Category Archives: Examples of Refurbished Pipes

In this section of the blog you will find before and after pictures of pipes that I have reworked. In each of them I give a summary of the work done to them. There are tips on working with different materials in these posts as well. For instance I have posted two horn stem pipes that I did work on the horn stems to removed tooth damage.

A Barling’s Frustration


I had this old bowl in my box that just looked like a Barlings. I took it out and studied under bright light and a loop. It had the arched Barlings over Make. The other side was stamped EL and Made in England (I believe). It had a serious crack in the shank so I superglued it and banded it. This little pipe became the definition of frustration for me. It was a beautiful and I was incredibly hopeful when I cleaned it up and prepared it for the new stem I had cut for it. The grain was very nice and to find that it was an older Pre-transition Barling’s pipe was exciting. The bowl cleaned up very well. The shank and new band looked great. All that remained was to finish working over the stem for it.

About that time my wife came down to the basement where I was working on it and we decided to go for our Saturday morning walk about. We had planned to take the bus down to an area we like to visit and check out the antique shops. This is something that we both enjoy so I put the little Barling’s my pocket and brought along some sand paper to work on it while sitting and waiting for the bus. We had a good morning, went to the Vancouver Flea Market and even found a couple of older Peterson pipes that I picked up. We decided to have some lunch before going home so we walked over to a nearby Korean BBQ and ordered a nice lunch.

While we were waiting for our lunch I guess the pipe fell out of my pocket. I did not notice until the waiter stepped on something and I heard a crack. Well the long and short of it is when we sat down to lunch it had fallen out of my pocket and when the waiter stepped on it the shank cracked off just ahead of the band. I had a sick feeling as I picked up the pieces of the broken old timer. My visions of a nice older Barling’s Pot shape were pretty much crunched. I put the pieces on the table and looked them over as we continue to wait for the meal and I grumbled about my stupidity in not zipping the coat pocket and also about bringing it with me in the first place.

Once we had finished eating and headed home I had calmed down enough to think about what I would do with the pipe. I took the pieces to the basement work table and turned on a bright overhead light so that I could examine the damages. As I looked at the broken shank I could see that the wood was darkened, almost burned around the crack. It was almost as if the heat in the shank had found a flaw in the briar and followed it outward to the surface. It had not gotten all the way to the surface but was just under the outer layer of the finish. So it appeared that the crack was worse than I had imagined.

That helped me to get over being incredibly frustrated and disappointed in the broken shank. So I spent some time looking it over and decided I could work with it. I decided to turn it into a nose warmer. The saddle stem I had made was too small in diameter to fit so I had to cut another stem. I cut off the ragged edges of the break and used a piece of sandpaper on a solid board to face the shank again. I also drilled out the shank and opened it up enough to accept the new tenon. The tenon is a bit shorter than normal 5/8″ to allow a little difference between the opening in the bowl wall and the mortise. I re-banded the shank for a second time to strengthen the shank after the previous break. I fit the stem to the pipe and sanded and polished it to a shine. Then I buffed and waxed the “new” little pipe. I made it such that I can one day put a church warden stem on the bowl should I desire to do so. For now though it is a nose warmer with a short taper stem. Total length is 4 3/4 inches.

Here are some pictures of the finished pipe. I had pictures of the pipe before and after the break but somehow they were erased so this is all I have left to show. I hope you can imagine what it looked like with the new saddle stem before it broke. But if not, you can see the new version. I am also ordering a churchwarden stem for it so I can fit one of those to it as well. Should look great that way as well.

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BBB Diamond shank billiard


Blog by Steve Laug

This older BBB Diamond Shank billiard was a pleasure to bring back to life. I love the older BBBs and this one has a place in my collection. It is only stamped BBB in the diamond on both the shank and the stem. There are no shape numbers of other features. I have no idea on what its age is but love the shape. The diamond shank and the way it flows into the bowl make it a unique among my BBB billiards. It is stained in a rich oxblood colour and it is a clean little pipe. When I picked it up off EBay it appeared to be pretty clean other than a bit of oxidation on the stem. Sure enough, when it arrived it was very clean. The bowl only needed a slight ream to be ready to smoke. I wiped down the outside of the bowl with a damp soft cloth dipped in Murphy’s Oil soap lightly so as not to disturb the finish but remove the grime. The top had some darkening and tar that came off easily with the Murphy’s Soap. I coated the bowl with several coats of carnauba wax and set it aside.

To deal with the oxidation on the stem I sanded it with 400 and 600 grit wet dry sandpaper dipped in water to give it a bite. I finished that with micromesh pads – 1500, 1800, 2400, 4000 and then I took it to the buffer for Tripoli and a bit of White Diamond before giving it several coats of carnauba wax. It has a wide open bowl and draw.

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Old Croydon-Reborn


I have spent a bit of time on this old Croydon Bent (Peterson Line of seconds I believe). In fact I probably spent more time than I should have done, judging by other refurbishers throw away buckets. Sometimes I just have to see what I can make of an old tired ugly looking pipe. It is a challenge more than it is a labour of restoration. In fact it could probably be argued that when I am done with this one it really no longer should be considered a Croydon at all. I suppose it is a matter of how far one goes in the process of restoration before it becomes a totally new work of briar. In my mind this one would probably qualify for the removal of the name – or at least a hyphenated name CROYDON-REBORN.

When I received this one it was in pretty rough shape. In the pictures below you can see the state of the finish on the bowl. There were places where pieces of the lacquer finish were peeling away and falling off. The stain on the bowl was spotted and variegated. Even the many fills all over the bowl had shrunken significantly and what remained were dips and divots in the surface. The rim was one part of the pipe that was in pretty good shape. It had some tar build up and a bit of blackening but no nicks and dents. That is actually remarkable given the condition of the rest of the pipe. The silver shank cap was split in half and torn from the stem being jammed in and out of the bowl. The P-lip stem was also marked with tooth chatter, was oxidized and dented.

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I did not have any end caps in my collection of pipe odds and ends so I decided to put a regular nickel band on the shank as it was thin and weakened from the broken shank cap. I cleaned the shank end with alcohol and dried it out. I heated a band and pressure fit it on the shank. There was a small gap at the edge that I filled with wood glue to give stability to the shank. I probably should have waited to apply the band but the shank seemed fragile and I wanted to stabilize it before further work on the bowl.

I have never liked the thin Peterson type stems so I decided to restem it with a saddle fish tail stem. I used my PIMO tenon turner and turned the tenon close and sanded it to a good tight fit. I used my Dremel to take down the excess diameter of the stem and worked on the ridges and seams with the Dremel. I sanded the roughness of the new stem until it was smooth with 240 grit sandpaper followed by 400 and 600 grit wet dry sandpaper and a bit of water. It was finished with the regular regimen of micromesh pads – 1500, 1800, 2400, 3200, 4000 and 6000 grit. The final polish was done on the buffer with White Diamond and carnauba wax.

The bowl was a major problem. I tried to strip the bowl using acetone and 99% Isopropyl alcohol and could not break through the finish – don’t what they coated it with but it would not let go. I resorted to sanding the bowl to try and remove the finish and sanded, sanded and re-treated it with acetone and alcohol. The finish was finally gone and I had a raw briar bowl with so many fills in it that it looked like it had freckles. I decided to try staining it with a dark brown stain to hide the fills and give it a good deep colour that was a bit opaque. Once it was dry I buffed it and polished it with wax. It looked really awful and I hated it!!! Soooo… I decided to rusticate it. I used my fist full of nails (pipe with nails inserted in it) to do the rustication that appears in the photos below. The previous coat of stain that I had applied helped with the process of rustication and I could clearly see where I needed to do a bit more work. This is when I wished that the band was not present as it would have been a bit easier to avoid contact with the band and the rusticator.

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Once the rustication was acceptable to me, and the pipe felt good in the hand I prepared it for staining. On this one that involved using the floral frog to knock off any loose chips of briar and to smooth out the surface before I wiped it down with a damp alcohol cloth. I also sanded the rim smooth and used the micromesh to get rid of any scratches. A smooth rim and a smooth spot around the Croydon stamping would look good on the finished pipe. I decided to go for an aged leather like finish on this pipe as it seemed to fit the shape and the look. I gave the pipe a coat of black stain as an undercoat and then buffed it off the high spots. I gave the entirety a coating of Fiebing’s Medium Brown for the top coat. I flamed it and after drying took it to the buffer for a light buff. I waxed it with Halcyon II and buffed it with a soft cloth to give it the final look. Below are pictures of the finished pipe. In my book it is a significant improvement over the original!

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This One is a Mystery Pipe – Is it a ?Dunhill?


You will notice from the title of this blog piece that the Dunhill title is framed with question marks. The pipe is a mystery to me all the way around. There is nothing straightforward with it in terms of stamping or composition. It is composed of three distinct pieces (stem, shank and shank/bowl) that have been joined together at some point in the pipe’s history. From the pictures below you can see the junction of the bowl and the shank. The stem on the shank is a white dotted Dunhill stem. How did this pipe come to be and how did it incorporate at least two different pipes? It would be great if this old timer could tell its story because I am sure that it would be an interesting tale. Did the original owner break the shank on his pipe and then have a repair man do the fix? If so, did the repairman use a second pipe shank to add to the bowl for the repair or did the original owner take two of his pipes (both broken) and have them put together in this creative fashion? Did he take the bowl from one and the longer shank and stem from another and join them to form a new third pipe? Was the original of both pipes a Canadian or was the one that the bowl came from a billiard? I don’t think I will ever know the answer to those questions and even others if I took the time to think it out. But I do know that this is part of the pleasure I derive from working on estate pipes. I enjoy trying to put together the story of an old pipe.

I picked this one up from EBay. I was the only one bidding on it. I think the seller had marked it a Dunhill Canadian for sale so it had many viewers but no other bidders. I knew from a quick look at the pictures the seller provided that it was probably not a Dunhill. I could not be certain but the shape of the bowl did not quite measure up to other Dunhill Canadians that I have and the flow of the stem and bowl was different to my eye. Others may be able to point out other inconsistencies that they see but that is what I felt as I looked at the pipe. What caught my eye though and caused me to put in a minimal bid were the shank construction (reconstruction) and the flow of the pipe. I liked the looks of it. I was also curious to see how it was done. It looked like a well done repair, if indeed it was one. I wanted to see it close up and study it. The white spot on the stem was a bonus though I could see from the photos that it was not likely a Dunhill.

When it arrived I took it from the box and did a quick field dress cleaning of the pipe. Reamed the bowl, wiped down the outside with an alcohol damp cloth so that I could see the stamping or remnants of stamping that remained. The bowl portion (the section from the front to the union on the shank) has stamping on the bottom of the shank that looks to be what remains of a Sasieni stamp or at least the last few letters “ieni”. That is a bit mysterious to me in that the other Sasieni Canadian I have has the stamping running in the opposite direction. So my guess is that this one is upside down – not unheard of but interesting nonetheless. The shank and stem portion (from the junction backward to the stem) are definitely from the same pipe. The fit of the stem to the shank is absolutely perfect with no sanding or shaping marks, no gap and no change of profile to the stem. Under a bright light is possible to make out faint stampings on the shank remnant – and I do mean faint. They appear to be the last four letters of Dunhill – “hill” and under that there are the four letters “land” which could be then end of the word England. From that I would conjecture that what I have is a combination of a Sasieni and a Dunhill pipe. The Sasieni contributed the bowl and part of the shank and the Dunhill the rest of the shank and the stem. Whoever did the union of the two old pipes did a superb job as the joint is very well done. The grains of the two parts of the shank are very different and the staining does not match. But other than that it is a flawless union.

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With the mystery still unsolved I went to work on the ?Dunhill?/Sasieni. I gave it a better reaming and also cleaned it. The bowl had been very caked when I initially cleaned it so I did a deeper reaming taking it back to the wood. It had a very heady smell of Lakeland style tobaccos so I wanted to remove the remnant of that in the cake and prepare it for the tobacco that I would smoke in it. The shank and stem were tarry and restricted by the gunk inside them. I used a shank brush and many pipe cleaners to clear out the airway. I also tried to shine a light down the bowl to see if there was any evidence of how the repairman had done the union of the shank pieces. But the light would not shine that far down the shank. From the ease with which the pipe cleaners slid down the shank and the smoothness of the airway it was clear that the job was very well done. I also used a drill bit on my KleenReem reamer and ran it through the shank with no catches.

Obviously this was a favourite pipe for the previous owner. It was well cared for, repaired and put together and well smoked. I cleaned it with Isopropyl 99% and then sanded out the tooth chatter on the mouth piece. I wiped down the bowl and shank with undiluted Murphy’s Oil Soap and scrubbed it with a tooth brush. It removed the grime from the bowl and the rim. Once dry I cleaned off the remaining lava on the rim with 400 and 600 grit wet dry sandpaper. Once the bowl and shank were clean I wiped the entirety down with acetone. I wanted to get as much of the stain out so that I could try to get a bit better match on the two parts. I re-stained it with a cherry stain I have in the shop as it seemed likely that it was that colour from what was under the grime. The union of the two is still very visible even with a re-stain. The two parts took the stain very differently. I finished by buffing it with Tripoli and White Diamond before giving it multiple coats of Carnuba wax. I am happy with the results. I have smoked it quite often since the refurbishing and find that it is a great smoker. It is lightweight and comfortable in the mouth and the hand. The only thing that would make it even better in my opinion is to have the whole story behind this pipe. Ah well… I am going to go and fire up a bowl of good Virginia and enjoy adding my story to this pipe.

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The 1912 BBB Poker


Blog by Steve Laug

I picked up this old 1912 BBB Poker on EBay not long ago. It is stamped BBB in a diamond on the shank and on the underside England. The silver is hallmarked Birmingham 1912. It is a smaller group 1 or 2 sized pipe. In the pictures the military stick bit looked like it belonged. It looked like it was shipped that way from the factory. The grime on the silver and on the shank as well as the oxidation on the stem made it appear to be that style of pipe. When it arrived with the other 5 pipes that I bought with it I examined it a bit more closely. In the picture below you can see the roughness of the stem. It is definitely poorly cut. The closer I looked the more I realized that it was a poor replication of an older stem. A BBB pipe of this age came with a different style of military stem and it had an orifice button rather than a slot like this one. The stick bit was not original as it was a slotted bit and was not finished smoothly. There were lots of file marks on both sides of the stem. When I removed the stem I was even more certain that it was a poor copy. The one thing I was still thinking was that it was definitely spigot or military bit pipe.

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Then I began to work on the shank and the band. Someone had darkened the end of the shank to make it look almost black like the tarnished silver band. Once I cleaned the silver and cleaned the shank I could see that it was not a silver end cap at all but a very typical BBB silver band. In the picture below you can clearly see the end of the shank showing as it sits inside the silver band. I used a 1500 micromesh pad to clean off the end of the shank and return it to wood. When I re-stained the pipe I would also re-stain the shank end to match. It was clear that I would need to do a bit of research on what kind of stem was originally on this poker style pipe if I was to restore it to its original glory.

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I have a copy of the BBB Catalogue reprint from Gary Shrier so I got it out and went to work researching the look of the missing original stem. It became clear rather quickly that the pipe shape I had originally came with a taper stem with an orific button. In the catalogue is the exact shape in the exact size. I could not believe it. I laid the bowl on the page and then traced out the shape and size of the stem. A part of my hobby refurbishing is collecting old stems. I buy them wherever and whenever I find them and stockpile them in an old coffee can in my office. I went and got the can and emptied it on my desk to sort through what I had. I have yet to organize them by size so it is a matter of dumping the can out and digging through them. Well, I found one in my can of stems that had the right orifice button and the correct taper so I turned the tenon and fit the stem to the pipe. I used my Dremel to remove excess diameter from the stem so that it was the same diameter as the shank and band.

I also had to clean up the bowl of the pipe as the top was pretty beat up and the inside rim had been chipped and cut as if it had been carelessly reamed with a knife. I steamed the dents from the rim and carefully did a minor topping on the bowl to bring the top back to smooth and the inner and outer rim to smooth. I also chamfered or beveled the inner rim to bring it back into round. There were also dents on both sides of the bowl so I steamed those out as well. I use a wet cloth and a hot butter knife (heated over a flame) to raise the dents. I finished the work on the pipe by re-staining the top to match the bowl then buffed it and gave it a final polishing with White Diamond and then several coats of carnauba wax.

Here are pictures of the finished pipe. Other than being in colour it is a perfect match to the one in the catalogue.

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Edit – 24 Feb. 2013 – I just came across an old BBB poker on eBay that is similar to the one above. I did some research on the stem on the one above and restemmed it. The one in the eBay photos is a newer version of the same pipe number. I have attached two photos below for sake of comparison.

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Refurb on an old Morell Mackenzie Bent


Blog by Steve Laug

Yes a Morell Mackenzie. That is how the pipe is stamped and I had no idea what I was dealing with. I have a thing for collecting late 1800 and early 1900 pipes so when this one came up on EBay I just naturally hit the bid button. When it arrived I decided to do a bit of research on it and uncovered the following information. This is taken from a paper on BBB pipes by Jacques Cole:

“Probably one of the first filter pipes (paper filter) was the BBB “Sir Morell Mackenzie‘. That this pipe was made before 1900 is shown by a letter dated August 27, 1891 from Sir Morell Mackenzie regarding these models with longer mouthpieces. The brand survived into the 1960s.”

That is pretty clear information and fascinating as well. I had no idea of the time frame of the introduction of the paper filter in pipes. But this is a nice little pipe. It has the orific button on the mouthpiece (the round hole instead of the slotted airway). It is also a military mount stem. Inside there is a reservoir for the paper filter to sit in. It has a sterling silver shank cap and is stamped Morell Mackenzie. The briar is a nice flame grain and the bowl is well done and well drilled.

I cleaned out the reservoir and the airway to the bowl. Took a bit as I had to work a paper clip through the airway and then a shank brush and finally bristle and fluffy pipe cleaners. The shank and reservoir are now clean!! The stem was an interesting proposition. It was pretty clean as it is built to hold the other end of the paper filter. I cleaned and swabbed it out. The stem needed to be sanded to remove tooth chatter and oxidation. Then I sanded with micromesh pads and buff with Tripoli, white diamond and finally carnauba.

Here are pictures of the pipe before the cleanup:

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Here it is after the refurbishing

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Refurb on an old AD pipe from 1909


Blog by Steve Laug

I finished refurbishing this old timer. I love the looks of it and wanted to share it with you all. It is a bit of a mystery in that it has no stamping on the bowl. The only marking is a hallmark that dates it to 1909 and the letters stamped in the silver of the band AD. The pipe is a cased little thing – just 4 inches long. The stem has a bone tenon but a slotted button instead of the orific hole on most pipes of that era. The ivory band is part of the stem and it inserts into the metal band. The bowl is stained an oxblood red. I reamed and cleaned bowl and shank. I cleaned the threads and the inside of the stem with a shank brush, bristle pipe cleaners and fluffy cleaners. The silver band was polished with tarnish cleaner and a silver cloth. The stem was sanded to remove chatter and then I used Micromesh pads 1500,1800, 2400,3200 4000 and buffed with Tripoli and White Diamond. I rubbed down the case with some leather renewer and it definitely looks better.

The book, Who Made that Pipe attributes the AD stamping to Alfred Dunhill. The Silver Hallmarks site dates it as Birmingham Silver 1909 and the Makers Marks identify the work as being done by Arthur Downing Ltd. That sounds correct to me. The final attachment photo is the clip from the Hallmarks Site. So the mystery remains – is it a Dunhill or is it a nice older pipe banded by Arthur Downing Ltd? Who knows but it smokes great.

Here are the pictures of the pipe before I worked on it
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Here are some pictures of the finished pipe.
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And here is a picture of the logo on the silver band as found on the British Hallmarks site. It matches the stamping on the silver band exactly.
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Refurb on an Old “The Regent” – fit a horn stem


Just finished up with this pipe. I had a lot of fun with this one! It is an old horn shaped pipe. It is stamped The Regent and has a sterling silver band on it. The hallmarks are the reclined lion (sterling silver) the Anchor (Birmingham) and a mystery stamp – a five point star (no date sign like that on the British sterling sites). I was reading in Gary Schrier’s Calabash book this evening and came across a calabash with the same hallmarks. He said it was a Faux Birmingham made pipe. The calabash he had was a Manhatten made in New York City. The question is do I also have a Faux Birmingham pipe??

It was dirty and I reamed and cleaned the bowl and shank. It had a thick cake and a bit of cob webs in the bowl and shank. It also did not have a stem. It came to me as a bowl without a stem. I had an old horn stem in my can of scavenged pipe parts that was that right shape and whose tenon fit perfectly. It was about a 1/4 to large in diameter. I used my dremel to bring it close to a fit and then sanded it until it was a perfect fit. While I worked on it I removed the silver band in order to get the stem fit to be flush with the briar. When I was finished with the fit I polished the horn stem until it glowed with 400 and 600 girt wet dry sand paper, micromesh pads up to 4000 grit and then Tripoli and white diamond. Then I reset the band with a bit of superglue and then put on the stem and gave the silver a polish and the pipe a buff.

I have included a pic of the stem first to show you the look of the beautiful old horn stem. It has an orific button (single round hole in the button). It seemed to match the age of the pipe in terms of look.

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The rest of the pics are of the finished pipe. Thanks for looking.

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Refurb – A pair of Astleys 68s


Just finished the final buff on these two and thought I would post them. In researching the net for information on these pipes I found a 1968 catalogue that showed that they originally had saddle stems. I sorted through my stem box and found two saddle stems for these Astleys bowls. I fit these stems to the bowls. They are stamped Astleys 68 which is a pot shape. They also have the address on Jermyn Street London stamped on them. The bowls were reamed and cleaned. I then restained them with black stain, fired the stain to set it and then buffed with white diamond lightly before waxing with Halcyon wax.

The pipe with the band had a crack in the shank that I repaired and pressure fit with the nickel band. The blast on this pair is nicely done. Astleys called this their Crusty Briar line. Here are the pics. Thanks for looking.

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Refurbed Piece of pipe smoking history – A Brittish Buttner Billiard


Blog by Steve Laug

I picked this pipe up on Ebay awhile back solely for my historical interest in this kind of pipe. I am drawn to creative pipe manufacturers and the search for a drier and cooler smoke. It is that interest that attracted me to the gadgetry of the British Buttner pipes. This is the second one that I have purchased on Ebay. The first one is older (patent is earlier)and has a yellow Bakelite stem and is a pot in terms of shape. I have also collected a Bakelite canister that holds an extra clay insert bowl. I saw this one and added it to the collection. It looks like a briar billiard but is not. It is a Bakelite bowl and Vulcanite stem. The tenon is long and extends to the air hole in the bowl. There is a clay insert that sits in the bottom of the Bakelite bowl. This one has a few chips out of it but is still workable. The rim unscrews and holds clay bowl (much like a gourd calabash. It is mounted on the rim and screws into the bowl. I cleaned the inside of all three parts and cleaned the stem and shank. I have polished it with wax and since have smoked it several times. It is a very different smoke – very similar to a calabash smoke; very cool and dry.

Here are some pictures of it taken apart before cleaning:

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Here it is cleaned and polished.

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Here are some pictures of the older British Buttner