Tag Archives: Comoy’s Made seconds

Another Gorgeous Sunrise – A Tawny Grain 215 Vintage Briar Bent Billiard


Blog by Steve Laug

The next pipe on the work table is another one came to us from a group of pipes that Jeff and I picked up from an auction from Wilkes Barre, Pennsylvania, USA. The pipe is beautifully grained bent billiard shaped pipe with a mix of medium brown stains back in 2019. Jeff cleaned it up in 2020 and now I am finally getting to it is 2021. The pipe is stamped on the left side of the shank and reads Sunrise [over] Tawny Grain. On the right side of the shank it reads Vintage Briar followed by the shape number 215 near the bowl end. The pipe was dirty with a lot of grime ground into the bowl but the grain was still visible. The bowl was moderately caked with a light lava coat flowing onto the rim top and beveled inner edge toward the left front of the bowl. The stem was lightly oxidized and dirty with light tooth chatter and marks on the top and underside near the button. The stem had straightened slightly over time so the angle was wrong. It had promise but it was very dirty. Jeff took some photos of the pipe before he started his cleanup work. He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and well as the lava and darkening on the front side of the rim top and inner edge. He also took photos of the top and underside of the stem to show the light oxidation and the chatter and tooth marks. Jeff took a photo the sides and heel of the bowl to give a picture of the beautiful grain around the bowl and shank.  The stamping on the sides of the shank is clear and readable and read as noted above. The Sunrise pipe was a Comoy’s made pipe and the France stamp on the shank pointed me to the connection between London and St. Claude (England/France). I turned to Pipephil’s site (http://www.pipephil.eu/logos/en/logo-s13.html) to get some background information on this beauty. I have included a screen capture of the pertinent section. The third pipe listed bears the same stamping as the one I am working on – Sunrise Tawny Grain.The side bar includes this interesting piece of information. I quote:

The Sunrise brand perfectly illustrates the split pipe production of a same label between Saint Claude (FR) and London (GB) during the period Chapuis Comoy and Comoy closely collaborated (prior to early 1970s).

I turned to Pipedia and looked under the French makers and the brand was not listed. Under the English makers it was listed as a Comoy’s Sub-brand or second. I turned to the Comoy’s listing and at the bottom of the article was a list of these pipes (https://pipedia.org/wiki/Comoy%27s). I have included the list in its entirety and highlighted the Sunrise in red.

Seconds made by Comoy’s

Ace of spades, Ancestor, Astor, Ayres, Britannia, Carlyle, Charles Cross, Claridge, Coronet?, Cromwell, Dorchester, Dunbar, Drury Lane, Emerson, Everyman, Festival of Britain, Golden Arrow, Grand Master, Gresham, Guildhall, Hamilton (according to Who Made That Pipe), Kingsway, Lion’s Head, Lord Clive, Lumberman, Hyde Park, Lloyds, Mc Gahey, Moorgate, Newcastle, Oxford, O’Gorman, Rosebery Extra, Royal Falcon, Royal Guard, Royal Lane, Scotland Yard, St James, Sunrise, Super Sports, Sussex, The Academy Award, The Golden Arrow, The Mansion House, The Exmoor Pipe, Throgmorton, Tinder Box Royal Coachman, Townhall, Trident, Trocadero, Westminster, Wilshire

Now it was time to turn my attentions to the pipe itself. Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet pipe reamer and removed the rest of it with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe once I received it. The rim top cleaned up really well. The rim top and outer edge of the bowl appear to be in good condition. The stem surface looked very good and the chatter on the stem on both sides near the button could easily be sanded out. The stamping on the sides of the shank is readable and reads as noted above.    I removed the stem and took a photo of the pipe to give a sense of the whole. The bowl looked very good and once I cleaned up the stem the pipe would look very good.Now it was time to do my work on the pipe. The pipe was in better condition than the other Sunrise pipes I have worked on recently. I was able to move immediately to polishing the briar with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad.   I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips to clean, enliven and protect the briar. I let the balm sit for ten minutes then buffed the bowl with a cotton cloth to raise the shine.      I heated the stem with the flame of a lighter to soften the vulcanite and rebend it to the proper angles. It worked well.I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. Notice the white/silver spot on the right/topside of the saddle portion of the stem. It is a metal fleck that is often found in pipes that came out during and right after WWII. I polished it and left it there as part of the story of this pipe.    This Comoy’s Made Sunrise Tawny Grain Vintage Briar 215 Bent Billiard is a great looking pipe now that it has been restored. The brown stained finish around the bowl is quite beautiful and highlights grain very well. The finish works well with the polished vulcanite bent saddle stem. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Sunrise Tawny Grain Vintage Briar Bent Billiard sits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ inch. The weight of the pipe is 56 grams/1.98 ounces. I will be putting it on the rebornpipes store shortly. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!

A Fresh Look for a Comoy’s Made Royal Coachman 497 Square Shank Pot


Blog by Steve Laug

The next pipe on the work table came to me from one of our estate purchases. Between us we pick up quite a few pipes for restoration. I try to work them into the restoration queue so that I can keep them moving. This next one is from our ongoing hunt – a beautifully grained square shank Pot with a saddle vulcanite stem. The pipe is stamped on the left side of the shank and reads Royal Coachman in a Germanic Script and on the right side has the shape number 497 and the typical round Comoy’s style COM Stamp Made in London in a circle [over] England. The stamping is identical to many of the pipes that I have restored from various lines of Comoy’s pipes. The finish had a lot of grime ground into the surface of the briar. The bowl was thickly caked with an overflowing lava coat on the rim top. The edges looked to be in good condition though there is some possible damage under the lava. The stem was oxidized, calcified, dirty and had tooth chatter and marks on the top and underside near the button. There were not markings or a logo on the taper stem. It had promise but it was very dirty. Jeff took some photos of the pipe before he started his cleanup work.  He took photos of the rim top and bowl to give a clear picture of the thickness of the cake and the overflow of lava on the rim top. He also took photos of the top and underside of the stem to show the oxidation and the chatter and tooth marks. There was also damage on the button surface itself.       Jeff took photos of the sides and heel of the bowl to give a picture of what the briar around the pipe looked like. There is some stunning grain under the grime.  He took photos of the stamping on the left and underside of the shank. It reads as noted above and is clear and readable.   I turned to Pipephil to read the article on the Royal Coachman brand to see the connections (http://www.pipephil.eu/logos/en/logo-r6.html). I have included a screen capture of the section below.I turned to Pipedia’s article on Comoy’s Seconds and have included a list of the various pipes that they make (https://pipedia.org/wiki/Comoy%27s). I have highlighted the Royal Coachman in red in the list below.

Seconds made by Comoy’s

Ace of spades, Ancestor, Astor, Ayres, Britannia, Carlyle, Charles Cross, Claridge, Coronet?, Cromwell, Dorchester, Dunbar, Drury Lane, Emerson, Everyman, Festival of Britain, Golden Arrow, Grand Master, Gresham, Guildhall, Hamilton (according to Who Made That Pipe), Kingsway, Lion’s Head, Lord Clive, Lumberman, Hyde Park, Lloyds, Mc Gahey, Moorgate, Newcastle, Oxford, O’Gorman, Rosebery Extra, Royal Falcon, Royal Guard, Royal Lane, Scotland Yard, St James, Sunrise, Super Sports, Sussex, The Academy Award, The Golden Arrow, The Mansion House, The Exmoor Pipe, Throgmorton, Tinder Box Royal Coachman, Townhall, Trident, Trocadero, Westminster, Wilshire

From the two sites I knew that the pipe I was working on was  a Comoy’s Second. The shape number confirmed that as it was a Comoy’s Shape number. The COM stamp on the right side of the shank was also a typical Comoy’s COM stamp. Now it was time to work on the pipe.

Jeff had cleaned up the pipe with his usual penchant for thoroughness. He reamed the pipe with a PipNet Pipe Reamer and cleaned up the remnants with a Savinelli Fitsall Pipe Knife.  He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners. He soaked the stem in Before & After Deoxidizer and rinsed it off with warm water. I took photos of the pipe once I received it.    The bowl and rim top cleaned up really well with the lava coat removed. The inner edge of the rim was in good condition.  The plateau was clean but had some darkening. It looked very good. The stem surface had some oxidation and some tooth marks and chatter on both sides near the button.  There was damage to the button surface on both sides.I took photos of the stamping are clear and read the same as noted above.    Now it was time to do my work on the pipe I polished it with micromesh sanding pads using 1500-12000 grit sanding pads and wiping it down after each sanding pad with a damp cloth to remove the sanding dust and debris.   I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The stain brings the rich reddish brown tone to life. It is a nice looking pipe.       I set the bowl aside and turned to work on the stem. I cleaned up the area around the button edges with alcohol and then filled in the damaged button edge and top with black super glue. Once the repair had cured I shaped it with a needle file. I sanded the repaired areas, the button edges and the oxidation on the stem with 220 grit sandpaper and started the polishing with 400 grit wet dry sandpaper. The stem is starting to look very good.   I polished the vulcanite with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.   This Comoy’s Made Square Shank Royal Coachman 497 Pot with a vulcanite saddle stem turned out to be a great looking pipe now that it has been restored. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel. I buffed the entire pipe with a clean buffing pad to raise the shine. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Royal Coachman Pot fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ½ inches, Chamber diameter: 1 inch. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. There are many more to come!