Daily Archives: April 14, 2019

Yet another from the Bertrams collection – a Natural Bertram 60 Billiard


Blog by Steve Laug

Rather than repeat myself and give the blog readers grief with the repetition please refer to the previous blog posts on the Bertrams to learn about how we got this collection. Just know that we have a collection of Bertrams and a smattering of other brands, that when they were unwrapped, filled three boxes. The photo below is included to show the size of the collection we had purchased. To be honest it was a bit overwhelming to see all of the collection in boxes. We were looking at a lot of work to bring these back to life.I cannot tell you how glad I am that Jeff is working through the clean up on this lot as they are really quite dirty and there are so many! It would be a more daunting task than it already is if I had to clean and restore all of them. I am leaving it to him to choose which pipes to work on. He has chosen some interesting shaped ones to restore. Here is how we are working out the transfer from him to me. As he finishes a batch of them he boxes them up and sends them to me. I have received two boxes so far. From the first box he sent, I chose another one of the Bertrams to be the next pipe that I would work on. This pipe was another very dirty one! The smooth finish was grimy and dusty but some interesting grain shone through showing me that this was a beautiful pipe. It was a large thick shank Billiard shaped pipe with a tapered stem. There was a thick cake in the bowl and heavy lava overflowing on to the rim top. It was hard to know the condition of the edges due to the cake and lava. The stem showed some light oxidation and some chatter on the top and some tooth marks on the underside. The photos below tell the story and give a glimpse of the pipe. Jeff took a close-up photo of the bowl and rim to capture the condition of the pipe when it arrived. The rim top had a thick coat of lava on the back side and darkening around the edges. The bowl had a thick cake.Jeff took pictures of he bowl sides and the heel to show the marvelous grain on the bowl. It really is quite stunning and has a natural finish. It is dirty though!Jeff took 2 photos to capture the stamping on the left and underside of the shank. The first photo shows stamping on the left side which read Bertram over Washington, D.C. The stamping on this pipe is clear and readable. The second photo shows the grade number stamping on the underside toward the heel of the bowl. It read number 60 which shows the quality of the pipe. The next two photos show the stem surface. They show the oxidation and the chatter on both sides near the button. The tooth marks are visible on the underside next to the button. There is also some wear on the underside button edge. If you have read the previous five blogs I have posted on the Bertram pipes that I have cleaned up so far you can skip the next bit. But if you have not, then I include the link to Bertram history and information. I would recommend that if you don’t know much about them do some research on them. I include a link to the write up on Pipedia (http://pipedia.org/wiki/Bertram). Bertram pipes were based out of Washington DC. They were popular among famous politicians and celebrities of the time. They made many products for them from FDR’s cigarette holders to Joseph Stalin’s favorite pipe. They were considered some of the best America had to offer till they finally closed their doors in the 70s. They graded their pipes by 10s, the higher the grade the better. Above 60s are uncommon and 80-90s are quite rare. I’ve never heard of or seen a 100 grade. I have several blogs that I have written on rebornpipes that give some history and background to Bertram pipes. (https://rebornpipes.com/2015/06/16/an-easy-restoration-of-a-bertram-grade-60-217-poker/).

I have included the following link to give a bit of historical information on the pipe company. It is a well written article that gives a glimpse of the heart of the company. http://www.streetsofwashington.com/2012/01/bertrams-pipe-shop-on-14th-street.html#

I am also including this photo of the shop in Washington D.C. and a post card of the shop. From this information I have learned that the shape and grade Bertram I have in front of me now was made before the closure of the shop in the 1970s. This Bertram Billiard with a natural/lighter finish is one of the more usual shapes in terms of the Bertram pipes I have worked on. With a grade 60 stamp it is just above the mid-range mark.

Jeff reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the rim and the grime on the finish of the bowl. He rinsed it under running water. He dried it off with a soft cloth. He was able to remove lava build up on the rim top and you could see the great condition of the bowl top and edges of the rim. There was still some darkening to the rim top toward the back of the bowl. He soaked the stem in Before & After Deoxidizer to remove the oxidation. I took photos of the pipe before I started my work on it. I took a close up photo of the rim top to show the condition of the bowl and rim after Jeff had cleaned up the grime and lava but the rim top had some light damage and darkening on the backside of the rim. Both the inner edge and the outer edge of the rim look good. The stem photos show that the oxidation is gone. The light tooth chatter is hard to see but I should be able to sand it out quite easily. The tooth marks on the underside will take a little more work to remove.I also took a photo of the stamping on the left side and the underside of the shank showing how the stamping was laid out. I sanded the top of the rim with a folded piece of 220 grit sandpaper to remove the damage and the darkening. I polished the top with 400 grit wet dry sandpaper to remove the scratches. The photo shows how the rim looked at this point.I polished the bowl and rim top with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads. I wiped the bowl down with a damp cloth after each pad to remove the sanding debris. After the final sanding pad I hand buffed it with a cotton cloth to raise a shine. I worked some Before & After Restoration Balm into finish of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The Restoration Balm really makes the grain stands out beautifully. I used a folded piece of 240 grit sandpaper to blend the tooth marks and chatter into the surface of the stem. Once the surface was smooth I sanded out the scratch marks and started the polishing of the stem with a folded piece of 400 grit sandpaper. I wiped the stem down with Obsidian Oil.I polished the stem with micromesh sanding pads – wetsanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads. I wiped the stem down with Obsidian Oil after each pad. I polished it with Before & After Pipe Polish – both Fine and Extra Fine and gave it a final coat and set it aside to dry. I put the stem and bowl back together and buffed the pipe with Blue Diamond on the buffing wheel. I polished the briar and the minute scratches still in the vulcanite of the stem until there was a rich shine. This Bertram has a classic Billiard shape and the natural finish really highlights some amazing grain on a proportionally well carved pipe. Once I buffed the pipe the briar came alive and the mixture of grain – straight, flame and birdseye – popped with polishing. The black vulcanite stem had a rich glow. The finished pipe is a beautiful grained Billiard. Like the other Bertrams I have worked on this one fits well in the hand and sits right in the mouth. Have a look at it with the photos below. The dimensions are Length: 6 inches, Height: 2 inches, Outside diameter of the bowl: 1 3/8 inches, Chamber diameter: ¾ of an inch. Since I am traveling for a bit for the next three weeks this one will go on the store once I return. If you are interested let me know. Thanks for walking through the restoration with me as it was a pleasure to work on.

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Time to work on another old timer – a Surbrug Best Make ¾ Bent Capped Billiard


Blog by Steve Laug

I have been cleaning up a lot of American made pipes between the Malaga’s for Alex and the Bertrams that Jeff and I picked up. I was in the mood for something a little different this time around. You know variety is the spice of life and all that… So today I went through my box and picked an interesting pipe that came from an auctioneer in Los Angeles, California with the older Barling’s Make S-M Take Apart Pipe. That was an old timer and this one is also an old one. From the silver band and the band around the rim top I will be able to date it. But I knew looking at it that was older. The pipe was very dirty but had a look of class to it. There was a sterling silver band on the shank and one around the rim top with a hinged wind cap. The briar is very dirty and the silver has a lot of dings and dents around the rim. The bowl had a thick cake and the wind cap was black. Looking down the shank it was filled with tars and oils. The left side of the shank was stamped Surbrug over Best Make and the right side was stamped England. The hallmarks on the band were an O, a rampant lion and a crownless lion’s head. On the cap around the rim top the hallmarks were P, a rampant lion and a crownless lion’s head. On both the makers’ marks were the same – AD over JD. The stem had some bite marks on the top side near the button. It was lightly oxidized and the bend on the stem had almost straightened out. Jeff took some photos of the pipe before he started his cleanup.The next series of photos show the band around the rim top and the wind cap. The briar is quite beautiful and the silver, though oxidized is quite pretty. He also included some close up photos. The last photo in the series shows the thickness of the cake in the bowl. It was quite thick. He took a photo of the left side of the bowl and the underside. It shows the dirt and grime in the briar as well as the nicks and dents in the wood.He took photos of the stamping on the left and right side of the shank as well as the hallmarks on the silver band and rim top. The stamping and the hallmarks are as noted above The last two photos show the stem surface. It is both oxidized and has some tooth damage to the surface of the button on both sides.I had forgotten that Al Jones (Upshallfan) had restored a Surbrug pipe and done a blog on it for rebornpipes. When I googled the brand one of the first links that came up was the one to Al’s blog on rebornpipes (https://rebornpipes.com/2015/03/24/surbrugs-special-restoration/).There was a great section on the brand written by Jon Guss and linking it to a New York City Tobacco Shop that Al quoted. I quote from that in full now.

I only knew that Surbrug’s was a New York City tobacco shop and I’ve seen their shop pipes pop up occasionally.  Jon (Guss) sent me this about the shop:

John R Surbrug, born in Switzerland of a Swiss father and Ohio mother, had a small tobacco shop in New York City. After his death in the 1880s, his young son John Willard Surbrug (born in NYC in 1859) took over the store. Incorporating the business in 1895, John W. expanded into the cigarette market and prospered greatly. After buying a cigarette competitor name Khedivial, Surbrug’s business in turn was acquired by the Tobacco Products Company (TBC) in 1912. TBC was what we would now call a roll-up play, created by George and William Butler as a vehicle to compete with the American Tobacco Company. Surbrug’s business was acquired for stock, which meant John was left with an active role in the combined business. The later part of his career (and his son’s career), though interesting, is irrelevant here; what matters is that the Surbrug Company, while primarily engaged in the manufacture and sale of cigarettes, continued to be true to its roots offering well known tobacco blends and pipes. In regard to the former, the company was especially famous for its Golden Sceptre, Best Make, and Arcadia Mixture tobaccos. In regard to the latter, it appears that Surbrug was not a manufacturer, but rather a reseller of pipes that were stamped with their name by a variety of third party suppliers. Some at least of these were major players in the world famous London pipe industry. Surviving early hallmarked examples make it clear that BBB/Frankau, Barling, and Delacour Brothers were three of Surbrug’s vendors.

Al also included an old advertisement for one of Surbrug’s famed tobacco blends. I have included it below to give a feel for the Pipe Shop and also because it gives the address of the shop. I love these old adverts as they give a great view of the time period the brand came out.To help get closer to a maker and a date I worked on the hallmarks on the band and rim cap. The hallmarks on the band were an O, a rampant lion and a crownless lion’s head. Those marks told me that the silver band was made in 1909 (O) in London (crownless lion or leopard head) and the rampant lion told me it was .925 Sterling Silver. On the cap around the rim top the hallmarks Those marks told me that the silver cap was made in 1910 (P) in London (crownless lion or leopard head) and the rampant lion told me it was .925 Sterling Silver. On both the band and the cap the makers’ marks were the same – AD over JD. (I am including the picture of the hallmarks that I included above). I have also included a chart to help date the band and cap. I have put a red box around the two dates. Note that the cartouche (box surrounding the letter) is the same on the band and cap as the one shown in the chart (https://www.925-1000.com/dlc_london.html).Now that I had the date I needed to identify the Maker Marks on both pieces of silver. From Al’s quote above I was given another clue about the manufacture of the pipe. It seems that Surbrug was not a manufacturer, but rather a reseller of pipes. They also seemed to have these pipes stamped with their name by a variety of third party suppliers. I quote the section of the above blog as it gave me a starting spot.

Some at least of these were major players in the world famous London pipe industry. Surviving early hallmarked examples make it clear that BBB/Frankau, Barling, and Delacour Brothers were three of Surbrug’s vendors.

I wonder if perhaps the AD and JD marks could be Delacour Brothers as noted in the above quote. They are certainly the only D in the list of third party suppliers. I decided to check on the pipephil website to see if I could find any information on the Delacour brand to help narrow down the identification of the initials on the bands (http://pipephil.eu/logos/en/logo-d4.html). Sure enough the pipe was a Delacour the band in the photo on the site is the same as the one I am working on. It has the AD over JD stamp and identifies the makers as Delacour Brothers – Auguste and Joseph. The pipe was also a lidded pipe like mine. A further interesting link was found there that made the connection to a late 19th century Alix Delacour who owned a subsidiary company in London. I am including the screen capture below.I followed the links that were given on that site to further information on extra pages on the site (http://pipephil.eu/logos/en/infos/delacourusine-en.html). The first is to a picture of the letterhead of the Delacour Company in Saint Claude, France. The letterhead shows a wood cut of the factory. There was also a photo of the factory itself that shows a similar view to the letterhead illustration. Now I knew I was working on a pipe made by Delacour for the Surbrug pipe shop in New York City and that it was made around 1909/10. I had a good sense of the Delacour Brothers and the London connection for this pipe. With the history and background of the brand in mind it was time to go to work on my part of the restoration but first a review of Jeff’s cleanup of the pipe. He reamed the bowl with a PipNet pipe reamer and followed up with a Savinelli Fitsall pipe knife to remove the cake. He scrubbed out the mortise and the airway in the shank and the stem with alcohol, cotton swabs and pipe cleaners. He scrubbed the exterior of the bowl, rim, shank and stem with a tooth brush and Murphy’s Oil Soap to remove the oils and tars on the rim and the grime on the finish of the bowl. He rinsed it under running water. He dried it off with a soft cloth. He was able to remove lava build up on the rim top and you could see the great condition of the bowl top and edges of the rim. There was still some darkening to the rim top toward the back of the bowl. He soaked the stem in Before & After Deoxidizer to remove the oxidation. I took photos of the pipe before I started my work on it. I took a close up photo of the silver rim top to show the condition of the bowl and rim after Jeff had cleaned up the grime and lava from the bowl and the silver. The cap and the rim top looked very good and had been polished. There was some scratching and dents in the silver. The stem photos show that the oxidation is gone. The light tooth chatter is hard to see but I should be able to sand it out quite easily. There were some tooth marks on the top and underside of the button edge.I also took a photo of the stamping on the left side and the underside of the shank showing how the stamping was laid out. I also took photos of the hallmark on both the band on the shank end and the rim cap and top. I polished the bowl and shank with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads. I wiped the bowl down with a damp cloth after each pad to remove the sanding debris. After the final sanding pad I hand buffed it with a cotton cloth to raise a shine. I worked some Before & After Restoration Balm into finish of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The Restoration Balm really makes the grain stands out beautifully. I set the bowl aside and filled in the deep tooth marks on the topside of the button with clear super glue and set the stem aside to let the repair cure. Once it had cured I used a needle file to flatten it into the surface of the stem. I used a folded piece of 240 grit sandpaper to reshape the button surface on both sides of the stem. Once the surface was smooth I sanded out the scratch marks and started the polishing of the stem with a folded piece of 400 grit sandpaper. I wiped the stem down with Obsidian Oil. (I neglected to take photos of the process of sanding the file marks and smoothing out the repair. I apologize.)I polished the stem with micromesh sanding pads – wet sanding it with 1500-2400 grit pads and dry sanding it with 3200-12000 grit pads. I wiped the stem down with Obsidian Oil after each pad. I wiped it down with Obsidian Oil and set it aside. I stopped the polishing process at this point to put a proper bend in the stem. I put a pipe cleaner in the stem and heated it with a heat gun until the vulcanite was supple. Once it was supple and flexible I bent it over a round jar to get the bend to match the flow of the top of the bowl. I took some photos of the newly bent stem to show what it looked like now that it was finished. I put the stem back on the pipe and took photos of the new look. I like what I see. I need to finish polishing the stem and then do the final buffing. I finished polishing the stem with Before & After Pipe Polish – both Fine and Extra Fine and gave it a final coat and set it aside to dry.  I put the stem and bowl back together and buffed the pipe with Blue Diamond on the buffing wheel. I polished the briar and the minute scratches still in the vulcanite of the stem until there was a rich shine. I polished the silver with a jeweler’s cloth to protect it and give it a shine. This old 1909/1910 Surbrug made by Delacour Brothers has a classic bent billiard with a twist – a sterling silver band on the shank and a sterling silver rim and wind cap. It is a beautifully carved pipe. Once I buffed the pipe the briar came alive and the mixture of grain – cross, swirled and birdseye – popped with polishing. The black vulcanite stem had a rich glow. The finished pipe is a beautiful grained bent billiard shaped pipe. This old pipe with a new bend in the stem fits well in the hand and sits right in the mouth. Have a look at it with the photos below. The dimensions are Length: 5 inches, Height: 2 inches, Outside diameter of the bowl: 1 3/8 inches, Chamber diameter: ¾ of an inch. This old timer is one that is staying in my own collection and fits the niche of my old pipe collection well. Thanks for walking through the restoration with me as it was a pleasure to work on.