Tag Archives: Erik Nording Signature pipes

Rejuvenating a Nording Made in Denmark Natural Finish Signature Freehand


Blog by Steve Laug

The next pipe on the table came to us This pipe was purchased from an antique store on 05/30/19 in Metaine, Louisiana, USA. It is a classic Freehand with a unstained, natural finish around the bowl and shank. It has a plateau on the rim top and shank end. It had a fancy turned vulcanite stem. The rim top is plateau and shank end were originally stained black. The shape follows the grain of the block of briar very well. It is stamped on the underside of the shank reads NORDING over Made in Denmark near the stem/shank union. There is no other stamping on the pipe. There is a faded signature on the left side of the shank that reads Eric Nording. It is almost worn off from use The stem has a faint Nording N on the topside of the stem. The pipe was very dirty with dark oily stain on the sides mid bowl. There was a thick cake in the bowl and some lava overflowing onto the plateau rim top filling in the plateau. It was hard to know what the inner edge of the rim looked like because of the lava and cake. Other than being dirty the finish appeared to be in good condition. The stem was oxidized and had come calcification. There was some tooth chatter and tooth marks on both sides of the stem at the button and on the button surface. Jeff took photos of the pipe before he started working on it. He took a photo of the rim top to show the thick cake in the bowl and the overflow of lava. The cake is thick and hard. The lava overflow fills in the plateau. The bowl is a real mess but it must have been a great smoking pipe. The stem looked dirty, calcified and oxidized with bite marks and tooth chatter on both sides of the stem ahead of the button. The shank end and fancy turned stem are also dirty. The next photos show the sides and heel of the bowl to give a clear picture of the beauty of the grain around the bowl of the pipe. Under the grime there is some great grain peeking through. Jeff took photos of the stamping to capture the clarity of it even under the grime. There is a faint signature on the left side of the shank that reads Eric Nording. It is quite faded and worn looking. The stamping on the underside of the shank readable as noted above.  Before I started my work on the pipe I wanted to learn more about where this pipe fit into the Nording lines so I turned to the first of two sites that I always check to gather information on a brand. I turned first to Pipedia (https://pipedia.org/wiki/N%C3%B8rding). Nording’s were exclusively freehand shapes. There were quite a few photos and a longer history of the brand. It is well worth reading. I also found a collage of photos of Erik Nording included below. I turned to the second information site – Pipephil’s (http://www.pipephil.eu/logos/en/logo-n2.html) and found a great history of the brand in brief form and many photos of different pipes by Nording.

Armed with the information on the Nording Freehand I turned to address the pipe itself. Jeff cleaned up the pipe for me. He reamed the bowl with a PipNet pipe reamer and cleaned it up with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior with Murphy’s Oil Soap and a tooth brush to clean off the grime off the finish and the heavy overflow of lava on the rim top. The cleaning had removed some of the black stain on the rim top. He cleaned up the internals of the shank, mortise and stem with pipe cleaners, cotton swabs and alcohol to remove all of the oils and tars in the pipe. He soaked the stem in Before & After Deoxidizer and was able to remove much of the oxidation. When it arrived here in Vancouver it was a clean pipe. The Nording signature had become even more faint with the clean up. I knew what I had to work with. I took photos of it before I started my part of the restoration.     I took photos of the rim top and the stem to show their condition once it arrived in Canada. Jeff was able to clean up the incredibly thick cake and lava overflow that was shown in the rim and bowl photos above. You can see that almost all of the black stain had been removed from the plateau top and shank end. He was also able to get rid of the grime and grit in the surface of the briar. The inner edge of the bowl was in very good condition and was smooth to the touch. The rest of the rim top and edges looked very good. The stem looked very good and was much cleaner. The faintly stamped N is visible on the stem top. There were tooth marks and chatter on both sides near the button. I took a photo of the stamping on the underside of the shank. It is faint but readable as noted above. The dark ink Erik Nording signature was totally faded away. It is faintly visible but basically it is gone.I removed the stem from the pipe and took a photo to show the look of the parts.I decided to start the restoration by restaining the plateau rim top and shank end with a Black Stain pen. I worked to carefully get into the grooves and crannies of the plateau on both. Once it was finished I used a brass bristle wire brush to start removing the black from the high point. I then polished the high points on both with 1500 grit micromesh to get the contrast back. I polished the briar with micromesh sanding pads – dry sanding the briar with 1500-12000 grit pads. I wiped the bowl down with a damp cloth after each sanding pad.   I rubbed the bowl and shank down with Before & After Restoration Balm to deep clean the finish on the bowl and shank. The product works to clean, enliven and protect the briar. I worked it in with my fingers to get it into the briar. I used a horsehair shoe brush to work it into the plateau top and shank end.  After it sat for 15 minutes I wiped it off and buffed it with a soft cloth. The briar really began to have a rich shine. I took some photos of the bowl at this point to mark the progress in the restoration. It is a beautiful bowl. I set the bowl aside and worked on the stem at this point in the process. I “painted” the surface of the stem with the flame of a lighter to lift the dents in the vulcanite as much as possible (I failed to take photos of the stem before I filled them in but the photos show the process). I filled in the remaining marks with clear super glue. Once the repairs cured I used a file to reshape the button and flatten the repairs. I sanded the repairs with folded pieces of 220 to remove the file marks as well as the remaining oxidation. I started polishing the stem with 400 grit wet dry sandpaper.     I started sanding out the file marks and took a pause to touch up the N stamp on the stem surface. I wanted to make sure that I did no inadvertently sand it out during the polishing process. Once that was finished I finished sanding out the tooth marks and scratches with 220 grit sandpaper. I also started the polishing with 400 grit paper. I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped the stem down after each pad with a damp cloth to remove the sanding dust. I used the Before & After Pipe Polish to remove the small minute scratches left in the vulcanite even after the micromesh regimen. I finished by wiping the stem down with a final coat of Obsidian Oil and set it aside to dry.   I put the stem back on the Nording Signature Freehand and took it to the buffer. I buffed the bowl (carefully avoiding the stamping and signature remnants) and stem with Blue Diamond to polish the briar and the vulcanite. Blue Diamond does a great job on the smaller scratches that remain in both. I gave the bowl and the stem several coats of carnauba wax and buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up really nicely with a great contrasting stain look to the briar. The finished pipe is shown in the photos below. This Nording Freehand turned out looking very nice. The polished black vulcanite stem looks really good with the natural oiled finisn and blacks of the plateau top and shank end. The dimensions of the pipe are Length: 6 inches, Height: 2 ¼ inches, Outside diameter of the bowl: 1 ¾ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 60grams/2.12oucnes. This is another pipe that I will be putting it on the rebornpipes online store in the Danish Pipe Makers section shortly, if you are interested in adding it to your collection. Thanks for walking through the restoration with me on this beauty!

Restoring a Lovely Cala Lily Shaped Erik Nording Signed Freehand


Blog by Steve Laug

My brother Jeff picked up this interesting looking freehand pipe on one of his adventures pipe hunting. It had really nice grain and remnants of plateau on the top of the rim and one spot on the left side end of the shank. There was something familiar about the shape of carving that reminded me of a flower that I have grown. It dawned on me this morning while I worked on it that it reminded me of a Cala Lily (pictured to the left). The flow of the shape of the bowl with the extended lip on the front and the grooves flowing up the side and back of the bowl look a lot like the shape of this lily. It is a beautiful pipe that is signed on the left side of the shank with Erik Nording’s signature.

The pipe has the signature as noted above but it was also stamped on the underside of the shank and read: Handmade by Erik Nording. The finish on this pipe was dirty with dust and a light lava coat on the edge of the plateau top. The bowl was lined with a thick cake. The smooth finish was also dirty and dull looking. The finish looks good under the grime and dust. The bits of plateau should clean up well. The stem is a turned fancy turned vulcanite stem with the stylized N of the Nording logo on the top of the saddle. The fit of the stem to the shank was snug. There were light tooth marks and chatter on both sides of the stem at the button. Otherwise it was a very clean stem. Jeff took of the pipe to show the overall condition of the bowl and stem. You can also see why I was reminded of the Cala Lily.He took close up photos of the bowl and rim top from different angles to show the condition of the rim top and the plateau finish. You can see the lava and build up on the rim top and the lava flowing over the inner edge of the bowl onto the plateau. It is hard to know if there is damage or if the lava protected it. The bowl has a thick cake that lining the walls and overflowing into lava. He took photos of the sides and heel of the bowl to show the lay of the grain and the carvings around the pipe. It is a nice piece of briar. The top of the bowl is floral looking. Unique! The shank end is smooth with one small piece of plateau on the left side of the shank toward the end. Jeff took a photo of Erik Nording’s signature on the left side of the shank. It appears to have been done with Black permanent marker. He also took a photo of the stamping on the underside of the shank which read Handmade by Erik Nording. The first photo below shows the full length and profile of the fancy turned vulcanite stem. The next two photos show the surface of the top and underside of the stem. You can see the light tooth marks and chatter both on the button surface and on the blade itself. Erik Nording is a living pipe carver from Denmark. He is still carving and the information on Pipedia and Pipephil is helpful to get a feel for the brand. Give those articles a look if you want a good summary of the information. I have included the links to both of those articles for easy access.

https://pipedia.org/wiki/N%C3%B8rding

http://www.pipephil.eu/logos/en/logo-n2.html

I moved forward to work on the pipe itself and see what I had to do with it. It had come back amazingly clean. Jeff had done his normal thorough clean up – reaming, scrubbing, soaking and the result was evident in the pipe when I unpacked it. I took photos of the pipe before I started my work on it. I took some photos of the rim top and stem to show the condition of them both when it arrived. Overall it looked good. The valleys of the plateau were finished in black but they were worn. The rim top was very clean. The stem looked amazingly good. The chatter on the stem surfaces was gone and the surface was clean.I took photos of the stamping on the underside of the shank and the signature on the left side. Both look to be in very good condition.To begin my part of the restoration work I decided to use a Black stain pen to fill in the crevices of the plateau top and give some contrast to the smooth high spots. I like this look as it give depth to the surface of the rim top.I polished the bowl with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the briar down after each pad with a damp cloth. The bowl is starting to look very good. I worked some Before & After Restoration Balm into the surface of the briar with my fingertips and into the plateau rim top and shank end with a horsehair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I sanded out the tooth chatter and blended in the repairs with 220 grit sandpaper and started to polish it with a folded piece of 400 wet dry sandpaper. Once it was finished it began to shine.I used some Denicare Mouthpiece Polish that I have in my kit to start polishing out some of the scratches and remaining oxidation on the stem. I rubbed it in with a cotton pad and my finger tip and buffed it off with a cotton pad.I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with some Obsidian Oil. I touched up the N stamp on the top of the stem with some Paper Mate Liquid Paper. I applied it with a tooth pick on the surface of the stem. Once it had dried I scraped off the excess Liquid Paper off the stem with the tooth pick. I finished polishing it with Before & After Pipe Stem Polish – both Fine and Extra Fine and buffed it off with a cotton cloth.This is another beautiful Freehand pipe. It is an Erik Nording Handmade with a fancy, turned, black acrylic stem. To me it has the look of a Cala Lily with the flared top edges and carved valleys in the sides of the bowl. It looks a lot like the photo I posted at the top of this blog. Once again the shape fits well in my hand with the curve of the bowl and shank junction a perfect fit for the thumb around the bowl when held. I polished stem and the bowl with Blue Diamond polish on the buffing wheel. I gave the plateau on the rim top multiple coats of Conservator’s Wax. I gave the bowl and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The rich combination of browns and black in the smooth finishes and the plateau areas took on life with the buffing. The rich colour of the briar works well with the polished vulcanite stem. I like the grain and finished look of this Nording pipe. Have a look at it with the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 6 inches, Height: 2 ½ inches, Outside diameter of the bowl: 1 ½  wide x 2 inches long, Chamber diameter: 1 inch. This Danish Freehand is a real beauty. Thanks for walking through the restoration with me as I worked over another beautiful pipe. This one will be going on the rebornpipes store in the Danish Pipe Making Section shortly if you would like to add it to your collection. Thanks for your time.