Tag Archives: Bari De Luxe Pipes

Fresh Life for a Bari De Luxe 9763 Bent Dublinesque Freehand


Blog by Steve Laug

The next pipe on the work table is a sandblast bent Dublin shaped Bari, at least that is my description of it. The bowl is round with a crowned rim top. On the underside of the shank it reads Bari over De Luxe followed by Made In Denmark and ends with the shape number 9763. The finish is sandblasted on the entire bowl and the blast is deep and tactile with some great grain as well. The rim top is sandblasted and crowned. The pipe was dirty and the oxblood finish flat but otherwise the pipe was in good shape. The bowl had a thick cake and the inner edge of the rim looked to be in good condition. The shank is round and flows out the bowl with a slight bend. The stem is vulcanite and has a fancy round turning before second round edged rectangular bead. The blade of the stem is also a round edge rectangle. It is stamped on the left side of the stem and reads Bari. The stem had tooth marks and chatter on both sides near the button. It was oxidized and had some calcification on the end. Jeff took some photos of the pipe to show the general condition of the pipe before he started his clean up. Jeff took some close-up photos of the rim top and bowl to show the overall condition. There is some light lava in some of the grooves but overall it is just dusty. The edges look very good.He took some photos of the sides and heel of the bowl to show the condition of the finish on the pipe. The photos show the beautiful grain around the bowl. Under the dust and grime it was a nice looking bowl. I think it will be a beautiful pipe once it is restored.He took a photo of the stamping on the underside of the shank. It was stamped Bari over De Luxe followed by Made in Denmark and the shape number 9763.The next two photos show the top and underside of the stem. It is dirty and has calcification on both sides at the button. There is also some tooth chatter and some light tooth marks.I have worked on quite a few Bari’s in the past and did the work on the brand information so rather than rework all of that I am including the information I found while working on a Bari De Luxe Freehand. I quoted a section from Pipedia on Bari pipes (https://pipedia.org/wiki/Bari). I am including the material that I found previously on the brand. It is good to be reminded of the fact that Viggo Nielsen was the pipe maker. I quote:

Pipedia states that Bari Piber was founded by Viggo Nielsen in Kolding, Denmark around the turn of 1950/51. His sons Kai and Jørgen both grew into their father’s business from a very young age and worked there till 1975. Both have become successful pipe makers.

Bari successfully adapted the new Danish design that had been started mainly by Stanwell for its own models. Bari was sold in 1978 to Van Eicken Tobaccos in Hamburg, Germany though the pipes were still made in Denmark. From 1978 to 1993 Åge Bogelund and Helmer Thomsen headed Bari’s pipe production.

Helmer Thomson bought the company in 1993 re-naming it to “Bari Piber Helmer Thomsen”. The workshop moved to more convenient buildings in Vejen. Bogelund, who created very respectable freehands of his own during the time at Bari got lost somehow after 1993. Bari’s basic conception fundamentally stayed the same for decades: series pipes pre-worked by machines and carefully finished by hand – thus no spectacular highgrades but solid, reliable every day’s companions were what they turned out. The most famous series are the smooth “Classic Diamond” and the blasted “Wiking”.

Now that I was reminded about the Viggo Nielsen connection it was time to work on the pipe on my end. When I received it Jeff had once again done an amazing job cleaning the pipe. He reamed it with a PipNet pipe reamer and got rid of the cake. He cleaned up the reaming with a Savinelli Fitsall Pipe Knife so that we could see the walls of the bowl and assess for damage. He cleaned the internals of the shank and stem with alcohol, pipe cleaners and alcohol. He scrubbed the exterior with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed the pipe under warm water. He dried it off with a cloth and then let it air dry. The stem was scrubbed with Soft Scrub and soaked in Before & After Deoxidizer. It came out looking very good. The finish on the bowl and the rim top cleaned up nicely. I took pictures of the pipe to show how it looked when I unpacked it. I took a close up photo of the rim top to show how clean the sandblast was. The inner edge of the rim and the ridges and valleys of the blast looked good. The stem looked good just some light tooth chatter and light tooth marks near the button.I took a photo of the stamping on the underside of the shank and the Bari stamp on the left side of the saddle stem.I took the stem off the bowl and took a picture of the pipe to show the flow of the bowl and the angles of the stem and shank. It is a great looking pipe.The pipe was in excellent condition so I started with the bowl. I worked some Before & After Restoration Balm into the smooth briar with my fingertips and a horsehair shoe brush. The product is a great addition to the restoration work. It enlivens, enriches and protects the briar while giving it a deep glow. I appreciate Mark Hoover’s work in developing this product. I set the bowl aside and turned my attention to the stem. I sanded the surface of the stem with 220 grit sandpaper to remove the tooth marks and chatter. I started the polishing process with 400 grit wet dry sandpaper.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I buffed the stem with a soft cloth to raise the shine. I am on the homestretch with this Bari De Luxe. As always I am excited to finish a pipe that I am working on. I put the pipe back together and lightly buffed it with Blue Diamond on the buffing wheel. I used a gentle touch on the sandblast portion of the bowl. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad and hand buffed it to raise the shine. It is fun to see what the polished bowl looks like along with the polished vulcanite stem. This Bari De Luxe 9763 is a nice looking pipe. It is quite comfortable in hand and should be so when smoking. It is quite light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: ¾ of an inch. It is another beautiful pipe and one that will be residing in my rack at least for a while. I like the shape and feel of this one and I am looking forward to firing up a bowl of Virgina/Perique in it later today! Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

This Petite Bari De Luxe Freehand Speaks to me…


Blog by Steve Laug

I was emailing back and forth with John, a pipeman in Edmonton who wanted to sell of his pipes. He was cleaning up things and thought he would see if I was interested in them. He said that he had several Bari’s that were in the lot and he wanted to move those out. He sent me photos of the pipes he had and we soon struck a deal. Since we were both in Canada it did not take long for the package to make its way to me. I opened it and went through his pipes to see what I had to work on. There were some pipe racks and accessories in the box as well. I went through the pipes and set them aside. Today I decided it was time to start working on them. I chose a little Bari De Luxe as the first of those Bari’s that I would work on. I have included two of the photos of the pipe that he sent to me before I purchased the lot.You can see that it was a well-loved pipe and one that he smoked often. The finish was in good condition but dirty. The plateau on the shank end and the rim top was dusty and dirty. The rim top had a lot of tars and lava on the surface filling in some of the roughness of the finish. Under the grime the pipe looked to be in good condition. The stain highlighted the beautiful grain on the briar and the plateau was stained black in stark contrast to the reddish brown of the bowl. The bowl was caked and would need to be reamed but otherwise good condition. The stem had a sticky oily substance on it that almost smelled nutty. There was some oxidation under the oil but there were not any tooth marks or chatter on the surface. I took the following photos of the pipe before I began the cleanup. (The pipe came in an original Bari pipe sock. I have included it in the photos to give you an idea of the small, petite size of the pipe.) I took a photo of the pipe with the stem removed to give a look at the style of the fancy stem.I took photos of the stamping on both sides of the shank. On the left it was stamped Bari over De Luxe and on the right side it was stamped Hand Made in Denmark. The stamping was faint toward the bowl on both sides of the shank but was still readable.I went to Pipedia and refreshed my memory on Bari pipes. I was pretty sure that they were connected to Viggo Nielson but wanted a reminder. Here is the link to the article on Pipedia: https://pipedia.org/wiki/Bari. I summarized the material that I found there as it gives a clear picture of the brand. I have been working on several pipes by Viggo Nielsen recently so it was a good reminder.

Pipedia states that Bari Piber was founded by Viggo Nielsen in Kolding, Denmark around the turn of 1950/51. His sons Kai and Jørgen both grew into their father’s business from a very young age and worked there till 1975. Both have become successful pipe makers.

Bari successfully adapted the new Danish design that had been started mainly by Stanwell for its own models. Bari was sold in 1978 to Van Eicken Tobaccos in Hamburg, Germany though the pipes were still made in Denmark. From 1978 to 1993 Åge Bogelund and Helmer Thomsen headed Bari’s pipe production.

Helmer Thomson bought the company in 1993 re-naming it to “Bari Piber Helmer Thomsen”. The workshop moved to more convenient buildings in Vejen. Bogelund, who created very respectable freehands of his own during the time at Bari got lost somehow after 1993. Bari’s basic conception fundamentally stayed the same for decades: series pipes pre-worked by machines and carefully finished by hand – thus no spectacular highgrades but solid, reliable every day’s companions were what they turned out. The most famous series are the smooth “Classic Diamond” and the blasted “Wiking”.

I started my cleanup of this pipe by working on the internals. I scraped out the remaining cake in the bowl with a Savinelli Fitsall Pipe Knife (I totally forgot to take photos of that part of the process). I cleaned out the airway in the shank and the stem with pipe cleaners and alcohol. I cleaned out the mortise in the shank with cotton swabs and alcohol. It was dirty but I was surprised it was as clean as it was. I rubbed some Before & After Restoration Balm into the surface of the briar to enliven, clean and preserve it. I rubbed it in with my fingertips working it into the briar. I worked it into the nooks and crannies in the plateau on the rim and the shank end using a cotton swab. I brushed those areas with a shoe brush to work it in more deeply and spread it out. I set it aside for a little while to let the balm do its work. I buffed it off with a cotton cloth and then buffed it with a microfiber cloth. The photos below show the pipe at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I wiped the oily, sticky stuff off of the surface of the stem with alcohol on a cotton pad. The smell of the stuff was almost nutty, like peanuts or something similar. It needed to go so that I could work on the stem.I sanded the light tooth chatter out of the surface of the stem and also worked over the oxidation that was prevalent in the grooves and spindles of the stem using 220 grit sandpaper. I forgot to take photos of that part of the process. I polished the stem using micromesh sanding pads – wet sanding with 1500-2400 grit pads and then buffing on the wheel with red Tripoli. I dry sanded the stem with 3200-12000 grit pads to further polish it. After each pad I wiped it down with Obsidian Oil to protect and enliven the stem. When I finished the last pad I gave it a final coat of oil and set it aside to dry. This small Bari De Luxe Freehand is a real beauty with straight and flame grain all around the bowl. The shank end and bowl rim are both beautiful plateau that is deep and craggy. The brown of the bowl and the black of the plateau look really good with the black of the turned vulcanite stem. I buffed the bowl and the stem with Blue Diamond polish to raise the shine on the briar and the vulcanite. I lightly buffed the rim top and shank end as well. I was careful to not buff the stamping and damage it. I gave the bowl and stem multiple coats of carnauba wax. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The finished pipe is shown in the photos below. The dimensions of the pipe are: Length: 5 1/4 inches, Height: 1 3/4 inches, Outside Diameter: 1 1/2 inches, Diameter of the chamber: ¾ of an inch. This is the first Bari De Luxe that I have worked on and the petite size and rugged looking plateau make it a pipe that I may hang on to for a while and enjoy. I am looking forward to enjoying my first bowl in it. Thanks for walking through the restoration with me.