Category Archives: Pipe Refurbishing Essays

Essays and pictorial essays on the art of refurbishing

The Pleasure of Playing with the Mud


One of my simple pleasures in an otherwise busy life is to refurbish pipes that I pick up on eBay and in different junk and thrift shops I frequent on my travels. As I refurbish and restore old pipes I enjoy a sense of fulfillment from not only bringing an old pipe back to life but in improving its smoke-ability. One of the tricks I have learned (I am sure I got it somewhere online) is that of raising the bottom of the bowl in a pipe that has been drilled too high. It is done with a concoction called pipe mud and given a bit of curing time can dry to a very hard surface that imparts no residual taste to my favourite tobaccos smoked in the “newly” reconditioned pipe.

Last weekend I had to mix up a batch of pipe mud to raise the floor on a pipe I was refurbishing. When I need to mix a batch of pipe mud it is a pleasure because it gives me an excuse to smoke a good cigar. Some of you don’t need an excuse to do so, but I do! My wife hates the smell of them and gives me grief over smoking them. She relegates me to the porch, which in the summer is a great place to relax and enjoy the parade of life that goes by on the sidewalk and street in front of my home. In the winter that is an altogether different matter as it is cold and damp here in Vancouver. So this excuse is a good one and works well for me. I look her straight in the eye and say, “I need to smoke it to make a batch of mud for my pipe”. Now, she likes the pipe (“likes” may be too strong a word to use but let’s just say she indulges me). So you can see the excuse works well.

I opened my humidor and looked through the cigars I have until one caught my fancy. This process is also part of the pleasure for me as I only smoke cigars that I like and none of the nasty ones that are so cheap here – Poms and Colts and the like. All of my cigars are Cubans (a perk of living in Canada and not having an embargo in place) so it is a process of finding one that I will be able to enjoy in the time I can stand being out in the cold on the porch. I picked out a nice little Romeo y Julietta and got out my punch, punched the end of the cigar and took an ash tray in which to collect the precious ash. I bundled up in my big coat, scarf and a toque (stocking cap for the non-Canadians among us) and went out on the front porch. I rolled the cigar under my nose and enjoyed the grassy smell of good tobacco. I double checked the punched hole in the end of the cigar to make sure it was perfect! Then I fired it up with my lighter. I rolled it as I lit it and drew the smoke into my mouth. I rolled it around to get the full taste of the tobacco. It had been awhile since I had a good cigar but this one quickly made me forget the damp cold of a rainy Wet Coast day in Vancouver. A good R&J cigar is a thing of wonder to me… the many dimensions to the flavour and the fullness of the taste that they deliver are excellent.

Throughout the smoke I collected the ash in my ashtray. I always make a bit of a game out of smoking my cigar and try to see how long I can keep the ash on the front before it falls off. I keep the ashtray in my lap just in case. I learned that from way to many ashes falling down the front of my coat or sweater. Besides I wanted to keep these ashes for their deeper and more “profound” purpose!

I sat and enjoyed a good cigar and the quiet afternoon with the steady drip of the rain and swish of cars going by on the street in front of the house. Too quickly the cigar was at its end and the time was over. What a great afternoon smoke and a restful break. Once the cigar was finished I use the remaining butt as food for my Rhododendrons. I crush it, break it up and sprinkle it on around the base with the remnants of coffee grounds that my Rhodies love. I carried the ash tray into the house and hung up my coat and scarf. The toque went back to its place in the secretary by the door. I kicked off my shoes and scooted into my slippers and carried the ash tray to my basement desk and work table.

I have a small cup of water at the desk and an ear syringe that gives me more control over the amount of water I add to the ashes. I want to add just enough to make a paste. I give it a few drops to start with and stir it up with a folded pipe cleaner. I continue to add water to the mixture until I get it to be the consistency that I want. One convenience of the mix is that if I add to much water I can leave it and the water will evaporate.

While the mix is sitting I prepare the pipe for the work. I remove the stem and insert a fluffy pipe cleaner into the shank with the end just extending into the bowl. I do not want to clog the airway with the mud when I put it in. This keeps that from happening. I folded a pipe cleaner in half to use as a brush to apply the mud to the bowl of the pipe. I usually put it into the bottom of the chamber and use a pipe nail to tamp it solidly in place. I fill the bottom until it is at the level I want. Tamping it down assures that I don’t get much shrinkage in the ash mixture as it dries out. I also apply the mud to the walls of the pipe where I see any cracks in the cake and around the air hole to make for a good clean entry way.

Once the mud has been applied the pipe goes into a stand to sit for two days. I want the mud to dry solidly and cure well. Once that is done I carefully load a bowl with a favourite tobacco and smoke it letting the heat do a final cure on the mud. When I am emptying the pipe I am careful. Generally I have found that after several smokes the mud is very solid and I can smoke it and clean the pipe as usual.

Hopefully by this point in this piece you can appreciate the pleasure of playing with pipe mud. I will talk with you later, right now I am going to go have a look on eBay and see if I can find a few more pipes to refurbish. In the lot of them I am sure that there will be at least one that needs a good application of pipe mud. Then I can enjoy another good cigar.

Pipe Refurbishing or Pipe Carving?


Over the past few years I have carved more than 30 pipes and then re-carved many of them several times over as I grew to understand more of what I should be looking for in a pipe. It was also during this time period that I lost my apprehension of removing too much briar and the reworked pipes became more streamlined and lighter in weight. Much of what I have learned about what makes a good pipe has come from having worked on 400-500 pipes during the same time period. Some of these remain in my own collection, many have been given away to new pipe smokers and more recently some have been sold. I may have worked on more than 400-500 pipes over the years but I’ve not kept any records. I only have the pictures of some of them and a cupboard full of the ones I have kept for my collection by which to estimate. Since I’ve had experience with these different aspects of working with briar I thought it would be good to take some time to consider and write about which of the two draws most of my attention and interest and why that is so.

I can honestly say that I enjoy the creativity involved in designing and carving a new pipe. Taking a block of briar and drawing out a pipe shape on the block before drilling it is enjoyable. The scent of fresh briar as the drill cuts the chamber and airway has a wonderful room note to me. I enjoy the sweet scent of the briar dust. It is an amazing process to bring out the shape that was hidden within the briar as layer after layer of briar becomes chips and dust under the saw and the sanding drum. The fine repetitive details of sanding and shaping with papers, sanders, files and knives is part of the mystique for me in bringing a shape out of the block. The progressive use of increasing grits of sandpaper and micromesh pads to remove the scratches and marks of the carving is pleasing in that it has a very specific end in sight. The mixing of stains, staining and the buffing/polishing process is also something that feeds my sense of creativity and lends itself to experiments and fine-tuning. The final pleasure is that incredible first bowl of tobacco in a pipe of your own creation. In my normal daytime job of working with people I rarely see things completed so this is one of the reasons that carving a new pipe intrigues and gives me pleasure. Those are just a few of the things about pipe carving that I enjoy. I will continue to putter away at the process for the rest of my life.

As a novice at carving a pipe I have to say that when I’ve finished carving a pipe, I feel a lot like I did when I was a young kindergarten student bringing home my masterpieces for the admiration of my parents. I expectantly waited to hear them declare me a modern day Rembrandt or Picasso (of course that never happened but I kept bringing them home to be displayed on the gallery of the refrigerator). I want to hear how great they are to assuage my own sense of seeing that there is still something lacking in them. I look back at some of those early pipes and blush at the primitive sense of craftsmanship that went into them, even after the second or third reshaping. I know I am not there yet in making that truly beautiful pipe that causes me to know that I am a carver! But I am finally getting to where I like the look of what I make. I know that I still have a long way to go. I am not even close to Mr. Medico let alone the likes of a Bo Nordh.

Even as I re-read what I have written about the carving of a new pipe, I know that I still would much rather repair or refurbish old pipes than create new ones. I have been thinking about it a lot while I work on pipes and go through my pipe cupboard. I have talked with other folks who make their living doing pipe repair and others who, like me, do it as a hobby. I have asked them about their repair and refurbishing work. We have batted around a lot of different ideas and topics from methods to processes and tools, but the conversation always comes back to these central questions: what is it about repairing pipes that keeps us intrigued and continuously working on old briar?; what is it about the process that attracts us to that particular hobby and practice?; and why do we enjoy reworking, refurbishing, re-stemming old briar more than we do carving new briar?

When I have an old pipe in my hand to repair or refurbish it presents a variety of challenges in that one project. Contrary to when it was crafted as a unit I now have the task of matching new work to old. To make a new stem that matches what appears to be a round shank that in reality is not round is generally the case with every pipe I re-stem. The minute shaping and cutting away of the diameter of the tenon and stem to fit a shank that is not truly round is one of those challenges. It really cannot be done on a centre point lathe as nothing truly is round. For example, I re-stemmed an old English pipe that to the naked eye appeared to have a round cylindrical shank. In examining it more carefully I found that it was not round. One side was heavier than the other. The measurements of the radius to different points on the circumference of the shank are all different. To craft a stem for this old pipe was all hand work. It can be shaped to a point with tools but all the fitting had to be done by hand. I love that challenge. I always am working for that seamless looking junction of stem and shank. Honestly, there are times I’ve achieved it better than others.

Once the stem is fit to the shank there is still much work that needs to be done to the stem before it is finished. The shaping of the angles of the plane of the stem needs to be done to reflect the flow of the shank and bowl. The button has to be shaped and thinned for comfort. The slot in the end of the stem needs to be opened to give a better airflow. If I am trying to match an original stem then research needs to be done online to find a pattern of the stem to try to duplicate. When that pattern is not available then I am free to creatively shape the stem. All of this is done before the sanding and polishing of the stem to get a glossy smooth surface. To me this is also a challenge.  I am always seeking new tools, papers and micromesh products that will facilitate the work. There are always minute scratches that have to be worked over, seams on precast stems that need to be removed, and shaping that needs to be done with rod stock and hand cut stems. Whether working with Vulcanite, Lucite or Horn I have found that many of the same tools and products are used but different tactics are employed to get the final look that is desired.

With the stem work finished, I turn my attention to the bowl and shank as there are repairs that must be done to them. I find that on these old timers the rim has often been damaged and is very rough. None of the sharp edges of the surface remain and it looks as if the pipe had been used to drive in nails or hang pictures. When deciding how to best handle the rim damage it is important to study the angle and surface of the rim. Only then can you decide regarding the need for topping or not, how much to top, how to maintain the integrity of the original shape or how to create a new shape out of the ghost that remains. Each of these steps contributes to the pleasure I derive from refurbishing these old timers.

Another aspect of the draw of rejuvenating old pipes is the creative use of tools and papers and wedges. It always seems that necessity is the motivation for crafting new and different ways to use a tool or a process. This keeps the work incredibly interesting to me. I have reworked drill bits and screw drivers, sanding blocks and pads, all to the purpose of allowing more intricate access to the nooks and crannies of the pipes. I have employed dental picks and bent them at different angles to use in the stem and button as well as in the mortise itself. I have worked old doweling to use as sanding blocks inside of bowls. I have learned to maneuver the sanding drums on my hand held Dremel to work down the diameters of the stems and tenons as well as using them inside a pipe bowl to smooth out the cake. I have been able to experiment with the speeds to arrive at the optimal speeds to use for various aspects of the work.

The parts of the refurbishing picture include all the hidden and not so hidden stories that are attached to these old timers. Some of the ones I work on I know something of the history behind, but with others it is only an educated guess based on care of the pipe or lack of it, smells of the tobacco smoked in the bowl or the remnants still in the pipe. Yet each one belonged to some pipe smoker who took delight in firing up a bowl in his pipe. These all come together for me and cause to me visit the bench more frequently as a refurbisher rather than a carver. Refurbishing old briar involves a very different set of skills and abilities than those used in carving a new pipe from a fresh block of briar. While both take skill and patience, to me refurbishing and restoring an old pipe is more engaging. While all the pipes I work on take the same basic skills each presents unique challenges that push my abilities and skills in new ways.

Those are my thoughts for now… I am sure that the longer I work on old pipes the more these thoughts will mature and grow. Now off for a bowl of some good Virginia in an old restored Sasieni Liverpool.