Daily Archives: May 6, 2017

GBD Prehistoric Paneled Billiard Restoration

By Al Jones

This Prehistoric GBD was in pretty decent shape, with some bowl-top build-up and a mildly oxidized stem. GBD Prehistorics usually have polished bowl tops that survive even the worst build-up abuse and restore beautifully.  This one is shape 9486.

I used my Pipenet reamer set to remove the cake. I used a wet cloth and then a worn piece of scotch-brite pad to remove the build-up on the bowl top. The top was finished with a worn piece of 8,000 grit micromesh. All of the build-up came off, without breaking the stain and it polished beautifully. I soaked the bowl with alcohol and sea salt. The interior of the bowl was in excellent condition.

I put a dab of grease on the GBD rondell and soaked the stem in a mild Oxy-Clean solution. Mounted to the bowl, I used 800, 1500 and 2000 grade wet paper to remove the oxidation. The stem was finished with 8,000 and 12,000 grade micromesh. I wrap the sanding papers around a popsicle stick to keep the square shank edges sharp. The stem was buffed with White Diamond and Meguiars Plastic Polish.

The bowl top was polished with White Diamond and several coats of Carnuba wax. The blasted part of the bowl was hand waxed with Halycon wax.

Below is the finished pipe.

Comoy’s 184 Pebble Grain Restoration

By Al Jones

This was a simple clean up of a classic Comoy’s bent billiard, this one in Pebble Grain finish. The 3-piece, drilled “C” stem logo is from the pre-Cadogan era (1981 or earlier). I wasn’t able to determine when the Pebble Grain finish was introduced. The pipe was in overall very good condition, with a mildy oxidized stem and some build-up on the bowl top.

The bowl was reamed of the mild cake. I used a wet cloth and then a worn piece of scotch-brite pad to remove the build-up on the bowl top. I soaked the bowl with alcohol and sea salt. The interior of the bowl was in excellent condition.

A dab of grease was applied to the C on the stem, for the soak in a mild Oxy-Clean solution. After the stem and bowl were soaked, the stem was mounted to remove the oxidation. Wet paper in 800, 1,500 and 2,000 grade were used followed by 8,000 and 12,000 grades of micromesh. The stem was then buffed with White Diamond and Meguiars Plastic Polish. The bowl was hand waxed with Halycon wax.

Below is the finished pipe.

Reworking Rustication on a Savinelli Extra Lumberman

Blog by Steve Laug

My brother and I picked up this long shanked Canadian when I was in Idaho. We bought it from the same seller that had all of the Calabash pipes. It is a wire wheel rustication that follows the bowl at an angle and runs almost chevron like on the top and bottom of the shank. It is a large pipe. The dimensions are: length – 7 ½ inches, height – 2 inches, external diameter – 1 ½ inches, inner bowl diameter – ¾ inches. There were some obvious issues with the pipe that I will point out through the following photos. First of all the big picture look at the pipe. It is stamped Savinelli Extra Lumberman on the underside of the shank. Next to that it is stamped Italy. In the second photo below you can see the line where the two sections of shank are joined. The next two photos of the rim top and the underside of the bowl and shank show some of the other issues. The rim top was worn smooth in places and the front right outer edge was rough from knocking the pipe out on hard objects. There was also some cake on the wall that needed to come out on the front right of the inner edge. The underside of the shank shows a hairline crack above the Lumberman and Italy stamping and another at the edge of the bowl just above my thumb. There was also a hard patch of something stuck to the bottom front of the bowl that was hard and rough. I am not sure if it is a repair or what but it will need to be addressed.The band on the shank is part of a shank repair that had been done on the pipe. The shank had been smoothed out and most of the rustication removed under and in front of the band. There was a repaired crack on the underside of the shank. The band was loose on the shank as the glue had dried. The band is an aftermarket repair band and not original. The replacement stem has been poorly fitted to the shank end. The diameter of the oval stem does not match that of the shank and band.There were definitely a lot of little issues that needed to be addressed on this long shanked Canadian but there was something about it that attracted me to its potential. I topped the bowl on a topping board with 220 grit sandpaper and removed the damage to the outer and inner edges of the rim.I pressed some briar dust into the small crack on the right side of the bowl toward the bottom and added some clear superglue. I repaired the hairline crack on the shank and on the lower left side of the bowl – drilling the ends carefully with a microdrill and then filling in the crack with briar dust and super glue. I circled the small cracks in red in the photos below.I used a series of dental burrs and drill bits on the Dremel to replicate the striated pattern of the wire rustication on the bowl and shank. It took some slow and careful handwork. I ran the Dremel at a speed of 5 so that I could easily maneuver it around the bowl and shank to match the pattern of the rustication. I used it to remove most of the thick, hard spot on the front of the bowl and match the rustication pattern surrounding it. I reworked the rustication on the rim of the pipe. I repaired the rustication under and against the band on the end of the shank and the repair on the underside of the shank. The first go at it I used the dental burrs but would later have to use files and rasps to cut the proper pattern in the briar. The next photos show the progress of the rustication. I slid the band off the shank, put the stem in place and shaped the stem to fit the curvature of the shank. I worked on it with 220 grit sandpaper until the flow of the shank and the stem matched. I personally like a smooth junction between the stem and the shank and the only way to do that correctly is to remove the band and rework that area before gluing the band back in place. The next two photos show the fit of the stem to the band and also the striated rustication pattern. Progress is being made.I slid the band off and put white all-purpose glue around the shank where the band would go. I pressed the band in place and wiped away the excess glue. I let the glue under the band set until the band was tight against the shank.I gave the bowl and shank an under stain of dark brown aniline based stain. I applied it and flamed it to set it in the briar. I repeated the process until the coverage was what I wanted.I hand buffed the pipe with a cotton cloth to give it a basic polish. I wanted to see what the coverage looked like once the stain had dried. I took photos to show how the pipe looked once I had gotten to this point in the restoration. The rim did not look right to me so I used a file to cut lines into the rim top. I used a large rasp and also a set of needle files to hand cut the lines. The photo below shows the lines after I used the wood rasp. I stained the rim top again with dark brown stain to have a look.I used some smaller needle files to cut lines between the lines that were already on the rim from the rasp. I wanted the pattern to look more like the patterns on the bowl sides and shank. I restained it with a dark brown stain. Once the stain was flamed and dried I gave the bowl a coat of cherry Danish Oil as a top coat that would add some contrast to the look of the briar and blend the all the repairs and the joint of the two parts of the shank into one cohesive looking piece. I hand buffed the bowl and shank with a soft cloth and then gave it a light buff with Blue Diamond on the buffing wheel. The contrast looks really good and the coverage makes the repairs blend in really well with the rest of the bowl and shank. I polished the stem with micromesh sanding pads – wetsanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I buffed the stem between the 2400-3200 grit pads and then finished with the pads. I rubbed the stem down with Obsidian Oil after each grit of pad and then a final time after the 12000 grit pad. I set the stem aside to dry. There were still some faint sanding marks on the stem showing so I buffed the stem with Red Tripoli and then carefully buffed out the scratches with Blue Diamond on the wheel. I was able to polish the stem and it shone nicely. I buffed the nickel band and then lightly buffed the bowl with Blue Diamond. I gave the stem multiple coats of carnauba wax and gave the bowl and shank several coats of Conservator’s wax. I buffed the pipe with a clean buffing pad to raise a shine and hand buffed it with a microfibre cloth to deepen the shine. The finished pipe is shown in the photos below. It is a beauty and should provide a cool smoke to whoever wants to add it to their collection. I will be posting it in the rebornpipes store soon. Thanks for looking.