose clamp around the nails about half an inch from the end kept the nails together and the tool worked much better. At this point the bowl had a very sharp and coarse texture so I knocked it down with a wire brush and then switched to a light sanding with 60-grit sandpaper. With the texturing done, I applied another two coats of black Feibing’s dye and flamed them to set the color.I wanted to try a contrasting stain, so I took some 400 grit paper and worked the stain off high points. By the time I got done and wiped the stummel down with alcohol, I had a slightly rusticated pipe with white high points and blue (faded black) low points. I was not very happy with the results so I set it aside to dwell on it for a while.Reflecting on the pipe I realized that the wood was not very interesting and did not seem to absorb stain well; I can see why it was painted in the beginning. I also reminded myself not to get ‘attached’ to this pipe. It was for practice after all; experiment and learn.

The texture that I got with my rustication tool was not what I wanted for the Chesterfield. So I took the white and blue stummel back to the workbench again and this time used a small carving bit on my Dremel. I went over the low spots and making them more defined and just randomly played with the tool. In the end I had something I kind of liked, and more importantly, something that I felt I could use on the Chesterfield.

To finish the stummel I decided to go simple and leave it all black. I gave it two coats of black dye and set it aside to dry. Because the wood didn’t seem to hold the stain well I was concerned about buffing the finish. Instead I finished the stummel with two coats of clear shellac.

Then, I turned my attention to the stem. I had decided early on that the yellow acrylic stem would not work with the new look so I would need to fashion a new one. I liked the idea of an acrylic stem but after looking at stems online I could not find just what I wanted. So I ordered two different round tapered vulcanite stems from Vermont Freehand.Having only worked with vulcanite stems with integral tenons I was on the low end of the learning curve for this type of tenon. In the shank, there is a threaded (female) insert. The tenon itself (the other part) is double ended (male-male) – one threaded and other end smooth. The threaded end is simple enough to understand and the smooth part fit into the end of the stem.When I received the stems I selected the one I thought would look best and took it to the work bench. First I cut off the formed tenon, then using progressively larger drill bits, enlarged the air hole. I made the mortise for the smooth end of the plastic tenon. I have a detachable chuck for my hand drill and I used it to hold the bit while I turned the stem by hand. I then had to counter sink the mortise to seat the tenon ring. After the tenon was fit to the shank and the stem was rotated correctly, I marked the top of the stem and taped off the band to protect it. Using a flat micro file I shaved off stem material until it closely match the shank diameter. I finished the shaping with 240-grit wet/dry sand paper taking care not to round the shoulder of the stem.Once the stem was fully fitted and shaped to the stem I used a heat gun to soften the vulcanite and bend it to match the shape of the original stem. I set the shape by dipping the stem in cool water. This is where I ran into my next challenge. The heat from bending the stem also expanded the mortise and now the tenon was too loose. My solution was to coat the inside of the mortise with a thin layer of super glue. I am not sure how this will hold up long term but it works well for now.

Lastly I polished the stem with micro mesh pads (1500–12,000) using a little mineral oil between each set of three. I finished the stem with white diamond on the buffing wheel then three coats of carnauba wax. All things considered, I am happy with the results. I am under no illusions, this pipe is no master piece, but I did learn a few things and that was what I was after. Hopefully this will help someone else too. Your feedback is very welcomed. Thank you for taking the time to read this.

Bringing New Life to a Yello-Bole Metal

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Blog by Steve Laug

My brother found this older Yello-Bole metal pipe. It is a lot like the older Grabow Vikings but the bottom of the bowl is different from the Grabow. Between the bowl and the metal base there is a flat perforated screen or disk that the tobacco sits on. It acts as the bottom of the bowl. The wooden bowl itself is a threaded tube that screws into the base. There are two pin holes on the sides of the base (one on each side about mid base below the bowl). These serve as openings to draw air into the bowl. This one was in decent shape and would take a little work to clean up. The photos below were provided by the eBay seller and show the state of the pipe. From the first two photos below you can see the wear on the stem and the white calcification that generally builds up under a rubber softee bit. The finish on the bowl is shot. There is nothing but bare briar showing. The outer edge of the rim looks good. The next two photos give a top and underside view of the pipe. You can see the ring of cake in the bowl around the middle and lighter on the top and bottom edges. You can see the metal disk in the bottom of the bowl. I have purchased a few of these over the years and almost all of them were missing the metal disk that sat in the base between the bowl and base. The stem shows some tooth marks on the top and underside. The final photo included by the seller showed the stamping on the underside of the base. It read Yello-Bole horizontally along the bottom of the shank. It also gave the patent number on the bottom of the base. It read PAT. over 2467002 over PAT. PEND. That was enough data to do a patent search on the US Patent Information site. http://www.uspto.gov/patents-application-process/search-patents. From there I copied the patent drawing and included it below.The diagram and the accompanying documents show the conceptual and descriptive narrative of what the pipe was about and what its maker hoped to achieve with his design. The inventor was a Samuel Laurence Atkins of New York. He filed his patent application on July 14, 1945. The patent was granted April 12, 1949. The pipe that I have is stamped Patent Pending thus it is easy to extrapolate that it was made between the dates July 14, 1945 and April 11, 1949 which are the dates before the patent was granted. That makes this pipe between 67-71 years old. It is in pretty decent shape for a pipe of that age. I took the following photos when the pipe arrived. The seller’s photos were pretty good at showing the issues with the pipe. All the things noted above were correct. The pipe was quite easy to take apart. I unscrewed the bowl and tapped out the disk in the base. The stem came out of the shank with little effort. I took the photo below to show the parts. The second photo shows the cake in the bowl. I started the clean up with reaming the bowl. I used the PipNet reamer and the largest cutting head to ream from the top of the bowl. I used the second head to ream the bowl from the bottom. I reamed it back to bare briar. There was still some of the signature Yello-Bole bowl coating showing near the top just below the rim. I scrubbed the bowl base with a brass bristle brush to loosen up the dried tars and oils in the base. I used a dental pick to clean out the threads. I also scrubbed the disk with the brush. I used pipe cleaners, cotton swabs and alcohol to clean the surface of the disk and the inside of the base and airway.

I scrubbed the interior and exterior of the stem with alcohol and pipe cleaners to remove the build up on the outside and the oils on the inside.With the cleanup finished I set the parts on the table and took a few photos of the cleaned up pipe. Now it was time to restore it. I wiped down the bowl with cotton pads and acetone to remove the grime and the remaining finish on the bowl.

I stained the bowl with a dark brown stain pen. I buffed the bowl with red Tripoli to spread and polish the stain. I buffed it with Blue Diamond and rubbed the bowl down with a light coat of olive oil. At this point in the process the bowl and the metal base was complete. I took the following photos to show the state of the progress thus far. I cleaned the stem and used a clear super glue to repair the deep tooth marks in the top and underside of the stem near the button. I sanded the repairs with 220 grit sandpaper to blend it into the surface of the stem. I worked on the stem with micromesh sanding pads. I wet sanded with 1500-2400 grit sanding pads and then rubbed the stem down with Obsidian Oil. I wet sanded with 3200-4000 grit pads and gave it another coat of oil. I finished by dry sanding with 6000-12000 grit pads. I gave it a final coat of oil and let it dry. I buffed the bowl and stem with Blue Diamond on the wheel and then gave both multiple coats of carnauba wax. I buffed it with a clean buffing pad and then by hand with a microfiber cloth. The finished pipe is shown in the photos below. Thanks for looking.

Replacing a Threaded Mortise/Tenon system with a Push Mortise/Tenon System in a Meerschaum Pipe

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Blog by Steve Laug

When I received this meerschaum pipe the sender said that it needed to have the tenon replaced. It looked like it would be a simple repair so I left it until last. I restemmed the other little meerschaum that I posted earlier and put a new tenon on an Italian pipe for him and figured that this would be an easy fix. I unscrewed the stem from the broken tenon – it was split and half of it was missing. The stem came off with no problem. I had a perfect replacement tenon available to me so I screwed it into the stem and then looked at the broken tenon in the shank. Still the problem seemed quite simple. I used my wood screw and threaded it into the airway and tried to pull the tenon – either unscrewing it or at least wiggling it free. It did not move at all. I looked at it with a lens and saw that there were remnants of epoxy around the portion of the tenon that showed. Now I was in trouble. What had originally been an easy fix now was complicated. Before I drilled out the tenon I took a few photos of the bowl to show the condition of the meer. It was worn and scratched but had some beauty that shown through the grime and the scratches. The rim was dirty and pitted but the edges were sharp. The bowl interior was lightly caked and the pipe smelled of strong aromatics. I drilled out the tenon in the shank of the pipe starting with a bit slightly larger than the airway. No problem with that first step. I increased the size of the bit and drilled it again. It was my hope to have the glued tenon break free with the drilling. I increased the size of the bit yet again, this time to almost the same size as the threaded tenon. No luck. The tenon was absolutely stuck to the insert in the shank. I increased the bit size once more and this time the tenon broke. I tried to pick out the remaining pieces but they were solidly glued in place. I looked at the insert with a lens and could see that the glue and tenon had damaged the internal threads on the insert. This was turning into a real pain. I would have to drill out the entire insert and replace it. Once I had the tenon free I figured this would be easy as well. Again I was wrong. The insert was also glued in place. I increased the size of the bit several times until I had removed the insert itself. This old pipe was turning into a head ache.

I finally was able to remove the insert. I examined the inside of the shank. The original drilling of this pipe was fascinating. It was obviously drilled in several stages stepping down the mortise to the airway. I wrote to the owner and asked if it would be okay to replace the threaded tenon and mortise set up with a push tenon. I figured why complicate things. He confirmed that he was okay with that replacement. I started work on the stem and shank for that set up. I drilled the airway on the stem slightly bigger to take the push tenon. I cleaned out the inside of the stem to remove the debris and the tars. I checked the fit of the tenon in the stem and it was a good fit. I would need to countersink the airway to accommodate the rim on the tenon. I cleaned out the shank and airway on the bowl as well. I fit the insert in the shank. The fit was good but I would also need to countersink it to make a flat surface for the stem to sit against.I used a slightly larger drill bit to create the countersink on the shank and pushed the insert in place. The fit was perfect. Due to the damage on the shank from all of the glue I would need to use glue to hold the insert in place but I wanted to clean up the fit before I set the glue in place. In the photo below the new system can be seen. The mortise insert is in place and the push tenon is on the stem.I cleaned out the shank one more time and then mixed a two part epoxy for the insert. I applied the mixture to the insert and pressed it into place. I aligned the airway and the stem so that things would be straight once it dried and set the bowl aside so the epoxy could cure.I used a drill bit to countersink the rim on the tenon into the stem. I threaded it in place to make sure the fit was correct.

I sanded the bowl with micromesh sanding pads to smooth out the roughness and bring back some of the shine of polished meer. I wet sanded it with 1500-2400 grit pads and was able to bring back a lot of the life in the meerschaum. I dry sanded with 3200-4000 grit pads to polish it further. The photos below show the pipe after I had sanded it. When I am working on an older meerschaum I do not like to remove all of nicks and scratches as they add character to an old pipe. They are like battle scars and each of them has a story to tell. I clean up the surface damage and highlight the patina but leave the pipe clean but looking its age. I let the epoxy set over night and then this morning pushed the stem into the new mortise. The fit was a little tight and I could see some light between the stem and the shank end. I needed to finesse the fit of the stem and shank. I carefully sanded the end of the mortise with the Dremel to make sure the insert was flush against the meerschaum end of the shank. I also worked on the countersink of the tenon in the stem with a sharp knife to give it a wider and sharper bevel to accommodate the rim around the middle of the tenon. I polished the newly sanded and cut areas with micromesh sanding pads to smooth out the fresh work. I polished the stem and the bowl lightly with some soft white Beeswax and then buffed the pipe by hand with a microfibre cloth to raise the shine. The finished pipe is shown in the photos below. Soon I will pack up the threesome of pipes and send them back to the pipe man who sent them to me. They are all functional now and to me actually look and work better than they did before. Thanks for looking.

Restemming an Old Diamond Shank Meerschaum Bent Billiard

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Blog by Steve Laug

The second pipe sent to me for work was a nice older style diamond shank meerschaum. The bowl was clean with some grime on the outside and some lava on the rim top. The bowl was quite clean. The stem was Bakelite and was missing a lot of the parts to connect the two broken pieces. The tenon connecting the stem to the bowl was stuck in the shank but I was able to unscrew the broken stem from the tenon. The silver band was marked Sterling and was badly tarnished. I would clearly need to restem this pipe as the original stem was unusable. I went through my can of stems and found a likely candidate for the new stem. I did not have any Bakelite stems so I would have to use vulcanite and shape and drill it to fit. I had one stem that was slightly longer than the broken stem but the shape was right. The sides of the saddle were larger than the original as well so I would need to shape it to fit.I used the Dremel to remove the tenon from the new stem and flatten the end. I used the topping board to smooth out the end of the stem. Once I had it faced I used a drill bit to drill out the airway. I started with one slightly larger than the airway and hand turned the stem onto the bit. I changed the bit to one that was the same size as the tenon and repeated the process. I was able to twist the stem onto the tenon and it cut threads into the vulcanite. I thought I was set at this point as the stem fit pretty well. I would need to sand the sides and the points of the diamond to get a fit that matched the shank and band but it looked like it was going to work out well. I used the Dremel and sanding drum to remove the excess material on each side of the diamond, trying to get as close as possible without damaging the silver band. I would need to finish it by hand but I wanted to minimize the work that needed to be done by hand. I sanded it with 220 grit sandpaper to smooth out the marks left behind by the Dremel and to further reduce the sides of the diamond.I put a drop of super glue on the Bakelite stem to get an idea of the angle of the bend in the stem. I figured I would use it along with the case as a template for the new stem. While it dried I sanded the surface of the new stem with 220 grit sandpaper and used the topping board to reduce the length of the stem. You can see that the vulcanite is cleaning up very nicely and the scratches are gone. I used a ragged piece of sanding sponge to sand the lava on the top of the rim. I was able to remove all of it without harming the patina on the rim or bowl.I polished the silver band with a jeweler’s cloth to remove the tarnish. I was able to remove the bone tenon from the shank of the pipe and clean out the inside of the shank before putting in a replacement tenon that I got from Tim at JH Lowe. The fit was perfect in both the shank and the stem. The new tenon was not brittle like the old one so it would last and give better durability to the pipe.I set up my heat gun and heated the stem until it was pliable. Using the old broken stem as a template I bent the new stem to match. I sanded the stem with a 1500 grit micromesh sanding pad to remove more of the scratching and then put it on the pipe to check the fit. I really like the look of the new stem. The black vulcanite goes well with the patina of the old meerschaum. I wet sanded the stem with 1500-2400 grit micromesh sanding pads and then gave it a coat of Obsidian Oil. I am sure by now you know my drill by heart but just in case – I sanded it with 3200-4000 grit pads, another coat of oil and final sand with 6000-12000 grit pads. I gave it a final coat of Obsidian Oil and let it dry. I buffed the stem with Blue Diamond on the wheel and then gave it multiple coats of carnauba wax. I buffed the stem with a clean buff and then put it back on the bowl. I finished buffing the pipe with a microfibre cloth. The finished pipe is shown in the photos below. I like the way the black shiny vulcanite stem sets off the colours of the bowl. I hope the pipeman who sent it to me for a new stem will be pleased with the result. Thanks for looking.

Replacing a Tenon and Doing a Restoration on a Sorrentino Manager 0704

6 Replies

Blog by Steve Laug

I received this one from a fellow who wanted the tenon replaced but being the way I am I could not just replace the tenon and leave the pipe looking tired and worn so I wrote and offered to clean it up for him. It took more work than I had originally thought it would but the added effort made for a beautiful looking pipe. It is stamped on the left side of the shank MANAGER over SORRENTINO. On the right side it says 0704 which is the shape number and Italy. The briar was really in need of some work. The left side was stained with a dark patch that ran from the top to the bottom of the bowl. The finish was also rough to the touch over that section. On the bottom, front and right side of the bowl there was a lot of dents and dings like the pipe had been dropped. The rim had a coat of lava and the bowl had a very uneven cake with more on the left side of the bowl than the right. The finish was basically shot. The stem came with lots of tooth chatter and a broken tenon. The tenon snapped right at the shank and was stuck in the shank. The brass band on the shank was loose. The pipe was tired and needed some TLC. Here is what it looked like when I started. In the photos above I had already turned the wood screw into the broken tenon. I use that to pull a broken tenon and it never disappoints in effectiveness. Note the state of the bowl in the photos.I used a Dremel and sanding drum to flatten out the remnant of the broken tenon on the stem. Once it was flat it was time to drill the stem to take the new tenon. I started with a bit slightly larger than the airway to center the drilling and turned the stem onto the bit by hand. I find that though it is harder to do it by hand, turning it by hand and not drilling it gives me more control of the stem. I worked my way up to a ¼ inch bit and then cleaned it out with a needle file. I had a Delrin tenon I purchased from Tim at JH Lowe and I roughed up the surface of the portion that would go into the stem and gave it a coat of two part slow drying epoxy to hold it in place. I lined up the stem in the shank and then set it aside to let the epoxy cure over night. While it dried I worked on the bowl. I stripped off the remaining finish with acetone and cotton pads. I sanded the dark stain mark on the left side of the bowl with 220 grit sandpaper to remove the damaged briar and smooth things out. I scrubbed that side with acetone to finish. I reamed the bowl with a PipNet reamer to even out the cake that had been there. I decided to strip it back to bare wood. I wanted to check out the inside of the bowl walls. The interior was sound and there was no damage on the bowl walls. I sanded the bowl with 1500-2400 grit micromesh sanding pads to clean up the scratches left behind on the briar by the sand paper and by the wear and tear of age. The stripped and sanded bowl was looking pretty good. I sanded the inner bevel of the rim to clean it up and prepare the bowl for staining. I wiped it down a final time with isopropyl alcohol. I stained the bowl with a dark brown aniline stain. I flamed it and restained it with a second coat of the stain. I flamed it again. Before setting the bowl aside to dry I wiped it down with alcohol on a cotton pad to smooth out the stain and lighten it slightly. I wanted the grain to show through.I buffed the bowl with Blue Diamond on the buffing wheel and gave it several coats of carnauba wax to seal and preserve the finish. I buffed it with a clean buffing pad to raise the shine. (Forgive the poor focus on the first photo below. It is blurry but still gives you an idea of how the dark area had been reduced.) With the bowl finished I set it aside and worked on the stem. I sanded the tooth marks and chatter on the stem with 220 grit sandpaper until they were smoothed out. I was able to easily remove most of the tooth damage to the stem. There was one small tooth dent on the top of the stem that I left as it is minimal and I did not want to thin the stem. I wet sanded the stem with 1500-2400 grit micromesh sanding pads. I dry sanded it with 3200-4000 grit pads. I finished with 6000-12000 grit pads. I buffed the stem with Blue Diamond on the wheel. I put the pipe together and lightly buffed it with some more carnauba wax to finish it. I hand buffed it with a microfibre cloth for the final buffing. The photos below show the finished pipe. Hopefully when it is returned to the pipeman who owns it he will be pleased with the finished pipe. Thanks for looking.

An LHS Purex Patented Lovat that showed promise

1 Reply

Blog by Steve Laug

My brother showed me a link on eBay that showed this older LHS Lovat. It was stamped LHS in a diamond. Next to that was stamped PUREX over the patent number, PAT.No1587048. Under that was stamped REAL BRIAR. The shape number 12 was stamped on the underside of the shank. The pipe looked decent. There was some damage to the rim but the bowl was nice other than the usual dirtiness and dents. The shank also looked good. There did not appear to be any fills in the bowl or shank. There was very little cake in the bowl and it appeared that it had been recently reamed. The finish was in okay shape though there were paint flecks on the sides of the bowl near the rim. The seller included a close up photo of the rim to show the extent of damage. It looked to me that the outer rim was the roughest. It was rounded and the defined sharp edge was gone. The front edge had more damage than the back. The inner edge showed damage and would take some work to round it out. The top of the rim was pretty beat up from what I could see in the photos.The stem was in rough shape with lots of tooth chatter and wear. It was oxidized and also had a thick coat of some substance that appeared to be flaking or peeling. The dots on the stem were probably white and red though the photos showed the white dot as almost yellow. I was pretty sure that the coat on the coat on the stem accounted for that. I weighed the work it would take to bring it back to life and we put in the only bid on the pipe. It did not take too long for the seller to send it to my brother and for him to send it to me. Even with the double postage it is cheaper to send it to him in the US and then to me in Canada than to ship it directly to Canada. When the pipe arrived in Canada I was able to see that the seller’s photos had shown the condition of the pipe very well. The only thing not shown was that the stem was quite plugged from the slot to the metal threaded tenon. I was not able to push a pipe cleaner through it. The other thing was that the patented stinger apparatus was missing. I have included a picture of the missing apparatus from the patent information.I went through my collection of tenons and I did not have one like the one shown in the drawing above. I took the next photos to show the state of the pipe from my perspective before I started on the refurb. I found that the stem was slightly underclocked and needed to be rotated. The first photo below shows the turn of the tenon when it arrived. I heated the tenon with a Bic lighter to soften the glue in the stem. Once it was softened I was able to turn the stem straight. The second photo shows the corrected stem. I took a close up photo of the rim and the bowl interior. There was still some cake in the bowl that needed to be scraped off.I reamed the bowl with the PipNet reamer and took out the remaining cake. I cleaned out the shank with pipe cleaners, cotton swabs and alcohol. This was one dirty shank and mortise. I would need to use the retort to clean it out. I cleaned out the airway in the stem. It was clogged so I used a dental pick to open the slot area and then I was able to push a thin pipe cleaner through the airway. It took quite a few pipe cleaners to open the airway. I scrubbed the metal tenon with a brass bristle brush and then with alcohol and cotton pads. It was stained but all of the debris was cleaned. I set up my retort, filling the test tube with isopropyl alcohol and then putting the stopper in place in the tube. I put a cotton ball in the bowl and the slid the rubber end of the retort over the stem. I lit a candle and heated the alcohol to boil through the bowl and shank. I boiled two test tubes of alcohol through the airway in the stem and shank before the alcohol came out clean. Once it was finished I ran pipe cleaners and cotton swabs through the mortise and airway to clean out the remaining alcohol and debris. Once I was finished the pipe smelled clean. It was time to address the rim top. I topped it on the topping board using 220 grit sandpaper to remove the damage to the surface and sharpen the inner and outer edges of the rim. Fortunately I did not need to remove much of the surface to clean up the rim surface and edges. I scrubbed the finish with acetone on cotton pads to remove the sticky surface of the finish and the dirt and grime of the years. I sanded the stem with 220 grit sandpaper. I removed the “varnish” coat or whatever the substance was as well as the oxidation and tooth marks. Once I had the surface clean of oxidation and tooth marks I wet sanded it with 1500-2400 grit micromesh sanding pads. I gave the stem a rub down of Obsidian Oil. I dry sanded it with 3200-4000 grit pads and gave it another coat of oil. I finished by sanding it with 6000-12000 grit pads and then gave it a final coat of oil. I sanded the rim with 1500-3200 grit micromesh sanding pads to smooth out the scratches left behind when I topped the bowl. I used a light brown stain pen to match the rim to the rest of the finish. I gave the pipe a light wipe down with olive oil and then buffed it with Blue Diamond plastic polish on the wheel. I gave it multiple coats of carnauba wax and buffed it with a clean buffing pad. I took it back to the table and gave it a final hand buff with a microfiber cloth. The finished pipe is shown in the photos below. I have no idea how old the pipe is but the patent number at least gives me a post 1926 date as a starting point. I don’t know how long LH Stern included the Pat.No. stamping on the shank but my thinking is that the pipe is from the mid to late 30s. Thanks or looking.

A Restoration Project – A Small Bent Billiard from a Past Era

16 Replies

Blog by Steve Laug

When I saw this pipe on Ebay I decided I wanted to have it in the collection. The seller said the stem was amber and it may be though I am thinking it is more of an Amberoid. The bowl had a fill on the back left side at the shank bowl junction. The band on the shank was rotated to the right and a little loose. The finish was worn and dirty. The rim was covered in tars and lava and the bowl was caked and half filled with the last unfinished bowl of tobacco. There was no information from the seller as to stampings or markings on the bowl or shank. It appeared to be a no name pipe. The seller thought the stem was horn or amber but it did not look like that to me. The stem looked to be in decent shape though it had tooth marks on the top and the underside near the button. The stem was very dull in appearance and the airway was black. The case was in decent shape with a lot of ash and detritus from the years. All in all the pipe was tired but it looked to be easily restorable. The photos below came from the seller. The next two photos show the stem damage. It does not appear to be extensive more chatter than any deep bite marks. The way the marks look on the stem it looks to me that the stem is amberoid or Bakelite not amber or horn. The pipe is diminutive – a small one all the way around. It is well proportioned but is 4 inches long with a bowl height of 1 ½ inches. The inside diameter of the bowl is 5/8 inches.The seller also included several close up photos – one of a large fill on the back left side of the bowl. It appeared to be tight and smooth but I would know more once I cleaned up the bowl. The other photo was of the metal band. It was stamped with faux hallmarks and an EP in a diamond that signified that the band was electroplated. The case was in decent shape for a pipe this age.When the pipe arrived I unpacked it and took it out of the case and took a few photos of my own to confirm my assessment from the seller’s photos. The pipe was solid and clean. The finish was worn and tired – dirty but would clean up nicely. The lava on the rim and the damage to the rim edges would need some work. The stem was not amber or horn but amberoid or Bakelite. It had some interesting swirls and would clean up nicely. The material on the inside of the case had a lot of ash and was dirty but intact. I removed the stem from the shank and was surprised that I was able to unscrew the bone tenon from the stem. It was a little sticky but with a bit of wiggling it came free.With the stem out I worked on the inside of the stem. The airway was almost black with tars and oils. I wanted to clean out the stem as much as possible and bring it back to a clean airway that blended with the stem material. I used alcohol, pipe cleaners and cotton swabs. The photo below shows the first stage of the cleaning. Following the scrubbing I also used Barkeepers Companion with pipe cleaners dipped in it and using that to scrub out the airways. I was able to clean out the majority of the stains. I reamed the bowl with a PipNet reamer and took the cake back to bare briar. To clean up the rim I topped it with 220 grit sandpaper. I was able to take off all of the lava and cleaned up the edges of the rim. I sanded the inside edge of the rim with a folded piece of sandpaper. I cleaned up the rough edges and the inside of the bowl. I scrubbed the exterior of the bowl with acetone on cotton pads. It removed the finish and the grime from the bowl. I removed the loose band and cleaned the outside of the shank. I reglued the band with Wellbond white all purpose glue.I cleaned out the inside of the mortise and airway with cotton swabs, pipe cleaners and alcohol.I used a black Sharpie to hide the fill on the back of the bowl and then stained the pipe with Dark Brown aniline stain. I flamed it and restained and reflamed it. I sanded the tooth chatter with 220 grit sandpaper to remove it. I wet sanded the stem with 1500-2400 grit micromesh sanding pads to begin the process of polishing the stem. I rubbed it down with Obsidian Oil and then dry sanded it with 3200-4000 grit pads. I gave it another coat of oil and then sanded it with 6000-12000 grit pads. I gave it a final coat of oil and let it dry. I lightly buffed the stem and bowl with Blue Diamond and then gave the pipe several coats of carnauba wax. I buffed it with a clean flannel buffing pad and then with a microfibre cloth. I brushed out the inside of the case with the shoe brush to remove the dust and ash. The finished pipe is shown in the photos below. This is a great old pipe and one that will hold a spot in my collection. I will keep it in trust, using it and caring for it until I pass it into the hands of the next pipe man. Thanks for looking.

A Rare Find – A Pair of Fieldcraft Dulwich Quaints

6 Replies

Blog by Steve Laug

My brother found this pair of Dulwich Quaints – one a sitter, kind of bent poker and the other a kind of pickaxe shape. The shape and the look of them were unique and there was something about them that immediately drew me to them. They are not big pipes but they have full sized bowls. The stems were made out of very good vulcanite. The briar was quite nice even though both pipe sported a few fills. The bent poker is stamped DULWICH over Quaint on the left side of the shank and Made in England on the right side. On the underside of the shank it is stamped Fieldcraft and the shape number 102. The pickaxe is stamp DULWICH over Quaint on the left side and Made in England on the right and on the underside it has the shape number 126. I have hunted high and low for information on the brand using the Dulwich moniker as well as the Fieldcraft one. Both take me nowhere. One of the earlier pipes I repaired was stamped with the Fieldcraft name and the shape number was clearly a Orlik Pipe Shape. In this case I have no idea who the maker was. Both are interesting old pipes. The poker shaped sitter had hardly been smoked with over half of the bowl undarkened briar. The stem had some tooth chatter on the underside near the button but other than being oxidized it was a clean pipe. The finish on it was also pretty decent with a few small fills toward the bottom of the bowl on the left side and the front. There was some scratching in the briar as well particularly on the bottom of the bowl. The pickaxe was in rougher shape all the way around. It had a thick cake in the bowl with lava on the rim. The front right rim edge and top had been badly beaten against something that left the briar very rough. The stem was oxidized and had a line of calcification. There was tooth chatter on both the top and bottom sides near the button. I took a close up picture of both rims to show what they looked like when I started the refurb. The poker had a slightly crowned rim that is undamaged and has no lava or tars. The pickaxe is another story. I reamed the bowl of the pickaxe with a PipNet reamer using the smallest cutting head. I took the cake back to bare briar so that I could repair the rim damage. I wiped both bowls down with acetone on cotton pads to remove the finish and the grime that was particularly prevalent on the pickaxe. I sanded the rim of the pickaxe with 220 grit sandpaper to remove the damage to the surface of the front edge and top. I sanded it with a medium and a fine grit sanding sponge and then with micromesh sanding pads – 1500-24000 grit. I wiped the rim down with acetone. I buffed both bowls with White Diamond on the wheel to get a natural shine. I cleaned out the mortise and the airway on both pipes with cotton swabs, pipe cleaners and alcohol. I cleaned out the airways on both stems with alcohol and pipe cleaners. I sanded the stems with 220 grit sandpaper to clear the surface of the oxidation and the calcification on the pickaxe stem. I scrubbed the bite marks on the underside of the stem and used black super glue to repair them. I sanded the poker stem with 220 grit sandpaper and removed the tooth marks on the underside of the stem near the button. I rubbed the stems down with some Obsidian Oil and put them back on the bowls to get a quick look at how the work was coming along.I scrubbed the stems with Meguiar’s Scratch X2.0 Fine scratch and blemish remover. It worked really well on the pencil stem on the pickaxe and not as effectively on the thicker stem of poker.I wet sanded the stem of the pickaxe and the stem on the poker with 1500-2400 grit micromesh sanding pads and then rubbed the stem down again with the Obsidian Oil. I dry sanded the stems of both with 3200-4000 grit micromesh and then gave them another coat of the oil. I finished sanding them with the 6000-12000 grit micromesh pads and gave them a final coat of oil and set them aside to dry. The briar was naturally finished so I did not stain either bowl. I gave them a light coat of olive oil and then buffed the stems and bowls of both pipe with Blue Diamond on the wheel. I gave them both several coats of carnauba wax. I buffed them with a clean flannel buffing pad and then by hand with a microfiber cloth. The finished pipes are shown in the photos below. Do any of you who are reading this have any information on either Fieldcraft or Dulwich pipes? I have seen and repaired several over the years and so far have been unable to identify them beyond the initial one that was an Orlik made pipe. Thanks ahead of time for any help that you may have.

More than met the eye: Would I be able to bring this Jobey Fawn Cauldron back to life?

5 Replies

Blog by Steve Laug

My brother sent me the Ebay link to this Jobey Cauldron and I was hooked. It was in pretty worn shape in terms of the finish and the rim. There was a thick cake in the bowl and some serious lava had overflowed the rim. There were nicks around the outer edge of the rim and the bevel on the inner edge was pretty well covered with lava. There were scratches in the sides of the bowl and it was truly filthy. The stem was oxidized and spotty on the stop side and the saddle. Underneath it was missing a large triangular chunk from the button forward. It was a Jobey so it had the Jobey link tenon that screwed into the shank and the stem fit over the tenon. It was made for a quick and easy replacement. The photos below are from the Ebay seller and clearly show the state of the pipe he was selling. We bid on it and won. Little did I know that what I saw in terms of issues with this pipe were only part of the problems that I would need to deal with in restoring it. The seller included a few close up photos to show some of the damage to the pipe. The oxidized and spotty stem is shown in the first photo and the second shows the state of the rim and bowl. The next two photos show the stamping on the pipe. The top of the shank is stamped Jobey in script over FAWN. The underside is stamped E52 over EXTRA. The seller also included the following photos to give a clear picture of the profile of the pipe and the damage to the underside of the stem. He gets full props for full disclosure of the issues with this pipe (at least those that were visible through the grime and build up on the briar and stem). I went online and searched for a photo of what the pipe had originally looked like and found this one on Smokingpipes.com. Looking at it gave me hope for the repairs and restoration of the one we purchased.When the pipe arrived I put it in my box of pipes to be refurbed and it sat for several months. When I took it out and looked it over I found that the stem was not aligned. I tried to unscrew it from the shank and it would not turn. I tried to wiggle the stem free from the shank and in the process heard that awful cracking sound which refurbishers the world over have come to dread. The tenon snapped off. Great! Now I added one more issue to the refurbishing process on this old pipe. Fortunately, I was able to clear the broken end out of the stem with very little problem but the one in the shank took a bit more ingenuity. I finally was able to remove it by hand turning a drill bit into the broken end and then turning it free of the shank. I cleaned out the shank with pipe cleaners, cotton swabs and alcohol, and then put the parts aside. Since I had no Jobey Link tenons in my kit I would need to wait until I could get some. I called Tim West at JH Lowe and put in an order for tenons. Even that turned out to be far more of an issue than I expected – they came in five sizes and the one I had was so shattered that I was unable to get the measurements. I could estimate the measurements but not get an accurate diameter on either the threaded end or the insert. So I had to order one of each of the three sizes that Tim had in stock. I was hoping that when they arrived that one of them would fit the stem and the shank. Now I would have to wait for their arrival.

It did not take too long of the package to come from Tim. I took out the various Jobey Links that he included and breathed a sigh of relief when the middle sized link was a perfect fit in the shank. The end of the tenon is slotted so that it can be screwed into the shank and unscrewed with a slotted screw driver. In this case it turned into the shank with no issues. The stem did not fit over the end of the tenon but the measurements were correct so I cleaned out the end of the stem and was astonished at the amount of grit that came out of it. I used cotton swabs and alcohol to scrub it clean. Once it was clean the stem fit snuggly over the end of the tenon and all parts aligned perfectly. With the stem fit completed and the new tenon in place it was time to clean up the pipe and see what I was dealing with underneath the grime and dirt. I took some close up photos of the bowl and the stem issues and a complete set of photos of the pipe from multiple angles to show what it looked like when I started. The bowl on this pipe is quite large. I reamed it with the two largest cutting heads on the PipNet pipe reamer and took the cake back to bare briar. I cleaned up the ridges and edges of the broken cake shown in the second photo below with a pen knife and the bowl inside was smooth and clean.I lightly sanded the rim with 220 grit sandpaper to cut through the thick lava on the rim and the inner edge of the bowl. I was able to remove most of it with the sandpaper and finished by scrubbing the bowl down with acetone on cotton pads. The next photo shows the beauty of the rim that lay beneath the lava flow.Once I had removed the grime and the finish I examined the bowl to look for issues that I would need to deal with. Sadly I found that there was a hairline crack where the shank connected to the bowl. It was on the underside of that junction and went up the left side. It was about an inch long. This Jobey Cauldron was turning out to be far more work than I originally imagined when my brother and I had looked at the Ebay photos.This crack, though not deep and pretty cosmetic at this point, would need to be dealt with so that it would not become a bigger issue. I used a micro drill bit on the Dremel and drilled both ends of the crack. I examined it with a lens and saw that it went a little further than I had expected originally and redrilled the end of the crack on the side of the bowl.I decided to also drill some small holes along the crack to make sure that I could seal it further.I pressed some briar dust into the drill holes with a dental pick and then put drops of super glue into the filled holes. I pressed some more briar dust into the surface of the holes to deal with expected shrinkage as the patches dried. At this point the repair always looks ugly and over done but I have found if I skip the last step I have to repeat the process to ensure that the holes are filled.I sanded the repairs with 220 grit sandpaper and then with a medium and fine grit sanding sponge.I stained the repair area and the top of the rim with a light brown stain pen to blend it into the colour of the bowl and shank. This would not be the final colour of the bowl but I wanted to minimize the difference between the sanded areas and the rest of the bowl and shank when I gave it a final stain coat.

I buffed the bowl with Blue Diamond to even out the stain. While the repairs showed through the stain at this point I intended to darken the stain later and it would blend in the repairs a bit more. With the bowl basically finished at this point I worked on the stem. The missing chunk in the stem end was the expected major repair that needed to be addressed. I mixed up a batch of black super glue and activated charcoal powder to make a paste. I put a wedge of cardboard wrapped in packing tape in what remained of the slot in the stem and applied the paste to the hole in the stem with a dental spatula. At this point I was more interested in getting a good thick coat of the paste in place than in making it look pretty. Shaping and smoothing would be done once it cured. Once the patch had cured I used a file to define the edge of the button and to smooth out the surface of the stem. I used the topping board to smooth out the end of the stem.It took a lot of filing with needle files to clean up and define the button and then sanding with 220 grit sandpaper to blend the patch into the surface of the surround stem. I used a round, an oval and a flattened oval needle file to open up and shape the slot on the bottom side to match that of the top side.I continued to sand the stem surface with 220 grit sandpaper to shape the blade and the button. The stem was beginning to take shape. The new button and the repair to the bottom of the stem were complete.I wanted to make sure to stain the bowl before I called it a night so I set the stem aside for a bit and stained the bowl. I gave it several coats of dark brown aniline stain and flamed it between to set the colour in the briar. The darker colour would bring the pipe to a similar colour to the one that I found on Smoking pipes.com (shown above).In the morning I worked some more on the stem. I wet sanded it with 1500-2400 micromesh sanding pads. I gave it a coat of Obsidian Oil and then dry sanded it with 3200-4000 grit pads. I gave it another coat of oil and then finished sanding it with 6000-12000 grit pads. I gave it a final coat of Obsidian Oil and set it aside to dry. At this point in the process you can see the scratches on the underside of the stem. No matter how much I sanded them with the micromesh pads these still remained. I started over the process of sanding with the pads – beginning with 1500 grit I worked my way through them until I had finished with 12000 grit. Finally I was able to remove the scratches. I buffed the stem and bowl with Blue Diamond on the wheel and then gave both the bowl and stem several coats of carnauba wax. I buffed it with a clean flannel buff and then with a microfiber cloth before taking the photos below. The finished pipe is shown in the photos below. The repairs to the hairline crack and the stem repair though still visible under scrutiny blend in well with the rest of the bowl and stem. The darker stain covers the repairs on the bowl and look quite natural. The bowl has been brought back to life and I like the rich colour of the buffed and polished dark brown stain. Thanks for looking.