A New P-Lip Stem for a WWII-Era Peterson K&P Dublin 207

Thanks Charles for sharing your process. I like the hand cut tenons. They are pretty much the same shape as the Delrin Jobey Links that I get from JH Lowe. I trim them back to the same shape… Well done

This Pre-Republic K&P Dublin 207 Pot is a bit of an old friend as I first restored it for my own rack almost exactly five years ago, back in November of 2017. I enjoyed it for many of those years but, as many pipe smokers do, I found that I reached for other pipes more often. I decided it was time to refresh the pipe and find it a new steward who would enjoy it.

I started by giving the pipe a basic ream, clean and polish to get the briar looking its best, but I had to pause and consider my course of action when it came to the stem. If you’ve had a look through the details of the original restoration, you’ll recall that this pipe dates from 1945-1947 and needed a bit of help to reclaim its past glory. Part of that was a patch on the…

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Repairing An Interesting Surprise on a Beautiful Heritage Antique 73S Canadian

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Blog by Steve Laug

I have always had an interest in the Kaywoodie Made Heritage Pipe line. I really like the way they are made – both in terms of workmanship and style. They really made some amazing looking pipes and I always try to pick them up when I can. Jeff has also found this to be true so he is on the lookout for this brand in all of his pipe hunts and auction haunts. When this pipe became available to us late in 2019 from a fellow in Los Angeles, California, USA we bought it. It is stamped 73S on the heel of the bowl and Heritage [over] Antique on a smooth panel on the underside of the shank. The pictures of the sandblast showed it was well done. The finish was dirty and there was a thick cake in the bowl. It appeared that the bowl had been lightly reamed before it came to us. There was a lava overflow in the sandblast finish on the rim top that would need to go. There was the Heritage double diamond logo on the left side of the stem. The stem was oxidized and had deep tooth marks on both sides ahead of the button. All totaled it was still a beautiful pipe. We were hooked. Jeff took these photos before he started his clean up work. Jeff took photos of the bowl and rim top to show the condition that I noted in the description above. Even though it is very dirty you can see that the rim top and edges all look very good. The stem photos clearly show the oxidation and tooth marks on both sides. It would need some work. Jeff took photos of the sides of the bowl and heel to show the sandblast finish on the bowl. He also took photos of a strange looking area on the lower right side of the bowl. It appeared that there was a large flaw that had been filled in that area. It was obviously a dark putty and there were some small cracks in the middle area of the fill material. I drew a box around it in the second photo. I have worked on quite a few Heritage pipes and have never seen this before.Jeff took a close up photo of that area to show more clearly what we are speaking of. You can see the tiny cracks in the fill area toward the top of the repair. The patch material is dark and very hard so it should be repairable.The next photos show the stamping that I described in the opening paragraph. It is clear and readable.In other blogs on the brand I have given a bit of history on the Heritage Brand. I have included that here as well for ease of reference. Andrew Selkirk did a great job in researching a link to his work on the blog. Here is the link: https://rebornpipes.com/2014/12/23/refurbishing-a-heritage-heirloom/. I am including a brief summary of what he found in the next two short paragraphs to set the stage for the pipe on my work table.

Heritage pipes were Kaywoodie’s answer to Dunhill. According to one of their brochures, Heritage pipes were made from “briar burls seasoned and cured for up to 8 months,” with only “one briar bowl in over 300 selected to bear the Heritage name.” “Heritage stems are custom fitted with the finest hand finished Para Rubber stems. Mouthpieces are wafer thin and concave.”

The Heritage line began in the early 1960’s, with the trademark issued in 1964. The line was started at the request of Stephen Ogdon, (who worked for Kaywoodie in 1962). Mr. Ogdon had previous experience working for Dunhill, either running the New York store or working for Dunhill North America. Mr. Ogden was made President of Heritage Pipes, Inc., Kaywoodie Tobacco Co.,Inc. and Kaywoodie Products Inc. as well as a Vice President of S.M. Frank & Co. Heritage Pipes were produced from 1964 until 1970 (Source kaywoodie.myfreeforum.org).

Andrew also included a copy of the Heritage brochure that I am also including below (Courtesy kaywoodiemyfreeforum). In going through the models displayed on the page there is not one for the 73S. The closest is the shape 72 Canadian. The brochure has a great write up on the Heritage Antique Line. It reads Rustic Grain Stands out in Rugged Relief. It describes the line as follows:

This pipe is so bold looking, yet so light and smooth smoking. A special sandblasting process exposes a greater surface area on the bowl, giving a cooler, more satisfying smoke. Centuries-old Heritage Antique is strikingly masculine in appearance.

Jeff had cleaned up the pipe with his usual precise work. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. The fill on the lower right side of the bowl did not loosen, crack more or fall out. It was solid. The rim top cleaned up very well. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe once I received it. Now it was time to work on the pipe itself. The bowl and the rim top looked very good. The inner and outer edges of the rim also looked very good. There was no damage to the edges. The stem surface showed deep tooth marks and chatter on both sides near the button. I took photos of the stamping on the underside shank. The stamping was clear and readable as noted above. I took the stem off the shank and took a photo of the parts of the pipe to show the overall look of the pipe. To me it is a vary British looking sandblast Canadian.I decided to deal with the large filled area on the lower right side of the bowl. It was hard and solid but had some small cracks toward the top of the fill. The first two photos show the filled area before and after cleaning. I roughed it up a little bit with a brush then filled in the cracks and sunken portions of the fill with clear CA glue and briar dust. Once the repair hardened I used a brass bristle wire brush to knock off the loose briar dust and give a bit of texture to the fill. I used the Dremel and a pointed burr to carve grain patterns to match the surrounding areas of the briar. I liked the way it was looking. I mixed a black and a mahogany stain pen into the rusticated surface to match the surrounding colour of the bowl. I was happy with how the repair had blended into the rest of the surrounding briar. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips and a horsehair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The following photos show the bowl at this point in the restoration process. I am very happy with the results. I set the bowl aside and turned my attention to the stem. I “painted” the stem with the flame of a Bic lighter to lift the tooth marks. I was able to lift them out significantly. I filled in the remaining dents in the stem surface with clear CA glue and set it aside to cure. I flattened out the repairs with a small file to start the process of blending them into the surface of the vulcanite. I then sanded them smooth with 220 grit sandpaper to further blend them in and started polishing the stem with 400 grit wet dry sandpaper. I polished the vulcanite stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I wiped it down with a final coat of Obsidian Oil and set it aside. The repair on the lower right side of the sandblast Heritage Antique 73S Canadian came out very well and really is unnoticeable. The pipe is a real beauty and the finish and shape are well done and have a classic English look even though this is an American Made pipe. The thin taper vulcanite stem polished up on the buffing wheel with Blue Diamond and had a rich glue. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Heritage Antique Canadian fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.27 ounces/36 grams. I will soon be adding it to the rebornpipes store in the American Pipe Maker section. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

Let’s Try This Again – Re-cleaning the Bowl of a Bertram 55 Lovat and Giving it a Bowl Coating

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Blog by Steve Laug

A while ago I sold this Bertram Grade 55 Lovat to a fellow who was excited to get it. When it arrived he examined it and sent me a message that it had a lot of carbon in the bowl and had a crack as well. I am pretty sure we left a thin coat of cake in the bowl but we generally clean the pipes we work on very well. I knew that I had gone over it with a fine tooth comb and was not sure what he meant about a crack. It did not matter though as he was not happy with the purchase. I refunded his payment and postage and had him send the pipe back to me. It took a while to arrive but I really wanted to see what was going on. Before I talk about what I found though, here is the link to the restoration of the pipe (https://rebornpipes.com/2019/04/13/the-8th-of-a-collection-of-bertrams-a-bertram-55-lovat/). It really was a beautiful piece of briar.

It is a Bertram Grade 55 in a classic Lovat shape and some amazing grain on a proportionally well carved pipe. Once it was buffed the pipe the briar came alive and the mixture of grain – cross, swirled and birdseye – popped with polishing. The black vulcanite stem had a rich glow. The finished pipe is a beautiful grained Lovat shaped pipe. Like the other Bertrams I have worked on this one fits well in the hand and sits right in the mouth. Have a look at it with the photos below. The dimensions are Length: 5 1/4 inches, Height: 1 3/4 inches, Outside diameter of the bowl: 1 1/4 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 33 grams/1.16 oz. I have included photos of the pipe after the first restoration to show the beauty of the pipe. When it arrived in its shipping box I actually let it sit here for a few days. I was quite discouraged that somehow I had missed a crack in the bowl. To my mind I expected to open the box and find some horizontal crack around the bowl somewhere. I just could not figure it out or even imagine how I had missed that.

When I finally opened the box and unpacked it I went over it even more thoroughly than before. I worked my way around the rim, bowl sides and bottom with a bright light and a lens. There were no cracks in the exterior of the briar that I could find. I breathed a sigh of relief about that. The bowl was not cracked externally! Whew. Then I went over the interior of the bowl using a light and a dental pick. The front, back and left side of the bowl were solid. There was however a large area on the right side of the bowl that had some significant checking. I picked it clean and it definitely had what looked like a crack. I have learned that sometimes these are surface fissures so I would need to reclean and ream the bowl again and then re-examine it. I set it aside for awhile and worked on some other pipes.

I finally got around to dealing with the issue this evening. I started by scraping all of the cake off the walls with a Savinelli Fitsall Pipe Knife. I took it back to bare briar and remove all possible cake. I sanded the bowl with 220 grit sandpaper on a dowel and smoothed out the bowl surface. I was able to remove almost all of the offending checking. There was a small spot of it left midbowl on the right side so I decided to mix up a bowl coating of activated charcoal and sour cream. I applied it to the inside of the bowl with a folded pipe cleaner and painted the walls. I let the first coat dry for 30 minutes and then gave it a second coat. Once it was coated I set the bowl aside to let the coating cure over night. I set it aside for an overnight cure that eventually ended up being two days. The coating dried black and smooth on the bowl sides. There really is no smell in the bowl which always surprises most folks. I used a flashlight to illuminate the walls of the bowl and took some photos to show what it looks like now. You can see the small ridges in the bowl coating but it is smooth to touch. I put the stem and bowl of this lovely Bertram Lovat Grade 55 back together. It really is a beautiful little pipe. I buffed the pipe with Blue Diamond on the buffing wheel. I polished the briar and the vulcanite of the stem until there was a rich shine. This Bertram has a classic Lovat shape and some amazing grain on a proportionally well carved pipe. The briar came alive and the mixture of grain – cross, swirled and birdseye – popped with polishing. The black vulcanite stem had a rich glow. The finished pipe is a beautiful grained Lovat shaped pipe. The neutral bowl coating should take care of the checking issues on the bowl walls and give the pipe a long life. The dimensions are Length: 5 1/4 inches, Height: 1 3/4 inches, Outside diameter of the bowl: 1 1/4 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 32 grams/1.13 ounces. This one will be going back on the rebornpipes store in the American Pipe Makers section soon. I will be pricing it as a bargain for someone to add to their rack. If you are interested let me know.

Breathing New Life into a Wally Frank Wine Root Bruyere De Luxe Selected Grain Squat Bulldog

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Blog by Steve Laug

The next pipe on the table was purchased on 05/08/19 from an online auction in Cedar Springs, Michigan, USA. Jeff picked it up because we both like Cumberland stems and this little Bulldog had that and some great grain. The pipe is stamped Wine Root [over] Bruyere on the top left side of the shank and Wally Frank [over] Limited on the bottom left side. On the top right side it read De Luxe [over] Selected Grain and on the bottom right side it was stamped ITALY. The bowl was heavily caked with a heavy overflow of lava on the beveled rim top. There was some darkening on the outer edge of the rim down the side of the cap toward the back of the bowl. The finish was dirty and oily from the heavy use it had seen. It had a Cumberland push stem and an interesting/odd stinger apparatus in the tenon. The stem was oxidized to the point that the Cumberland was almost hidden. There were tooth marks and chatter on both sides ahead of the button. Jeff took some photos of the pipe before he started his clean up work. The a photo of the rim top show the thick lava coat that flows out of the bowl and over the edge of the bowl. It is hard to know what the edges of the bowl – inner and outer – look like because of the lava and cake. The photos of the stem show the heavy oxidation and tooth marks and chatter on both sides. Jeff took a photo of the stinger apparatus that shows how packed full of debris and tars that the fins around the stinger really are.The next three photos show the grain around the sides of the bowl and heel as well as the placement of the fills on the sides of the bowl. It is a pretty neat looking pipe. The next photo shows the stamping on the top left side of the shank. It was clear and readable. Jeff did not take photos of the other sides of the shank.I turned to Pipedia (https://pipedia.org/wiki/Wally_Frank) to refresh my sense of the history of the brand. I quote below the history that is noted there.

Wally Frank, Ltd. was one of America’s oldest and most respected names in pipes and tobaccos, beginning in the early 1930’s. Wally Frank operated a chain of tobacco stores in New York City (the flagship store was in Lexington Avenue) and had a vast catalog business for pipes and pipe tobaccos. Their numerous private-label pipes were made by many makers, including Charatan, Sasieni, Weber, and many others. Wally Frank, Ltd. also owned the Pioneer brand of meerschaum pipes, made from both Turkish and African meerschaum. In addition to importing pipes, he had many pipes made in his own name and also employed pipemakers like Peter Stokkebye, Svend Bang, and Ed Burak (who later became the owner of Connoisseur). As a result, each Wally Frank pipe must be individually evaluated on its own merit.

Members of Wally Frank’s “The Pipe of the Month Club” received a new pipe in the mail once a month.

In 1952, Wally Frank was on a buying trip in Italy and “discovered” pipe maker Carlo Scotti. Frank liked Scotti’s pipes, but there was the small problem of Scotti’s pipes bearing the same trademark or logo as one of Wally Frank’s pipe lines, the White Bar. The two men decided on creating a new logo for pipes sold in the U.S.: a hole drilled in the stem and with a piece of silver foil inserted in the hole and covered with clear Lucite.

There was no specific information on the line I was working on but the history of the brand was good to be reminded of. Now it was time to work on the pipe.

It may seem that I praise Jeff’s work in cleaning up the pipes I work on a lot! I know I do but he is an indispensable part of the restoration work for me. He has developed a system of cleaning that is quite remarkable and leaves the pipes very clean. It saves me a lot of time so I have no issues saying that! Jeff did a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior with Soft Scrub and then soaked it in Before & After Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked far better when it arrived. I took some close up photos of the rim top and also of the stem surface. I wanted to show how well it had cleaned up but also to show the damage. The rim top photo looks good but there are some nicks and damage on the top and the beveled inner rim edge. The outer edge is also nicked. I also took close up photos of the stem to show the light tooth marks and chatter on the surface near the button on both sides. The next series of photos show the stamping on the shank sides. The stamping is clear and readable as noted above.I took the pipe apart and took a photo of the pipe. It is a good looking pipe and has some great grain on the side of the bowl. The stinger is very unique and is stained red from the stain on the bowl that has permeated the aluminum.I decided to address the rim top damage first. I used a folded piece of 220 grit sandpaper to the beveled inner edge to minimize the damage to the rim. I think that it is definitely better once I finished. I would polish the flat top of the rim with micromesh and try to minimize the scratching there. The angle of the stem makes topping the bowl seem impractical. I polished the briar rim top and edges along with the rest of the briar with micromesh sanding pads –dry sanding with 1500-12000 grit pads and using a damp cloth after each pad. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I sanded out the tooth marks and chatter with 220 grit sandpaper and was able to remove them from the surface. I started the polishing with 400 grit wet dry sandpaper. I wiped it down with some Obsidian Oil.I decided to try and clean up the stinger next. I used a brass bristle brush to try to clean off the stain on the aluminum. It did very little so I put it in a small alcohol bath for about an hour to see if it works. I worked on it with a cotton pads and alcohol to remove more of the stain. It did not do too much. I then scrubbed the stinger with acetone and removed some more. It did not remove any more so there is a pink tinge that remove. I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Afterwards I rubbed it down with another coat of Obsidian Oil and let it dry. I am excited to finish restoration of this Wally Frank Wine Root Bruyere De Luxe Selected Grain Squat Bulldog. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine and hand buffed it with a microfibre cloth to deepen the shine. It is fun to see what the polished bowl looks like with the polished Cumberland saddle stem. This squat Wally Frank Wine Root Bruyere Bulldog feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ¼ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 31 grams/ 1.09 oz. It is a beautiful pipe and one that will be on the American Pipe Makers section of the rebornpipes store soon. If you are interested in adding it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Breathing New Life into a Patented KBB Yello-Bole 2198L President

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Blog by Steve Laug

This pipe was purchased from an antique mall on 04/28/19 in Ogden, Utah, USA. Jeff picked it up because it was such a unique shape. It seems to somehow combine parts of the Skater shape and the Bullmoose’s protruding chin. The grain was nice and it had some fills on the sides of the bowl but not too obvious or obnoxious. The pipe is stamped President on the left side of the shank and KBB in a cloverleaf followed by Yello-Bole [over] Patent – 90232 on the right side of the shank. On the underside at the heel it is stamped with the shape number 2198L and mid shank reads Algerian Bruyere. The bowl had a moderate cake but you could see the yellow Honey Coating that Yello-Bole draw their name from. The finish was dirty and had a lot of nicks and scratches on the rim top and around the bowl sides. The base of the bowl and shank had been flattened to make the pipe a sitter. It had a vulcanite push stem and no stinger apparatus in the tenon or shank and there was no evidence that their ever had been one. The stem was lightly oxidized. There are a burn mark on the top side near the yellow O logo. There were tooth marks and chatter on both sides ahead of the button. Jeff took some photos of the pipe before he started his clean up work. The photos of the rim top show the nicks and scratch on the top and the darkening on the inner edge of the bowl. You can also see the yellow bowl coating on the back side near the top of the bowl above and surrounded by the cake. The photos of the stem show the oxidation and tooth marks and chatter on both sides. They do not show the damage on the top of the stem near the O stamp. The next three photos show the grain around the sides of the bowl and heel as well as the placement of the fills on the sides of the bowl. It is a pretty neat looking pipe. The next series of photos show the stamping on the shank sides and the O logo stamp on the stem top. You can also see the burn mark on the stem top in the photo of the logo. The stamping is clear and readable as noted above. Before I started my work on the pipe I decided to do a bit of work on the Patent Number and the shape number on the heel of the bowl. I remembered that Troy Wilburn, one of our blog writers and good friend of rebornpipes sent me a shape number list for old Kaywoodie and Yello-Bole pipes that is on the blog. I found it very useful and typed it into a chart format. Troy said that he got the data for this from the Kaywoodie Forums. If you have not visited the forums here is the link: http://kaywoodie.myfreeforum.org/ . I decided to post the chart on the blog for easy access. Thank you to the KW forum for the information. Here is the link to the full shape chart information that I have on the site (https://rebornpipes.com/2016/05/07/kaywoodie-yello-bole-shape-numbers/).

I also have included the pertinent sections of the chart on this particular 2193 shape. I remembered that the last two numbers and letter on heel of the bowl were the shape of the pipe. In this case the 93L referred to a shape that KBB called a Large President. I have drawn a box around that stamp number. The 93 is thus the President shape and the L identifies it as a large version of the pipe. Note also that the pipe was only made between 1936-1937 so it is an old timer.Troy also included the following information on the first two digits of the shape number. I quote in full regarding that below.

2-digit prefixes for 4-digit pipes – you might find an odd ball or a rare one that is not on the list.
From the time of the first Kaywoodie until 1938 for Kaywoodie and for Yello-Bole, Kaufmann Brothers & Bondy used a 4-digit number system (plus a letter sometimes) to identify the line and shape number. The 4-digits were not used after 1938. The first two, which we’ll call the prefix, referred to the finish and the second two, the suffix numbers referred to the shape number.

I have identified the section on the chart where this pipe stands. Note that the 21 prefix is missing but the description of the 20 and 22 is identical to the information on this pipe. From that I know that the pipe I am working on should have a push tenon, vulcanite stem. The good news is that I have the original stem.Now it was time to see if I could find anything out about the Patent number. I am assuming it is a US Patent as the pipe is an American brand. The number on the right side of the bowl reads as follows: Patent – 90232. I turned to the US Patent search site to see what I could find out there. Here is the link to the site: https://patft.uspto.gov/netahtml/PTO/patimg.htm . Unfortunately that patent number takes me to a series of drawings of a new plowshare. At this point the Patent information is a dead end.

It may seem that I praise Jeff’s work in cleaning up the pipes I work on a lot! I know I do but he is an indispensable part of the restoration work for me. He has developed a system of cleaning that is quite remarkable and leaves the pipes very clean. It saves me a lot of time so I have no issues saying that! Jeff did a great job cleaning up the pipe as usual. He reamed the pipe with a PipNet reamer and cut back the cake back to the bare briar. He cleaned up the walls with a Savinelli Fitsall Pipe Knife. He scrubbed the interior of the bowl and shank with pipe cleaners, cotton swabs and alcohol to remove the tars and oils. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the grime from the finish. He worked on the rim top lava and darkening with the soap and tooth brush. He scrubbed the inside of the stem with alcohol and pipe cleaners. He scrubbed the exterior with Soft Scrub and then soaked it in Before & After Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked far better when it arrived. I took some close up photos of the rim top and also of the stem surface. I wanted to show how well it had cleaned up. The rim top photo looks good but there are some nicks and scratches on the top and the beveled inner rim edge. I also took close up photos of the stem to show the light tooth marks and chatter on the surface near the button and the burn mark on the top near the O logo. I took photos of the stamping on the sides of the shank. You can see that it is stamped as noted above. It is clear and readable.I took the pipe apart and took a photo of the pipe. It is a good looking pipe and has some great grain on the side of the bowl.I decided to address the rim top damage first. I used a folded piece of 220 grit sandpaper to the beveled inner edge to minimize the damage to the rim. I think that it is definitely better once I finished. I would polish the flat top of the rim with micromesh and try to minimize the scratching there. The angle of the stem makes topping the bowl seem impractical.I polished the briar rim top and edges along with the rest of the briar with micromesh sanding pads –dry sanding with 1500-12000 grit pads and using a damp cloth after each pad. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I filled in the burn mark on the top and the tooth marks on the top and underside of the stem with clear super glue. I let the repairs cure. Once they had cured I sanded the repairs on the underside and the chatter on the topside with 220 grit sandpaper. I started the polishing with 400 grit wet dry sandpaper. I wiped it down with some Obsidian Oil. I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Afterwards I rubbed it down with another coat of Obsidian Oil and let it dry. I am excited to finish restoration of this older KBB Yello-Bole President 2193L pipe. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine and hand buffed it with a microfibre cloth to deepen the shine. It is fun to see what the polished bowl looks like with the polished black vulcanite stem. This unique looking KBB Yello-Bole President actually feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 32 grams/ 1.16 oz. It is a beautiful pipe and one that will be on the American Pipe Makers section of the rebornpipes store soon. If you are interested in adding it to your collection let me know. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Restored – Plymouth 88 – Sasieni Ashford 2nd

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By Al Jones

The Sasieni Shape 88, more commonly known by it’s town name in Four Dot nomenclature, is the “Ashford”. It is one of my favorite British pipe shapes. The Shape 88 is Sasieni’s version of the classic Author shape.

This pipe came via Ebay, where the seller had it listed as a Peterson 2nd. Indeed, “Who Made That Pipe” does list Plymouth as a Peterson 2nd line. To my knowledge, Peterson never made a true Author shape and when I asked for additional stamping detail, the seller said it had the “88” stamp as well the “Made in England” COM. The 88 is of course a Sasieni shape and when received, it matched up well with my other Ashfords. The button definitely looks Sasieni made. I’ve found Sasieni 2nd line stems are quite good. Is this a true Sasieni 2nd line or a pipe made by Sasieni for a shop called “Plymouth”. Google didn’t yield any info on such a shop, so it’s likely lost to time. In a few days, this one will travel with me in to Louisiana for Thanksgiving. I’ll leave it at my daughters home for our frequent visits with her family and my two grandchildren.

Below is the Sasieni Ashford/88 shape, from a 1951 catalog and pictures of the pipe as it was received.

The pipe had a mildly oxidized stem, but no dents or button issues. The bowl had a very mild cake and the briar had a few bruises and numerous factory fills and flaws.

I reamed the cake and soaked it with alcohol and sea salt. The bowl was in great shape. I used a bristle cleaner soaked in alcohol to clean the stem internal. Upon completion of the salt soak, I used a bristle brush dipped in alcohol to thoroughly clean the shank.

The stem was mounted and the oxidation was removed with 800, 1,500 and 2,000 grade wet sandpaper, followed by 8,000 and 12,000 grade micromesh. I buffed the stem with White Diamond rouge and Meguiars Plastic Polish.

The bowl was buffed with White Diamond and several coats of carnuba wax.

Below is the finished pipe, soon to resume it’s proper function in Louisiana.

A Sears & Roebuck ‘Yorkshire Standard’ Sculpted Pot Comes Back to Life

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Give this blog a read. Dal has done a great job bringing this old timer to a new life. Well done Dal.

The Pipe Steward

Pipe man Darren has commissioned several pipes from the ‘For “Pipe Dreamer” ONLY!’ collection benefitting the Daughters of Bulgaria – helping women and girls who have been trafficked and sexually exploited. I appreciate Darren who appreciates vintage pipes and loves to see them restored as much as I do! Darren is from Pennsylvania and Daniel, a fellow member of the Chester County Cigar Club – Holy Smokes had commissioned a pipe (See: Refreshing a Beldor Studio Mini Churchwarden Paneled Apple of Saint Claude) and through Daniel, Darren became aware of The Pipe Steward. Darren chose another interesting pipe. Here are pictures of the Yorkshire Standard Sculpted Pot. The nomenclature on the left flank of the shank is stamped in what appears to be an old English font slightly arched upwardly, ‘Yorkshire’ [over] STANDARD [over in a reversed downward arch] ALGERIAN BRIAR. I could find no other markings on the…

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Another Unsmoked Hand Made Mystery Pipe – A Rusticated Panel Pot

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Blog by Steve Laug

The next pipe on the table was one of a pair of unsmoked Mystery Pipes. The first was an unsmoked Poker or Cherrywood with a stamped MV, VM or NN logo on the bowl bottom that I cannot interpret. No one seems to be able to identify the maker. When Jeff and I picked this one up it was one of two pipes in a batch of pipes we bought from am online auction in Wilkes Barre, Pennsylvania, USA in March of 2019. It has taken a while for me to work on these. The one pictured below is for sale in the American Pipe Makers section of the rebornpipes store if you want to see a few more photos of it.This second pipe from the pair is a rusticated Panel Pot that is quite nice. It too is unsmoked and it is stamped with the same logo but this time on a smooth panel on the left side of the shank. It is as well made as the previous one. The pipe has a very tight almost cut glass-like rustication that has been stained in dark brown that complements and contrasts with the light brown on the smooth left shank and the band around the other three sides of the shank. The finish was dusty and dirty but other than that it was a clean unsmoked pipe. The bowl and rim looked good and the stem was flawless polished vulcanite that is deceptively shiny. Jeff took photos of the pipe before he cleaned it up. Jeff took photos of the bowl and rim top to show the new condition of the pipe. He also took photos of the stem showing what it looked like on both sides from the shank to the button. It was very clean. The top side had some light oxidation but no marks.The finish on the sides of the bowl and shank is deeply rusticated with a very tight pattern that makes it like cut glass (but not sharp). It is quite pretty.The next photo shows the mysterious seemingly unidentifiable makers mark. Is it an “NN”, an “NV”, “MV”, “AW”? I am not sure and it seems I have found no one else who knows the mark. Do you? Leave a comment in the box at the bottom of the blog and fill us all in on your thoughts. Thanks.Jeff had done a great job cleaning up the pipe, scrubbing the interior of the shank and stem to remove the dust and debris of time using pipe cleaners and alcohol. He scrubbed the exterior of the pipe with Murphy’s Oil Soap and a tooth brush to remove the dust from the rusticated finish. He scrubbed the exterior of the stem with Soft Scrub and then soaked it in Before & After Deoxidizer. He washed it off with warm water to remove the Deoxidizer. The pipe looked good when it arrived. I took some photos of it before I did my part of the restoration. I took some close up photos of the rim top and also of the stem surface. I wanted to show how well it had cleaned up. The rim top photo looks good and the bowl clean and ready to be smoked. I also took close up photos of the stem to show how clean it looked. There was still a light oxidation on the top side but otherwise it was in good condition.I took a photo of the stamping on the left side of the shank. Any ideas?I removed the stem from the shank and took a photos of the parts. It is a nice looking pipe.The pipe was virtually new so I started my restoration with a simple first step. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips and a horsehair shoe brush to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I wanted to give some idea of how the shank, though it appeared to be square, was not. It was wider on the left and the top than the bottom. The tenon had some different looking turning marks on it that I would need to smooth out. It is definitely a hand made pipe not machine made.I set the bowl aside and polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I gave it a final coat of Obsidian Oil and set it aside to dry. This Hand Made Rusticated Panel Pot turned out to be a great looking pipe. The rusticated dark brown finish on the briar is beautiful and the nooks and crannies have taken on depth that is quite stunning around the bowl and shank. I put the pipe back together and buffed it lightly with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine and hand buffed it with a microfibre cloth to deepen the shine. It is fun to see what the polished bowl looks like with the polished black vulcanite stem. This classic looking No Name Panel Pot feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ¼ x 1 3/8 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 35 grams/1.23 oz. It is a beautiful pipe and one that I will be putting in the rebornpipes store in the American Pipe Makers section with the Cherrywood Mate. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Replacing a Broken Tenon on a L’Anatra dalle Uova d’ Oro 2 Egg Bent Egg

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Blog by Steve Laug

Last week I received a call from a local Vancouver realtor who had gotten my phone number from the pipe shop here. He had a pipe that he said needed a stem replacement and wanted to know if I could do that for him. I have learned to ask what he meant about needing a stem replacement. I had him send me photos of the pipe so I could see what it needed. It was a L’anatra bent egg shape with a silver ferrule. In the first photo you can see the tenon snapped off in the shank. I talked with the fellow a bit and we decided to do a tenon replacement. He was keen to keep the Duck head on the stem so this seemed the best solution for him. I told him to drop the pipe off at the house so I could work on it. I have included the photos that he sent me so you could see what I was going to deal with. With the oval shank L’Anatra tenon replaced I turned my attention to the original one that he had called me about. It too had the tenon snapped off in the shank. It was stamped on the left side of the shank and read L’Anatra [over] dalle Uova d’ Oro [over] 2 Eggs for the Grade of smooth pipe that it was. Underneath that it was stamped Hand Made in Italy. It had some beautiful grain around the bowl and shank. It was a little dirty with some debris and darkening on the beveled inner edge of the bowl. It had been smoked significantly more than the previous pipe. It had a screen in the bowl to help with what I assume was wet smoking but I did not know for sure. I left it in the bowl. It looked like he had dropped it as well but there were no dents in the finish. The stem was in good condition with some chatter on both side ahead of the button but nothing to deep. Once the tenon was replaced it would be a quick clean up and polish before I gave it back to him. I took some photos of the bowl and stem when I received it to show what a great looking pipe it was. I took photos of the rim top to show the condition of the bowl and the darkening on the back inner edge of the rim. I also took photos of the stem to show the tooth chatter on both sides at the button. I rotated the bowl and took photos of the stamping on the left and underside of the shank. It was clear and readable as noted above.I decided to start my work on the pipes by pulling the tenon on both pipes. That way I could proceed on them both from the same starting place. The broken tenon was firmly stuck in the shank so I put the bowl in the freezer while I had a coffee. When I finished the coffee I tried to pull the tenon again with the screw and it came out very easily. I went through my tenons and found a threaded one that would fit the shank with a few minor adjustments. I used a Dremel and sanding drum to remove the should ahead of the threads and to reduce the diameter slightly to fit the shank. I also used the Dremel and sanding drum to remove the fragments of the broken tenon on the stem face. I put the tenon in the shank and took some photos of the fit. It was looking very good. Now it was time to work on replacing the broken tenon. I drilled out the face of the stem with a cordless drill and a bit roughly the size of the airway in the stem. I find that this helps to center the drilling. I worked my way through drill bits up to 15/64s which is approximately the size of the threaded portion of the tenon.I flattened out the threads with the Dremel and sanding drum until the fit in the new opening on the stem was snug. I fit a pipe cleaner in the stem and then coated the threaded tenon end with black CA glue and turned it into the stem. I set it aside to let the glue harden. Once it had I removed the pipe cleaner and took some photos of the pipe with the stem. While the glue cured on the new tenon I turned my attention to the bowl. I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad with a damp cloth. I worked over the darkening on the rim top at the same time. It looked much better. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. It was in such great condition that I polished it with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. I finished it with a final coat of Obsidian Oil. This L’Anatra dalle Uova d’ Oro 2 Egg Grade Bent Egg turned out to be a more beautiful pipe than I had expected once I had replaced the tenon. The finish on the briar is beautiful and the grain is quite stunning around the bowl and shank. I put the pipe back together and buffed it lightly with Blue Diamond on the buffing wheel. I gave the bowl and the acrylic stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine and hand buffed it with a microfibre cloth to deepen the shine. It is fun to see what the polished bowl looks like with the polished black vulcanite stem. This classic looking L’Anatra dalle Uova d’ Oro Bent Egg feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 54 grams/1.90 oz. It is a beautiful pipe and another one that will be heading back to the Vancouver Realtor now that I have replaced a broken tenon on each of the pipes. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

Replacing a Broken Tenon on a L’Anatra dalle Uova d’ Oro Sandblast Squashed Tomato

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Blog by Steve Laug

Last week I received a call from a local Vancouver realtor who had gotten my phone number from the pipe shop here. He had a pipe that he said needed a stem replacement and wanted to know if I could do that for him. I have learned to ask what he meant about needing a stem replacement. I had him send me photos of the pipe so I could see what it needed. It was a L’Anatra bent egg shape with a silver ferrule. In the first photo you can see the tenon snapped off in the shank. I talked with the fellow a bit and we decided to do a tenon replacement. He was keen to keep the Duck head on the stem so this seemed the best solution for him. I told him to drop the pipe off at the house so I could work on it. I have included the photos that he sent me so you could see what I was going to deal with. The day that he was going to drop the pipe off he called and asked if he could put another pipe in the bag that had the same problem – a snapped tenon in the shank. I told him to go ahead and add it to the bag. When I came home from work the pipes were waiting for me. The second pipe was another L’Anatra. This one was a beautifully sandblasted bent squashed tomato shape with an oval shank. Like the first one the tenon was snapped off in the shank. It was stamped on the underside of the shank and read L’Anatra [over] dalle Uova d’ Oro [over] Hand Made in Italy. The blast was very well done – deep and rugged. The sandblast on the rim top had some debris and darkening but otherwise was clean. The bowl itself was clean and still had raw briar in the bottom half of the bowl. It looked like he had dropped it not too long after he acquired it. The stem was in good condition with some chatter on both side ahead of the button but nothing to deep. I decided to deal with this one first. Once the tenon was replaced it would be a quick clean up and polish before I gave it back to him. I took some photos of the bowl and stem when I received it to show what a great looking pipe it was. I took photos of the rim top to show the condition of the bowl and the darkening in the sandblast finish of the rim. I also took photos of the stem to show the tooth chatter on both sides at the button.I took a photo of the stamping on the underside of the shank. It was clear and readable as noted above.I decided to start my work on the pipes by pulling the tenon on both pipes. That way I could proceed on them both from the same starting place. I used a dry wall screw and twisted it into the airway. On this pipe a bit of wiggling and the tenon popped free of the shank. The other was a bit tougher but I will talk about it on the next blog.I went through my tenons and found a threaded one that would fit the shank with a few minor adjustments. I used a Dremel and sanding drum to remove the should ahead of the threads and to reduce the diameter slightly to fit the shank. I also used the Dremel and sanding drum to remove the fragments of the broken tenon on the stem face.I put the tenon in the shank and took some photos of the fit. It was looking very good.Now it was time to work on replacing the broken tenon. I drilled out the face of the stem with a a cordless drill and a bit roughly the size of the airway in the stem. I find that this helps to center the drilling. I worked my way through drill bits up to 15/64th which is approximately the size of the threaded portion of the tenon.I flattened out the threads with the Dremel and sanding drum until the fit in the new opening on the stem was snug. I fit a pipe cleaner in the stem and then coated the threaded tenon end with black CA glue and turned it into the stem. I set it aside to let the glue harden. Once it had I removed the pipe cleaner and took some photos of the pipe with the stem. While the glue cured on the new tenon I turned my attention to the bowl. I used a brass bristle wire brush to scrub off some of the darkening on the rim top. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips and a horse hair shoe brush to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. It was in such great condition that I polished it with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. This L’Anatra dalle Uova d’ Oro Sandblast Squashed Tomato turned out to be a more beautiful pipe than I had expected once I had replaced the tenon. The sandblast finish on the briar is beautiful and the nooks and crannies of the blast really show the depth of the finish. I put the pipe back together and buffed it lightly with Blue Diamond on the buffing wheel. I gave the bowl multiple coats of Conservator’s Wax and the acrylic stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine and hand buffed it with a microfibre cloth to deepen the shine. It is fun to see what the polished bowl looks like with the polished black vulcanite stem. This classic looking L’Anatra dalle Uova d’ Oro Squashed Tomato feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 inches, Height: 1 ½ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 63 grams/2.22 oz. It is a beautiful pipe and one that will be heading back to the Vancouver Realtor once I finish the tenon replacement on his second L’Anatra – an Egg. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.