Blog by Steve Laug

The next pipe I have chosen is an elegant Danish Straight Billiard with a mix of grain around the bowl and shank. This particular pipe came to us from a fellow in Copenhagen, Denmark on 11/14/2022. This Billiard was stamped on the left side of the shank and read Bastia [over] GL. It was stamped on the underside with the shape number 408. The pipe was in filthy condition when Jeff brought it to the table. The finish was dirty with oils and grime ground into the briar sides and rim. The bowl had a thick cake and some darkening on the inner edge of the rim. There was a lava coat flowing on to the rim top from the bowl – heavier on the back side than the front but very present. The stem was dirty – oxidized and calcified with light tooth marks and chatter on the top and underside ahead of the button. There was no stamp or identifying mark on the stem. Jeff took photos of the pipe before his cleanup work. They tell the story and give a glimpse of the promise that we see in this pipe. Jeff took photos of the rim top and stem to show the general condition of the pipe. The bowl showed some thick cake and some darkening on the inner edge. The rim top had a thick coat of lava on the surface, heavier on the back and right side of the top. The photos of the stem show the oxidation, calcification, tooth marks and chatter on both sides near the button. Jeff took some photos of the bowl sides and heel to show the beautiful grain that was around this bowl. It is a nice looking pipe.     He took photos of the sides of the shank to show the stamping. The stamping is readable in the photos below and is as noted above.     I am including the information from Pipephil on Lillehammmer pipes. It connects to the Bastia in sharing the GL initials under the brand stamp (http://www.pipephil.eu/logos/en/logo-l4.html). I have included a scan of the section on Lillehammer. You can see that the GL stamp are the initials of Gudbrand Larsen the founder of Lillehammer.I turned to the Pipedia site for more information (https://pipedia.org/wiki/Lillehammer). There I was able to learn the backstory and history of the brand. I quote in full from that article and include pictures of the two principals.

In the 1830’s a young Norwegian wood-carver named Gudbrand Larsen saw some pipes made from meershcaum. He though they were beautiful and wanted to make pipes like that, but he could not obtain the material. So he decided to go where it was to be found.

Larsen went to Eskisehir, Turkey, to learn all about meerschaum. But the most beautiful pipes in those days were not made there but in France, so he continued his journey to Marseielle, where he found work in one of the most famous factories at the time. In 1844 he returned to Norway and started a small factory for meerschaum pipes in the town of Lillehammer. The pipes garnered a good reputation from the first.

Gudbrand’s son, August, followed in his father’s footsteps and joined him in the business. However, father and son did not get along very well, so Junior–as August usually was called–did like his father once had, he traveled to learn more about pipe-making.

Junior understood that briar, not meerschaum, was the material of the future, so during his journey he studied the subject carefully, first in England and then in France.

In Paris Junior earned a position with a pipemaker of good repute and became highly respected in his work. However, Gudbrand was getting old and considering retirement, so he asked his son to come home and take over the family business, an offer Junior willingly accepted. As a businessman Junior was even more successful than his father, and during his period of leadership the business prospered.

In 1902 Gudbrand Larsen died at almost 90 years of age. Then Junior passed away a dozen years later, in 1914. His death was followed by some unstable years for the factory because it lacked competent management. And World War I had just started on the continent, which made it difficult to obtain raw material.

In 1916 the factory was bought be a company that appointed new management, and a long, stable period of successful expansion had begun. That period was to last for almost half a century. The main part of the production was briar pipes, but they also continued to make some meerschaums.

Problems at the factory began again at the end of the 1960s, when sales slowed dramatically. The main reason was the “fancy pipes” had become very popular, and Larsen’s of Lillehammer had nothing to offer there. Something had to be done and two steps were taken. In the middle of the 1970s the Danish company Kriswill was bought, and in that way they obtained access to that company’s more modern shapes. A new designer was also employed, but these efforts were not sufficient, and in the 1979 the factory closed.

I turned to the Pipe Club of Sweden site to see if there was any more information. There was a great article on the pipe maker Bård Hansen who followed the tradition of the Lillehammer Factory and was trained by a retired engineer from the Lillehammer Factory thus tying him to the brand. In that article there is confirmation for the Pipedia information above (http://www.svenskapipklubben.se/en/pipemakers/bard-hansen/). I quote in part the article there by Jan Andersson. (Once again I have highlighted the pertinent information in the text below using bold, italic and underlined text and marking the main point highlighted in red.

In a Swedish tobacco shop, even in small places in the province, there were usually a fair number of pipes in the 50s and 60s with stems from aluminum. But even for the more traditional pipesmoker, who wanted a pipe from wood and ebonite, there was a lot to choose from. Ratos was the dominant brand, but for those who were willing to spend a little extra, there were usually at least a few more exclusive pipes – pipes in green or blue-checked boxes. Those pipes came from Norway, from G.L. Larsens pipe factory in Lillehammer.

Lillehammer pipes were found in two qualities, Bastia was a little cheaper and Lillehammer GL was for the truly discerning pipesmoker. Later I have learned that there were also more expensive and finer qualities, even one called Best Make, but those luxury pipes were never found in the shops in the small town where I lived. Lillehammer pipes were easily recognizable, they usually were rather slim and with a long stem, which was the fashion at the time. So while a true English gentleman smoked a Dunhill with the white dot on the stem, Norwegian or Swedish pipesmokers preferred an elegant Lillehammer.

We will not go into detail about the interesting story of Lillehammer, but unfortunately we can see that from the beginning of the 70s, it rapidly went downhill for the factory. They bought the Danish company Kriswill but that was not a success, nor was the new series of shapes created by the pipemaker Thorbjørn Rygh. So G.L. Larsen’s pipe factory in Lillehammer had to close, deeply missed by many of us. This feeling persists to this day, which is particularly evident in the great interest in the Lillehammer pipes at auctions and collector’s markets.

Gathering the data together from my research I have learned that the pipe I have on my worktable is made by Lillehammer prior to the buy out by the Kriswill Company with the hope that it would offer new markets for the Lillehammer brand. The Bastia was the cheaper of the lines and interestingly it also bears GL stamping tying it to the higher end pipes from the factory.

Armed with that information I turned to address the pipe itself. Jeff had cleaned up the pipe for me. He reamed the bowl with a PipNet pipe reamer and cleaned it up with a Savinelli Fitsall Pipe Knife. He scrubbed the exterior with Murphy’s Oil Soap and a tooth brush to clean off the grime off the finish and the heavy overflow of lava on the rim top. He cleaned up the internals of the shank, mortise and stem with pipe cleaners, cotton swabs and alcohol to remove all of the oils and tars in the pipe. The rim top still had some darkening that would need to be dealt with but it looked good. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and was able to remove the remnants of the oxidation. When it arrived here in Vancouver it was a clean pipe and I knew what I had to work with. I took photos of it before I started my part of the restoration. The rim top had cleaned up pretty well but you can see the darkening on the inner edge. The burn damage on the rim top and edge at the back right of the bowl. The stem cleaned up very well. You can see the tooth marks on the surface just ahead of the button. I took photos of the stamping on the sides of the shank. You can see that it is stamped as noted above. It is clear and readable. I removed the stem and took a photo of the pipe to have a look at the parts and overall look.I decided to address the damage to the rim top and inner edge of the bowl first. I used a folded piece of 220 grit sandpaper to give the inner edge of the bowl a slight bevel on the inner edge to remove burned areas and blend them into the surrounding briar. I polished the bowl and shank with micromesh sanding pads – dry sanding with 1500-12000 grit pads. I wiped down the bowl after each pad with a damp cloth to remove the sanding debris.   I worked some Before & After Restoration Balm into the surface of the bowl and shank with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I set the bowl aside and turned my attention to the stem. I filled in the deep marks black CA glue. Once it cured I used a file to flatten them and start blending them into the surface of the surrounding vulcanite. I sanded the repaired areas with a folded piece of 220 grit sandpaper. I started polishing it with 600 wet dry sandpaper.   I polished the stem with micromesh sanding pads – wet sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I finished polishing the stem with Before & After Pipe Stem Polish – both Fine and Extra Fine. I wiped the stem down with a final coat of Obsidian Oil and let it sit and absorb into the vulcanite. I am excited to finish this Bastia GL 408 Billiard made by Lillehammer. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with beautiful cross and birds eye grain all around it. Added to that the polished black vulcanite stem combined with the bowl made a stunning pipe. This smooth Norwegian Bastia GL 408 Billiard is great looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 6 ¼ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 34 grams/1.20 ounces. It is a beautiful pipe that I will soon be putting on the rebornpipes store in the Danish Pipe Makers Section. If you are interested in adding it to your collection send me an email or a message. Thanks for walking through the restoration with me as I worked over this pipe. Thanks to each of you who are reading this blog.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.