Daily Archives: February 5, 2021

Changing things up – a Ropp Grand Luxe 55 Horn Stem Apple


Blog by Steve Laug

The next pipe on the table is one that Jeff picked up from a friend in St. Leonard, Maryland, USA back in April of 2018 so it has been sitting here for a long time. It is a nice looking apple shaped pipe with a horn stem. The stamping on the left side of the shank read Ropp in an oval with Grand Luxe underneath. On the right side of the shank the shape number 55 is stamped next to the bowl/shank junction. It was a great looking piece of briar with a mix of grain around the bowl and shank. There was a small nick on the left middle of the bowl and grime and grit ground into the finish of the bowl. There was a heavy cake in the bowl  and a heavy overflow of lava on the inwardly beveled rim top. The fit of the stem in the shank was smooth and flawless. There was the silver ROPP metal oval logo inlaid on the left side of the taper. The stem was horn and it had some wear on both sides near the button and on the button surface.  Jeff took photos of the bowl and rim top to show the cake in the bowl. The smooth rim top showed thick coat of lava that filled in the rim top and hopefully protected the edges from damage. He took photos of the top and underside of the stem showing the tooth chatter, scratching and oxidation on the stem surface and wear on the edges of the button. Jeff took photos of the sides and heel of the bowl to show the condition of the finish. You can see the well done shape and he amazing grain around the bowl and shank. Even under the dirt and debris of the years it looked very good.The stamping is clear and readable as noted above. The honey coloured finish even looks good under the grime and the pipe really is a Grand Luxe! I turned first to Pipephil to get a quick review of the brand (http://pipephil.eu/logos/en/logo-ropp.html). I always remember Ropp as the maker of the Cherrywood pipes that they are famous for but I forget all of the other beautiful pipes that they made. I quote:

Brand created by Eugène-Léon Ropp (1830 – 1907) and continued throughout 3 generations. “GBA Synergie” run by Bernard Amiel (†2008) bought back Ropp in 1988 and owned it until 1991. The company was taken over by Cuty-Fort Entreprises (Chacom, Vuillard, Jean Lacroix…) in 1994.

I then turned to Pipedia as I remembered that they had some more information on the brand and some interesting old advertising (https://pipedia.org/wiki/Ropp). I quote the information below and include a few flyers advertising the Grand Luxe line of pipes.

Eugène-Léon Ropp (1830 – 1907) had acquired a patent for a cherrywood pipe (wild cherry, lat.: Prunus avium) in 1869. In 1870 he established a workshop to manufacture such pipes in Büssingen (Bussang, Vosges mountains). Around 1893 the business moved into the former mill of Sicard (part of the community of Baume-les-Dames – Département Doubs, Upper Burgundy – from 1895 on).

The pipes were a big success in the export as well. Shortly before 1914 Ropp designated A. Frankau & Co. (BBB) in to be the exclusive distributor in the UK and it’s colonies.

Probably in 1917 a workshop in Saint-Claude in the Rue du Plan du Moulin 8 was acquired to start the fabrication of briar pipes. In 1923 a small building in the environment of Saint-Claude, serving as a workshop for polishing, was added.

Even though cherrywood pipes were the mainstay of Ropp until the company finally closed down in September 1991. The company was taken over by Cuty-Fort Entreprises (Chacom, Jeantet, Vuillard, Jean Lacroix…) in 1994.

With the information I learned in the above articles I had the background on the pipe. My guess is that it is was made either just before or after WWII because of the horn stem instead of rubber. The metal tenon system makes me also think that this is the case as other pipes from the war itself went back to horn tenons. It is a neat old pipe. Now it was time to work on it.

I am really happy to have Jeff’s help on cleaning up the pipes that we pick up along the way. He reamed the bowl with a PipNet pipe reamer and cleaned up the reaming with a Savinelli Fitsall Pipe Knife. He scrubbed out the internals with alcohol, pipe cleaners and cotton swabs until the pipe was clean. He scrubbed the exterior of the bowl with Murphy’s Oil Soap and a tooth brush to remove the grime and grit on the briar and the lava on the rim top. The finish looks much better and the rim top was actually very visible and it looked good. Jeff scrubbed the stem with Soft Scrub All Purpose Cleaner to remove the majority of the grime. When the pipe arrived here in Vancouver it looked very good. I took some close up photos of the rim top and the stem surface. The rim top looked very good but there some darkening on the rim top surface toward the back of the bowl. I took close up photos of the stem to show the condition of the surface and button. I was really glad to see that the spots on the button surface and the stem ahead of the button was worn but did not have tooth marks or chatter. I took photos of the stamping on the left side of the shank and the right side near the bowl. You can see that it is stamped as noted above. It is clear and readable.  I took the pipe apart and took a photo of the pipe. It is a good looking pipe and has some great grain on the bowl and shank. Note the stepped down aluminum tenon.I decided to start my restoration work on this one by polishing the top and sides of the bowl with micromesh sanding pads – dry sanding it with 1500-12000 grit pads. After each pad I wiped the briar down with a damp cloth.   I worked some Before & After Restoration Balm into the surface of the briar with my fingertips to clean, enliven and protect the briar. I let the balm sit for 15 minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process.     With that done the bowl was finished other than the final buffing. I set it aside and turned my attention to the stem. I looked at the worn areas on the stem and decided to sand them out with 220 grit sandpaper and start polishing it with 400 grit wet dry sandpaper.I polished the stem with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine.   It is fun to come to end of the restoration of the Ropp Grand Luxe 55 Straight Apple. It turned out to be a nice looking straight Apple. The finish came alive with the work I had done on it. I put the pipe back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with the grain popping through and the polished horn taper stem. It really was beautiful. This older French made Ropp Straight Apple is nice looking and the pipe feels great in my hand. It is light and well balanced. Have a look at it with the photos below. The dimensions are Length: 5 ½ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 inch, Chamber diameter: ¾ of an inch. The weight of the pipe is 34grams/1.20ounces. It is a beautiful pipe that I will soon put on the rebornpipes store in the French Pipe Makers section. If you are interested in adding it to your collection let me know. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next pipeman or woman.

Breathing Life into a 1958 Dunhill Bruyere 53F/T Group 3 Bent Billiard


Blog by Steve Laug

The next pipe on the table came to us in a group of pipes that we purchased from fellow in Los Angeles, California, USA. It is a Dunhill Bruyere Bent Billiard that is in good condition. It is stamped both sides of the shank. On the left side it is stamped with the shape number 53 F/T followed by Dunhill [over] Bruyere. On the right side it is stamped with 3 in a circle followed by A for Bruyere next to the bowl. That is followed by Made in [over] England8. Interpreting that stamp it is as follows: The 53 is the shape number for a bent billiard. The F/T signify a fish tail stem. The Dunhill Bruyere is the finish. The8 following the D of England gives the date the pipe was made and identifies it as 1958. The stamping is clear and readable. The age of the pipe and the oils in the finish has given the pipe a rich reddish brown finish. There is also some amazing grain that the shape follows well. The finish was dirty with dust ground into the surface of the bowl and shank. There was a thick cake in the bowl and tobacco debris stuck to the walls of the bowl. The rim top showed darkening and some lava on the surface. The vulcanite taper stem was oxidized, calcified and had light tooth marks and chatter ahead of the button on both sides.  Jeff took photos of the pipe to show what it looked like before he started working on it.  He took photos of the bowl and rim top to show the thickness of the cake and the darkening and lava overflow on the rim top. The photos of the stem show the oxidation, calcification and tooth marks and chatter on the surface on both sides. The photos of the sides and heel of the bowl show the great grain on the pipe. It is a beauty under the grime and dust.  The stamping on the underside of the shank is shown in the photos below. It looks very good and readable. It reads as noted and explained above. The fourth photo shows the white spot on the stem.  I turned to Pipedia’s section on Dunhill Root Briar Pipes to get a bit of background on the Dunhill finishes (https://pipedia.org/wiki/Dunhill#Root_Briar). I quote:

Bruyere

The original finish produced (usually made using Calabrian briar), and a big part of developing and marketing the brand. It was the only finish from 1910 until 1917. A dark reddish-brown stain. Before the 1950s, there were three possible finishes for Dunhill pipes. The Bruyere was a smooth finish with a deep red stain, obtained through two coats, a brown understain followed by a deep red.

There was a link on the above site to a section specifically written regarding the Bruyere finish (https://pipedia.org/wiki/Dunhill_Bruyere). I turned there and have included the information from that short article below.

Initially, made from over century-old briar burls, classified by a “B” (denoted highest quality pipe); “DR” (denoted straight-grained) and an “A” (denoted first quality), until early 1915. After that, they became a high-end subset to the Dunhill ‘Bruyere’. The DR and B pipes, a limited production, they should be distinguished as hand-cut in London from burls as opposed to the Bruyere line which was generally finished from French turned bowls until 1917, when the Calabrian briar started to be used, but not completely. Only in 1920 Dunhill took the final step in its pipe making operation and began sourcing and cutting all of its own bowls, proudly announcing thereafter that “no French briar was employed”.

Bruyere pipes were usually made using Calabrian briar, a very dense and hardy briar that has a modest grain but does very well with the deep red stain.

“Before the 1950s, there were three possible finishes for Dunhill pipes. The Bruyere was a smooth finish with a deep red stain, obtained through two coats, a brown understain followed by a deep red. The Shell finish was the original sandblast with a near-black stain (though the degree to which it is truly black has varied over the years). Lastly, the Root finish was smooth also but with a light brown finish. Early Dunhill used different briars with different stains, resulting in more distinct and identifiable creations… Over the years, to these traditional styles were added four new finishes: Cumberland, Dress, Chestnut and Amber Root, plus some now-defunct finishes, such as County, Russet and Red Bark.”

There was also a link to a catalogue page that gave examples and dates that the various finishes were introduced (https://pipedia.org/wiki/File:Dunnypipescatalog-1.png).I turned to Pipephil’s dating guide to show how I arrived at the date of manufacture for this pipe (http://www.pipephil.eu/logos/en/dunhill/cledat-en1a.html). I am including the chart that is provided there for the dating a pipe. I have drawn a red box around the section. Since the pipe I am working on has a suffix 8 that is raised superscript it points to the 1950+8 line on the chart below.I also turned to John Loring’s, The Dunhill Briar Pipe – The Patent Year and After, to work on understanding the stamping on this pipe. I found information on page 19 of the book. It read as follows:

The remaining single digit numbers (5-9) that do not date to the 1920s date it to the 1940s if there is a patent reference, to the 1950s if there is no patent reference and the date code number is raised and smaller than the “D” of England, and to the 1960s if there is no patent reference and the date code number is level with and the same size as the “D”.

I now knew that I was working on a Bruyere that came out in 1958. The shape of the pipe was a Bent Billiard that Dunhill with a #53 F/T shape number that denoted a Bent Billiard shape with a fish tail taper stem.

I turned to work on the pipe itself. Jeff had carried out his usual thorough cleanup of the pipe. He had reamed it with a PipNet reamer to remove the cake and cleaned the reaming up with a Savinelli Fitsall Pipe Knife. He scrubbed the internals of the bowl and stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the externals with undiluted Murphy’s Oil Soap and rinsed the bowl off with running water. He soaked the stem in Before & After Deoxidizer and once it had soaked rinsed it off with warm water to remove the residual solution. He dried it off and scrubbed it down with Soft Scrub All-Purpose cleaner to remove any oxidation that was still on the stem. The pipe looked very clean when I received it. I took a photo of the rim top to show the condition. You can see that it looks very good after the clean up. The stem came out looking quite good. There are light tooth marks and chatter on both sides near the button but the oxidation was gone.I took photos of the sides of the shank to show the stamping. It is clear and readable as noted above. I removed the stem from the shank and took a photo of the pipe parts to show what I was working with. It is a nice looking pipe.I decided to start the restoration on this one because it was in such good condition by polishing the rim top and bowl with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each sanding pad. The briar began to take on a shine.     With the polishing completed I rubbed the briar down with Before & After Restoration Balm. I worked it into the briar with my fingertips. The product works to clean, enliven and preserve the briar. I let it sit for 15 minutes while I worked on the stem. After the time passed I buffed it with a cotton cloth to deepen the shine. The briar really comes alive with the balm.   I set the bowl aside and turned my attention to the stem. I polished the vulcanite with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem.   This Dunhill Bruyere 53E/T Group 3 Bent Billiard from 1958 is a beautiful looking piece of briar that has a shape that follows grain. It is a great looking pipe that came out looking even better after the cleanup. The finish on the pipe is in excellent condition. The red and brown stain on the bowl works well to highlight the grain. The polished black vulcanite taper fish tail stem adds to the mix. With the grime gone from the finish and the bowl it was a beauty and is eye-catching. I put the stem back on the bowl and buffed the pipe with Blue Diamond on the buffing wheel being careful to not buff the stamping. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Bruyere 53 F/T Bent Billiard is quite nice and feels great in the hand. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: 5/8 of an inch. The weight of the pipe is 36grams/ 1.23oz. It will soon be added to the British Pipe Makers section on the rebornpipes store. Thanks for walking through the restoration with me as I worked over another beautiful pipe. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next generation.