Daily Archives: September 29, 2024

New Life for a Sixten Ivarsson Designed Stanwell Regd. No. 969-48 Hand Made Ukulele 91


By Steve Laug

The next pipe on the table to work on is one that was purchased on 09/18/2020 from a seller in Los Angeles, California, USA. This is a oval shank ukulele with a smooth finish and an oval shank, vulcanite saddle stem. It is another Made in Denmark Stanwell. The smooth finish on this pipe, around the bowl and shank has a mix of grain highlighted by the brown stain. The pipe is stamped on the topside of the shank and reads STANWELL [over] Regd. No. 969-48 [over] Hand Made. On the underside of the shank the shape number 91 is stamped [over] Made In Denmark. The pipe was a well used pipe when Jeff received it. There was dust and grime ground into the finish on the sides of the bowl. The brown stain highlights some mixed grain under the dirt. The bowl was thickly caked and there was an overflow of lava on the smooth rim top. The condition of the inner edge was hard to know due to the lava coat but there appeared to be some nicks in the edge. The saddle stem is vulcanite and was dirty, oxidized and had light tooth marks, chatter and scratches on both sides ahead of the button and on the button itself. There is a stamped Crown S logo on the topside of the saddle stem. Jeff took photos of the pipe before he started his clean up work on it. He took photos of the bowl and rim top to show what they looked like before his clean up. You can see the cake in the bowl and the spattering of lava on the rim top and inner edges. You can see the nicks in the inner edge of the rim. He also took some of the stem to show the condition of both sides. It is heavily oxidized and calcified and very dirty. There appear to be tooth marks and chatter on both sides of the stem ahead of the button and on the button surface itself. The photos of the sides and heel of the bowl show the grain around the bowl and shank. The grime hides the grain in many ways. The finish on the pipe is worn but the grain stands out. The stamping was on the top and underside of the shank as noted above. It is clear and readable as noted above. The Crown S stamp on the top of the saddle stem can partially be seen in the first photo below. Before I started my work on the pipe I wanted to see if I could find any information that would help me get a sense of the background on the pipe. I turned to Pipephil to see if there was any listing on the

I then turned to Pipedia (https://pipedia.org/wiki/Stanwell) for more information. The article is great and gives a lot of history on the brand. There was a category of pipe call Pre-regd. 1945-1948 where all the photos of pipes had the same stamping as the one I am working on. That gave me a clue as to the dating on this particular pipe – it was made between 1945-1948.

There were also links to a shape article by Bas Stevens that I originally published on rebornpipes. I looked up the 91 shape number to see who had designed that shape (https://pipedia.org/wiki/Stanwell_Shape_Numbers_and_Designers). I quote the information below.

  1. Slightly bent wide, flattened volcano with an oval shank and a short, standard saddle, trapezoidal saddle, or tapered stem, by Sixten Ivarsson. Nicknamed the ‘Ukelele’ (pictured, right, in its reissued design).

Now it was time to work on the pipe.

Jeff had thoroughly cleaned up the pipe. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs, pipe cleaners and shank brushes. He scrubbed the exterior of the stem with Soft Scrub to remove the grime and calcification. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. The pipe looked very good when it arrived here. I took close up photos of the bowl, rim and the stem. You can see the nicks on the thin inner edge of the bowl. The vulcanite saddle stem is in good condition with light tooth marks and some chatter as noted above.I took photos of the stamping on the top and underside of the shank. It is readable as noted above. I removed the stem from the shank and took a photo to give a sense of the proportions of the pipe. The briar is quite beautiful and I think that polishing it will make the grain stand out. I worked on the damage to the inner edge of the rim top with a folded piece of 220 grit sandpaper to smooth out the chips in the finish. By the end it looked much better.I sanded the bowl with 320-3500 grit sanding pads to smooth out the finish and bring some life back to the briar. I wiped the briar down after each sanding pad to wipe off the debris left behind by sanding. I polished the bowl and shank with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the bowl down after each pad to remove the grit. The bowl began to take on a rich shine. It is a beauty. I rubbed the bowl down with Before & After Restoration Balm. I worked it into the briar with my finger tips. I let it sit for 10 minutes and the Balm did its magic. It enlivens, cleans and preserves the briar. It certainly brought this bowl back to life. I buffed it off with a clean cloth and took the following photos. I set the bowl aside and turned my attention to the stem. I touched up the “Crown S” stamp on the topside of the saddle stem with some white acrylic fingernail polish. I worked it into the stamp with a tooth pick. I scraped off the excess with piece of 320 grit sanding pad and buffed it off with a soft cloth and some Obsidian Oil. It looked very good. I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This Sixten Ivarsson Designed Stanwell Regd. No. 969-48 Ukulele 91 with a vulcanite saddle stem is a great looking pipe now that it has been restored. The stain really highlights the grain and the polished finish is stunning. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Stanwell Regd. No. 969-48 Ukulele 91 fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¼ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: 7/8 of an inch. The weight of the pipe is 65 grams /2.33 ounces. I will be adding the pipe to the Danish Pipe Makers Section of the rebornpipes store. If you are interested in purchasing this pipe send me a message or an email.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.

New Life for a Republic Peterson’s DeLuxe 106S Billiard


By Steve Laug

In the last box of pipes Jeff sent me there was an interesting, nicely grained Peterson’s Billiard to restore. This one is a Peterson’s DeLuxe 106S Straight Billiard. It is stamped on the left side of the shank Peterson’s [over] Deluxe and on the right side it bears the 106S shape number near the bowl shank junction and (three lines) Made in the [over] Republic [over] of Ireland. On the underside of the shank it is stamped with a large interlocked GH. From a past restoration (I have included the link) [https://rebornpipes.com/2023/10/14/petersons-kildare-special-hg-republic-of-ireland-10-canadian/], I remembered that the GH stamp is a “GH Retailer’s Monogram.” The SPECIAL stamp indicates that this pipe was made specially for George Huber of Munich, who had other Peterson pipes made expressly for their shop. It was a dirty pipe when we received it. There was lava on the rim top and heavily coated on the bevelled inner edge of the rim. The rim top was dirty and showed some wear and tear on the surface coming up for the bowl. There was a thick cake in the bowl that had remnants of tobacco stuck in it. The finish was dirty and there were spots of grime and oils. There also seemed to be spots of paint on the surface. The stem was heavily oxidized and there were light tooth marks and chatter on the top and underside ahead of the button. Jeff took some photos of the pipe before he started his cleanup work. He took photos of the bowl and rim top to show their general condition. You can see the tars on the inner edge of scuffing on the rim top. The cake in the bowl is quite thick and there is tobacco debris on the walls of the bowl. The finish on the bowl is dull but the grain is still very stunning. This pipe has a classic Peterson’s P-lip stem on a saddle stem. It has heavy oxidation on the surface of the vulcanite that is quite deep. There seems to be some tooth marks and chatter on the top and underside. He removed the stem from the shank and took photos of the aluminum chimney screwed into the end of the tenon.Jeff took some photos of the sides and heel of the bowl to give an idea of the grain on this particular piece of briar. It is amazing and I cannot wait to see what it looks like once it is polished and waxed. He took photos of the stamping on both sides of the shank to capture it for me. The first photo shows the left side of the shank and the stamping as noted above. The second and third photos show the right side of the shank with the Made in the Republic of Ireland stamp and shape number 106S. The fourth photo shows the underside of the shank and it bears the GH Retailer’s Monogram. The final photos shows the P logo stamp on the left side of the saddle stem. I did a bit of work on Google to gather background on the DeLuxe line of pipes when I worked on the 4S recently. I decided to quote that here as well.

The first information I found was on the Peterson’s website (https://www.peterson.ie/pipes/system/deluxe-system-smooth/). I quote from the description of the line below. I have highlighted several key portions in bold black for emphasis.

While the Deluxe stamp first appeared on our System pipes in 1940, the design itself dates to our 1896 and 1906 catalogues and, with the exception of the Supreme, has always marked our highest tier of System pipe. Like the System Standard and System Spigot lines, the Deluxe System pipe incorporates Charles Peterson’s patented System design, including a deep reservoir to collect excess moisture from the smoke; a graduated-bore mouthpiece that funnels the smoke and allows moisture to collect within the reservoir; a sturdy sterling silver military mount, which allows the pipe to be broken down and cleaned without damage or warping; and our patented P-Lip bit, which draws the smoke upward, thus reducing tongue bite. The Deluxe differs from those aforementioned lines, comprised of bowls with only the finest grain patterns and featuring a sterling silver mount and a push-gap stem, which was never designed to be flush-fitting, the space between the mount and stem base gradually decreasing with prolonged use. The Deluxe also elevates the System pipe by fixing each stem with a traditional chimney, an aluminum fitment that extends the tenon past the chamber’s airway for optimal System performance. Created for Peterson enthusiasts interested in acquiring the finest System pipe on the market, the Deluxe System will serve as the crown of any collection. Seen here in the Smooth finish.

From that information I knew how the De Luxe fit in the hierarchy of Peterson’s pipes. It was always the highest tier of the System pipes. It also was made with the gap in the fit of the stem to the shank on purpose with the idea that the distance would decrease over time with prolonged use. The attachment of a chimney at the end of the tenon was to maximize System performance.

From there I also turned to Pipedia. I quote from an article by Jim Lilley and have included much of it below. (https://pipedia.org/wiki/A_Closer_Look_at_The_Peterson_Deluxe_System_Pipe). Once again I have highlighted pertinent sections in bold below.

By Jim Lilley

The version of the system pipe for our closer inspection is one of Peterson’s more recognisable series, the handsome and very distinctive Deluxe system pipes, which include the Darwin and Mark Twain. These pipes are at the top of the ‘system’ series in terms of quality and finish.

Each Peterson Deluxe is made from carefully selected, age mellowed root briar. In matte finish with hallmarked sterling silver mounts and a unique space fitting mouthpiece to allow for years of wear. They are available in a wide range of shapes numbered, as follows 1s,2s,3s,4s,5s,8s,9s,11s,12.5s,20s,XL5s, 20FB and 11FB.

The pipes are well carved, construction, engineering and workmanship, is outstanding. The stems are well drilled and aligned. Silver work is excellent, finish very good, and the often maligned briar is of outstanding quality.

The design is a very typically Peterson classic shape. Apart from the Darwin, the balance can be stem heavy, the bit is thick and chunky, especially in the larger versions. I also enjoy the sense of presence they give to the pipe, particularly if smoking in company with friends or strangers. They have a sophistication about them.

The smoking qualities are excellent, dry and cool. The draw is good, and the flavour is particularly great in new pipes. The Mark Twain’s are outstanding in this department.

As for the aesthetics and ergonomics, I find some shapes much more attractive than others. Favourites for me are the 1s,2s,3s,the Mark Twain’s and the Darwin deluxe. As a clencher most are very good to hang, except the beautiful Darwin which is more of a ‘hand holder.’

The one weakness I find is the modern orange/golden colour, (the so called natural) it is, in my opinion, less attractive than that found in the older Walnut finish of the eighties.

As far as value and cost is concerned, for the excellent quality finish, these are competitively priced at around $135 to $250 depending on size and briar grade.

For what it is worth, I reckon the Deluxe s are probably the best value range of pipes that Peterson produce, both in terms of functionality and value. There is not a thing wrong with these pipes. Those who malign the brand because they’re made by the hundreds using machines, are very wrong, IMHO. I like them a lot and the bang for the buck is the best I’ve ever seen for new pipes of this quality.

The De-luxes are all excellent smokers. The Darwin, of course, is a truly outstanding pipe, its only “flaw” being that it’s not a clencher. One particular aspect of this pipe, that appeals to me most is its physical beauty and presence, they are a pipe like no other. For me, they also offer a bowl capacity that I like and a balance in the hand that I appreciate. They are well named Deluxe s for giving that special experience.

I turned to page 300 of “The Peterson’s Pipe” by Mark Irwin and Gary Malmberg as noted by him and found a great paragraph on the stamping. I quote in full.

GH Retailer’s Monogram (c. 1960s) George Huber of Munich, Germany, a Peterson distributor and retailer for decades, stamped their monogram on pipes sold in their store, G overlaid on H. Peterson shared in the 1988 commemoration of Huber’s 125th year in business by producing a special pipe with a sterling rim cap, stamped HUBER over CELEBRATION.

The pipe I have is one that bears that monogram but does not appear to have ever had the sterling rim cap and was not stamped HUBER over CELEBRATION. With that information I turned my attention to working on the pipe.

Jeff had cleaned it thoroughly. He had reamed it with a PipNet reamer and cleaned that up with a Savinelli Fitsall Pipe Knife. He had scrubbed the exterior of the briar with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed it with running water to remove the grime and oils. He cleaned out the interior of the shank, sump and airway in the shank and stem with alcohol, pipe cleaners and cotton swabs. He scrubbed the stem with Soft Scrub to remove the oxidation and calcification on the surface. He soaked it in Briarville’s Pipe Stem Deoxidizer to remove the oxidation. He removed it from the Deoxidizer and rinsed it off with warm water. I took some photos of the pipe before I started my part of the work. I took some photos of the rim top and stem. The rim top and bowl looked very good. The cake and lava overflow were gone and the inward bevelled rim was very clean. There was also some darkening on the bevelled inner rim edge and light damage on the edge of the top and the bevel. Jeff had been able to get rid of all of the lava and tars. The rim top looked good with light marks and scratches on the surface. The closeup photos of the stem shows that it is a much cleaner and better looking stem. The tooth marks and chatter were still present with deeper ones on the button and on the underside of the stem next to the button.I took some photos of the stamping on the shank sides and the silver on the ferrule to show the condition after the cleanup. Often the stamping takes a hit with the cleaning and is lessened in its clarity. Jeff does a great job in leaving the stamping looking very good. I also took the stem off the shank and took a photo of the parts of the pipe to show the proportion. It is a beauty. I started my restoration work on this pipe by addressing the darkening around the inner edge of the bowl. I used a folded piece of 220 grit sandpaper to clean up the bevelled inner edge and the rim top with the same sandpaper. The finish rim top looked very good.I started my polishing regimen on the bowl. I used nine micromesh sanding pads and dry sanded the bowl with 1500-12000 grit pads. I wiped the bowl down with a damp cloth after each pad. The bowl really shines by the final three pads. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I touched up the “P” stamp on the left side of the saddle stem with some Rub’n Buff Antique Gold. I worked it into the stamp with a tooth pick. I buffed it off with a soft cloth and some Obsidian Oil. It looked very good. It was in pretty decent conditions so I polished it with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped them down after each sanding pad with a cloth containing some Obsidian Oil. I finished polishing it with Before & After Pipe Stem Polish – both Fine and Extra Fine and buffed it off with a cotton cloth. I gave it a coat of Obsidian Oil to preserve and protect the stem. I don’t know how many times I have said this but I love it when I come to the end of a restoration and all of the parts come together and the pipe looks better than when we started the cleanup process. I put the stem back on the Peterson’s DeLuxe 106 Billiard and buffed the pipe with Blue Diamond on the buffing wheel. I carefully avoided the stamping on the shank sides during the process. I gave the bowl and stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad on the buffer. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished pipe is a real stunning example of a Republic Era Peterson’s DeLuxe 106 Straight Billiard. Once again, the grain and the way the shape follows the grain is amazing. Give the finish pipe a look in the photos below. I can only tell you that it is much prettier in person than the photos capture. The dimensions of the pipe are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 3/8 inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.55 ounces/44 grams. This Peterson’s De Luxe 106 is a great piece of pipe history that is in exceptional condition. Thanks for walking through the restoration with me as I worked over another beautiful pipe. I will be putting this one on the rebornpipes store in the Irish Pipemakers Section. Let me know if you are interested in adding it to your collection. Thanks for your time.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.