Tag Archives: Yello Bole pipes

Yello Bole Logos From My Collection of Old Yello Bole Pipes


Over the past ten years or so now I have been picking up older Yello Bole pipes. I find that the briar is not bad – some say they are Kaywoodie’s lower line and I suppose that is probably true. The thing that attracts me to them is the stain and stem combinations, the logo inserts in both the stems and shanks. The five photos below show the variety of logos in my pipes. I have several that have what is known as the propeller inset – the first two photos show that inset. I have only seen the propeller inset in the stems and not in the briar itself. The next three photos show the circle inset. The first is a yellow coloured Bakelite or acrylic that is inset in the shank itself next to the KBB cloverleaf stamping. The last two photos show the inset brass rings that are placed in the stem material.

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The next two photos show two of my pipes with the logos visible – the first is a nice little Yello Bole apple with a yellow stem and the propeller stem logo. The stamping on this one says that it is a patent pipe and has the KBB in the cloverleaf stamped on the shank. I really like the colour combination of the stain on the briar and the yellow stem. The second pipe is another Yello Bole apple with the brass O insert on the stem. The combination of colours is once again a winner for me. This one is also stamped with the KBB in the cloverleaf.

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The final photo in the lot shows my collection of Yello Bole pipes all together. I have two of the propeller logos on the stem, two of the brass O on the stem and one with the yellow O in the shank. The last two on the right are my Yello Bole Bamboo shank pipes. They are a great looking lot of American pipe history.Image Does anybody have any idea as to the dates the various logos and stamping were used on Yello Bole Pipes? I would appreciate any information that anyone can add. Thank you.

Since posting this a few moments ago I found this web site that gives some help in dating Yello Bole Pipes http://www.otcpipes.com/ybdating.html  It looks like my pipes have some old dates. The pipes with propeller logos appear to be made in the 1930’s or 1940’s. The pipe with the yellow circle logo imprinted into the shank of the briar was made in the 1930’s. Those with the brass O seem also to have been made in the 1930’s. Looks to me that most of my Yello Boles are old timers!

4305 Miles From Home – James (jogilli) Gilliam


You have no idea how tempted I am to start this little story off with “It was a dark and stormy night”, but I just can’t bring myself to do it. Especially since it was a lovely sunny July Saturday morning when this little adventure found start. But first a little history lesson little Jedi; I end up travelling a little with my job and often find myself in the Norfolk, Virginia area with absolutely nothing to do on Saturdays, or weekends in particular for that matter. Found the nearest tobacco shop I have, found the furtherest tobacco shop I have, and all those in between. So here’s my plan to stay out of the hotel room for a day knowing that the sanctuary of Emersons near Greenbrier Road will still be there for my evening visit. So, since even I can’t spend an entire day in a tobacco shop, if I had a job there I could, but since I don’t, just imagine the day-after tongue bite that would have caused me all sorts of discomfort had I not made other plans.

So what does a sprite young man do? He takes advantage of the scheduled rendezvous with his co-worker, whose name just happens to be Dani; his name will come up again, hence the gratuitous mention. Anyway, Dani, who happens to be in the exact same predicament, and I meet up in the coffee shop and I, explorerer extraordinaire, suggest a day trip to Colonial Williamsburg. Along the way we can visit some of the antique stores… I mean this is Virginia. Pipes are my thing, but I would really like to find an antique tobacco plug cutter…. And since Virginia grows tobacco, where better to look than in a Virginia antique mall located near a Colonial Village, we’re talking old stuff, very old stuff. At least that was my thought.

So off we head, down what should have been a trip down memory lane of Tobacciana. I mean we walked the isles of two gigantic antique warehouses, and I actually found 3 or 4 plug cutters, not priced within any range of money I was willing to part with, but at least they were there. I got to touch them, mission accomplished.  We ended up almost playing NASCAR with each other as we cruised the aisles, looking at “stuff”. I was at least 3 stalls ahead when Dani informed me of two bags of old pipes behind a corner bookshelf. Since my search for plug cutters wasn’t panning out in my favor, I thought, what the heck and walked over to view the stash. And there they were, resting ever so peacefully in zip lock bags.  Dani saw a bag of broken, ugly, neglected pipes.. I on the other hand, was breathtaken by the unpolished jewels that were there staring me in the face. I think I even heard angels singing. As I stood there rubbing my hands in the same fashion as Smeagol, delicately holding each one in my hands, stroking them ever so gently, and I even think I called one of them My Precious.

I grabbed the bag of five pipes and fell solemnly behind Dani as he made his way through the rest of the warehouse. I think we might have stopped at a stall or two, but I only recall the cashier telling me the price and my pulling out a wad of singles to gladly pay her. Laying each bill on the counter.. One Dollar…. Two Dollars… Three Dollars… and so the count went on until I had paid her in full. I might have even skipped out the front door to the car, only to become a little distraught as the realization hit that it would be at least another two weeks before I would get any workshop time….. What to do? What to say!

Fast forward two weeks and I’m back at home sitting in my basement workshop. Now being a pipe maker and not a pipe restorer I was facing a conundrum, as there are so many blocks of beautiful briar laying around just waiting, begging actually, to have the artistic pipe extracted ever so gently from the rough briar block. Fix, Make, Make, Fix, which should come first? Well since I had promised Steve Laug that I’d write a story of my foray into his realm of the universe, I left my rough cut briar blocks be..for a while.

Five beauties from yesteryear is what I picked up that Saturday in Virginia. A Ladd’s bent bulldog, a Lee bent bulldog, a Kaywoodie bulldog, a Kaywoodie Superior Grain Apple and a Yello-Bole Danish; and of the five laying on the table, my initial inspection deemed that the bent bulldogs would make great shop pipes. The one burning question I had was where do I start? There was really no drilling required, no shaping, no contemplation on how to pull a smoking instrument from raw material, so what am I supposed to do with all the fancy smancy power tools I’ve invested so much time in modifying? In order to explain the process a little more, I thought I’d devote a paragraph to the individual pipes, or at least attempt at doing something like that. But check out the picture, Sasquatches thick headed brother must have owned these. All the buttons are almost chewed off, the cake is so thick that I have no idea how anybody could receive any joy from smoking the instruments, and upon pulling them apart, ohhhh my gosh.. the stench, the smell, the tar, the buildup,… If you’ve ever sanded ebonite, you garner an understanding of the sulfuric bouquet that making a handcut mouthpiece creates.. these “Old Timers” surpassed even my love of sulfur.

 

 

 

 

 

 

 

 

Paragraph, schmerigraph, I can’t write an entire paragraph for each pipe. I mean really, what is so hard about restoring a pipe. I’d end up having 5 duplicate paragraphs explaining nearly the exact same thing for each pipe. So I decided against the Novel approach and chose the actually describe the repair aspect of the exercise.

So I reached into the recesses of my shop where the pipes were stored and pulled out the bent bulldogs and seeing that there wasn’t a shape that I was really going to return in its pristine state, decided to sand where I could, and of course remove electrical tape where it had been applied. Once all the digs were sanded down and out, I was astounded by how my meticulous application of pipe making skills could be applied to restoration.. Sanding is good right? Oh, yea I forgot to mention the two hours I spent carefully reaming the living daylights out of these gems, and yes more sanding inside the bowls. I think Tim the Toolman Taylor coined the phrase..or sound, “UHRRRRUHHRRUHRRR”. Back to nature for you guys I say.

Figure 1 Ladd’s Bent Bulldog 

Figure 2. Lee Bent Bulldog

Five clean bowls. Two clean stummels. Mouthpieces, not a single useable device in sight. So I set off making two mouthpieces that would adorn the briar bulldogs of yesteryear. Mortises sorted and standardized for a 7mm tenon. Sure I had to do a little hand drilling..more tools.. it was a good day. Unfortunately, when I twisted in my carefully created mouthpieces all I hear is a sound that is so foul to a man’s ears that I cringed partly in shame, partly in disgust, and partly in astonishment.  Cccrrrrrraaaaaack! I looked around to see if somebody had snuck into my workshop and tripped over the cables adorning my floor. But there I was, alone, with a stummel that had split from the end of the shank halfway toward the bowl. So much for a workshop pipe, but then there is still one more.

Same routine as the last, the pipe is carefully prepared for my artisan mouthpiece and again. Cccrrrrrraaaaaack! I looked at the stummel in a state of pure amazement, as it too had split from end to about midway down the shank. So I’m thinking great, some pipemaker you are. You can’t even repair a simple stummel. This was about the time I really started looking at all those briar blocks just begging for me to help them become a man’s (or woman’s) best friend in moments of quite solitude. Did I drill a block? No, not just yet… but almost. I did the second best thing. I went upstairs and packed one of my old durables with a great tasting tobacco and smoked it while watching some mind numbing show on TV about some subject I couldn’t even remember the next day.

Figure 3. SplitShanks

But the next day would come, did come, and what a day it was indeed. The Kaywoodie Bulldog and the Yello-Bole Dublin from the 50’s were the next two in the lineup. Great instruments from a time gone by. The only thing that was really wrong with them is that they: 1) had no mouthpieces; remember Sasquatches thick headed brother, and 2) had these metal things stuck in them. There was no tenon per se; I mean who makes a pipe without a tenon. Integrated tenon, Delrin tenon… no where in sight, but more aluminum than even I knew what to do with. How in the world  was I supposed to fix a mortise when it has a screw in drool catching device (Kaywoodie) and a aluminum looking tongue thingy sticking out (Yello-Bole) of it where a tenon should be. I can’t make these things, but I can repurpose them.

Heat gun! Yea, I’ll heat these puppies up and just pull or untwist these monstrosities out. And low and behold it worked. Power Tools, they’re your friend I tell you… your friend! These things I can reset into a raw material that needs SHAAPPINNNG. Elation, joy, and pure ecstasy ensued. Easy part here.. figure out the diameter, drill, glue and Viola ready to shape. There really isn’t a great point to pontificate on here. Old mouthpieces were looked at, copied and made, but they were missing one integral part that the originals had. The emblems. I looked down and say my hacksaw just laying there begging to be used after such a long time of non-use.

First I attacked the Kaywoodie and cut out a square portion around the emblem out, repeat for the Yello-Bole. Chucked them in my lathe and with masterful skill got the Kaywoodie emblem to pop out of its abused resting place. At this point I’m feeling pretty good and figured I could do the same for the Yello-Bole. Cut out the square, mount in my chuck, and turn the piece down to the yellow circle. It was to my horror, or as the Dreaded Pirate Roberts would say “To the Pain”, that I watched the yellow dot disintegrate as I tried to free it from its resting place. Man that bites.

Figure 4. Kaywoodie Bulldog

Figure 5. Yello-Bole Danish

So what does a maker do? He longingly looks at his briar block again. Picks up a pencil and starts drawing on the blocks. Two designs anxiously awaiting and two “Old-Timers” saying.. “Hey I’m still here young fella, and you ain’t done yet”. I ended up giving in to peer pressure and carefully figured out what the diameter of the Kaywoodie clover was.. drilled a hole in the mouthpiece where the emblem would set, mixed up my epoxy, and carefully placed the emblem in predetermined location. YES! I think I patted myself on the back about this time and since I was feeling so good decided to attack the Kaywoodie Premium Briar apple.

Figure 6. Mouthpeice Workings

The mouthpiece wasn’t really all that ruined. So I cut off the chewed up part and started reshaping a new button. And that is where the fun really stopped, and the briar blocks started screaming to me. I had to muster all my strength at this point as I was just about ready to throw the pipe across the room. I actually sanded into the airway. Now I have to cut a new stem! No, now I get to cut a stem. Yea, that’s it.. same shape, same emblem extraction exercise and same delicate placement in the proper place… well someday.

Here is where the story comes to an end. The Kaywoodie bulldog and Yello-Bole pipes are done. They have newly created artistically designed shiny new mouthpieces. One looks original, while the other is unfortunately missing the emblem. Good enough for now.

The 1955 Kaywoodie is mine. I didn’t have a bulldog yet, and the opportunity to have something made in the 50’s is just calling to me. The 1950-60’s Yello-Bole will be sold, someday to somebody that will appreciate it. Dublin isn’t really my shape, or at least doesn’t call out to me with the same longing voice as the bulldog does. Please don’t take my comment wrong, as it is a preference thing. Seriously though, I will say that I truly admire the works of Steve and Co. who devote their time to restoring old(er) pipes. It is a labor of love, the same labor of love that most makers enjoy. It takes time, determination, and an eye for aesthetics. I can only hope that most restorers don’t end up with mouthpieces so chewed up they can’t be fixed.  My foray into the world of restoration was a fun time. Will I do it again? Probably, I mean I still have to make a mouthpiece for the Kaywoodie Apple. Just not today; and probably not tomorrow. There are two block of briar that somehow got pencil marks and drill points marked all over them. They’ll see a band saw in about two days and most definitely will feel various grits of sandpaper rubbing across them as their shapes are extracted.

Enjoy the before and after pictures below, smoke in peace, and take care of your pipes. Someday your son or daughter will cherish the memory you leave to them once you’re no longer there. Oh yea, resistance was futile so I included is a picture of the Quail Egg I made for myself during this process. As for the bent bulldogs, they’re destined to receive either bamboo or horn shank extensions/replacements. I really had a hard time thinking about getting rid of them, as they still will make great shop pipes. The Kaywoodie apple will also get a new stem… someday.

James (of JSEC Pipes http://jsecpipes.com/

Figure 7. Finished and Restored

Figure 8. Kaywoodie Bulldog

Figure 9. Yello-Bole Danish

Figure 10. Kaywoodie Bulldog

Figure 11. Yello-Bole Danish

And the pipe that resulted for Briar calling my name

Restoring a Pair of Old Yello Bole Bamboo Pipes


This refurbishment involved two old Yello Bole Bamboos and it was a pleasure. There was a time I did not like bamboo shanks on pipes. They seemed to always be clunky and cumbersome to me. However I have picked up several old ones lately – these two older Yello Boles and Kaywoodie Mandarin. They have changed my opinion of the older bamboo pipes. These old timers have a patina and a spider webbing in the bamboo that lends them age and an aura of being ancient.

The first one came to me in dire need of a thorough cleaning. The bowl was heavily caked and dirty. The finish was bubbled and spotty. The bowl literally had cob webs in it. I wiped out the cobwebs and reamed the bowl. I cleaned out the airway in the bowl and shank with many pipe cleaners and a shank brush dipped in isopropyl alcohol. I scrubbed the outside of the bowl and the bamboo with Murphy’s Oil soap. I wiped off the grime. I then carefully wiped down the bowl with acetone and a cotton cloth to remove the ruined finish and clean the surface of all varnishes and stains. Once done I restained the bowl with a medium brown aniline stain and buffed the bowl and shank. I coated the bowl and the shank with several coats of carnauba wax and buffed with a flannel buff to bring out the shine.

The stem was pretty oxidized and brown. I soaked it in Oxyclean while I worked on the bowl. When I had finished the bowl I took it out of the soak and used micromesh pads to remove the oxidation. I used my normal regimen of pads from 1500-6000 grit and then put it back on the pipe and took it to the buffer to be buffed with Tripoli and White Diamond. The black of the stem came back very well. I coated the stem with Obsidian Pipe Oil and then wiped it off and buffed it with several coats of carnauba wax.

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The second one is a darker bowl and a bit different shaped pipe. The one above was more of a pot shape while this one is a billiard in shape. The first had a three knuckle piece of bamboo and this one had a two knuckle piece. The bowl on this one was also in rough shape. It needed a thorough cleaning as well. I removed the grime from the outside of the bowl and scrubbed it and the shank down with Murphy’s Oil Soap as I did the previous one. The bowl was reamed and cleaned along with the shank and airway with pipe cleaners, shank brushes and isopropyl alcohol.

The finish on this one was not in as bad shape so I merely washed it down with isopropyl and then polished it with the buffer using White Diamond and then I gave it several coats of carnauba wax. The bamboo also had a darkening patina on it that I did not want to damage or change so I carefully wiped it down with the undiluted oil soap (not leaving it on the bamboo but merely wiping it down with a soft cloth). I then waxed the bamboo with several coats of wax.

The stem was also pretty oxidized and brown. I soaked it in Oxyclean while I worked on the bowl. After I had finished the bowl I took it out of the soak and used micromesh pads to remove the oxidation. I used my normal regimen of pads from 1500-6000 grit and then put it back on the pipe and took it to the buffer to be buffed with Tripoli and White Diamond. The black of the stem came back very well. I coated the stem with Obsidian Pipe Oil and then wiped it off and buffed it with several coats of carnauba wax.

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A Quick Refurb – Yello Bole Dublin


I picked up this older KBB Yello Bole Dublin on eBay. It was stamped KBB in a cloverleaf, then Yello Bole over cured with real honey and then Imported Briar. I am working on the assumption that it was made shortly after WW2 with the imported briar stamp to differentiate it from the old Yello Boles made during the War from Manzanita or Mountain Laurel. http://pipedia.org/index.php?title=Yello-Bole

It was in far better shape than the pictures on the auction showed. It was dirty from dust on the outside. The bowl was dusty and cob webbed on the inside but it had been only smoked part way down the bowl. The old Yello Bole Honey Cured coating was still visible in the bottom half of the bowl. I removed the stinger apparatus, cleaned the stem inside and out (small tooth dent on the underside of the stem). Reamed the upper half of the bowl just gently to remove the bits of tobacco and beginning cake on the top half of the bowl and swabbed it out with a pipe cleaner dipped in alcohol. I scrubbed the outside of the bowl with Murphy’s Oil Soap, dried it off and gave it a light coating of stain add a bit of depth to the pipe. Here is the finished product.ImageImageImage

New Life for a Yello Bole Canadian


On a recent trip to the US to visit my parents I also visited several antique malls in their city. I have three that I usually have on my list when I go there. The one I want to focus on in this post is in an old grain elevator and has three floors of many “antiques” which always surprise me because many are the same age as I am!  Anyway, on the second floor I found a booth with two pipe racks containing over a dozen older pipes. Most were junk in that they had cracked bowls and broken shanks etc. But also in the midst of it was this old Yello Bole Canadian. It had some beautiful briar in it. Yello Bole is the grade down the line for KayWoodie, or so I am told. Pipes that don’t make the grade for KW will often be stamped with the Yello Bole brand. This one was stamped KBB in a cloverleaf on the top of the shank and next to it Yello Bole over honey cured, over imported briar. The stem has the yellow circle inlaid in the vulcanite. If memory serves me correctly this is one of the older pipes in the line.

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The bowl was in pretty clean shape. The yellow coating was still visible in the bowl and the bottom half of the bowl was very clean with just a bit of darkening to the yellow coating. The rim was dirty and dented. There were tars on the rim and some deep scratches to go along with the dents. The bowl however, was still round, it had not been ruined by a reamer going a muck. The stem was oxidized and was slightly brown. There was light tooth chatter but no dents on the surface of the stem. The overall finish of the pipe had light spots and dark spots where the finish seems to have been exposed to light or was wiped down and finish removed. There was no over coat of varnish or of lacquer just solid clean briar with a spotty stain.

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I broke the pipe down as seen in the pictures below. The stinger apparatus can be seen in the pictures. It is an aluminum shovel like contraption with the hole near the tenon and a long shovel like extension that extends through most of the shank. I cleaned out the bowl with an alcohol scrub on cotton swabs and cleaned out the shank with a shank brush, bristle pipe cleaners and fluffy pipe cleaners and alcohol. When they came out clean I worked on the outside of the bowl. I used cotton balls and acetone to wipe down the outside of the bowl and shank. I wanted to remove the rest of the finish so that I could prepare it for restaining. I applied the acetone until the bowl was free of the stain and finish. The pictures below show the cleaned surface of the bowl. I also used the acetone and some 400 and 600 wet dry sandpaper to clean the top of the bowl and rim. A folded piece of sand paper was used on the inner edge of the rim to clean the beveled edge. Before I stained the pipe I decided to clean and polish the stem. I used the Bic lighter method mentioned in an earlier blog post to get rid of the oxidation. In the pictures below the stem has the majority of the oxidation removed using that method. I then used 400 and 600 grit wet dry sandpaper with water and my usual list of micromesh pads from 1500-6000 grit to polish the stem.

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Once the stem was cleaned and polished by hand I inserted it into the bowl and used it to hold the pipe while I restained it. I used a medium brown aniline stain on this pipe to approximate the original stain and to highlight the grain. I applied it with the dauber that came with the stain and then flamed it to set the stain. I then took it to the buffer and buffed it with Tripoli to remove some of the opacity of the medium brown stain and bring the grain to life. Once that was done it was buffed with White Diamond. Both the stem and the bowl were buffed. Care should be exercised in the buffing process to not obliterate the stamping. I use a light touch when buffing around the stamping. The four pictures below show the finished pipe – ready to load with a favourite tobacco and enjoy!

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