Blog by Steve Laug
I am finally getting around to working on Bob Kerr’s Estate. His son-in-law, Brian contacted me a few months ago saying that the family needed to clean out the estate as they were getting the family home ready to move. He asked if I would be interested in restoring and selling the pipes for them. He brought what originally he said was a few pipes over to show me. When I opened the door Brian was there with a few flats of pipes. There were Dunhills, Petersons, Comoy’s Barlings and a lot of other pipes – a total of 125 pipes and a box of parts. That is the largest estate I had the opportunity to work on. I put together a spread sheet of the pipes and stampings to create an invoice. I was taking on what would take me a fair amount of time to clean up. I could not pass up the opportunity to work on these pipes though. They were just too tempting.
I sorted the pipes into groups of the various brands and had a box of 25 different Dunhill pipes in different shapes, styles and sizes. I decided to work on the Dunhills first. It was a great chance to see the shape variety up close and personal. The photo below shows the box of Dunhill pipes.I went through the box and chose the fourth pipe to work on – it looks to be a Group 4 sandblast oval shank Unique but it does not have the size stamp. It is stamped on the flat panel on the underside of the bowl and shank as follows. On the heel of the bowl it has the shape number 310F. That is followed by the stamping Dunhill Shell over Made in England 17. The Shell is the finish of the pipe and the 17 following the D in England gives the date of the pipe’s manufacture as 1968. The oval shank flows into a nice tapered stem that is oxidized and has tooth marks and chatter near the button. There is some calcification on the first inch of the stem ahead of the button and there is some light damage to the button. Finish is dirty, bowl caked and lava overflow on the rim top. Like the other pipes from this estate that I have worked on there was still tobacco in the bowl that was stuck in the cake on the walls. The inner edge of the bowl looked very good. This pipe would take some work but it was a beauty that would shine forth once it was clean. I took pictures of the pipe before I started working on it. I took some close up photos of the rim top and stem to show what I was dealing with. You can see the cake and tobacco in the bowl. Like Bob’s other pipes I have worked on so far, it looks like he was in the habit of laying down his pipe after just finishing a bowl with the intention of picking it up and continuing later. The rim top shows the buildup of lava over the entire surface of the rim. The stem was dirty, oxidized, calcified and had a lot of tooth chatter on the top and underside for about an inch ahead of the button. The button surface was also marked with tooth chatter.I took a photo of the stamping on the underside of the bowl and shank. It should be easier to read once I get it cleaned up a bit.I am sure if you have read the restoration work on the previous three pipes you have already read what I included about Bob Kerr, the pipeman who held these pipes in trust before I came to work on them. Also, if you have followed the blog for long you will already know that I like to include background information on the pipeman whose pipes I am restoring. For me, when I am working on an estate I really like to have a sense of the person who held the pipes in trust before I worked on them. It gives me another dimension of the restoration work. I asked Brian if he or his wife would like to write a brief biographical tribute to her father, Bob. His daughter worked on it and I received the following short write up on him and some pictures to go along with the words. Thank you Brian and tell your wife thank you as well.
I am delighted to pass on these beloved pipes of my father’s. I hope each user gets many hours of contemplative pleasure as he did. I remember the aroma of tobacco in the rec room, as he put up his feet on his lazy boy. He’d be first at the paper then, no one could touch it before him. Maybe there would be a movie on with an actor smoking a pipe. He would have very definite opinions on whether the performer was a ‘real’ smoker or not, a distinction which I could never see but it would be very clear to him. He worked by day as a sales manager of a paper products company, a job he hated. What he longed for was the life of an artist, so on the weekends and sometimes mid-week evenings he would journey to his workshop and come out with wood sculptures, all of which he declared as crap but every one of them treasured by my sister and myself. Enjoy the pipes, and maybe a little of his creative spirit will enter you!
I have included one of Bob’s wood carvings to give you an idea of what he daughter wrote about above. You can see his artistry in the carving that is patterned after British Columbia’s Coastal First Nations people. To me this is a sea otter but perhaps a reader may enlighten us.Now that I had a sense of Bob’s spirit in my mind, I could work on his estate with a sense of his presence with me. I turned to work on the fourth of his pipes. I reamed the bowl to remove the cake on the walls and the debris of tobacco shards that still remained. I used a PipNet pipe reamer to start the process. I followed that with a Savinelli Fitsall Pipe Knife to clean up the remaining cake in the conical bottom of the bowl. I sanded the bowl with 220 grit sandpaper wrapped around a piece of dowel. It smooths out the walls and also helps bring the inner edges back to round. With the bowl reamed it was time to work on the rim top and remove the thick lava coat in the blast of the rim. I used the Savinelli Fitsall knife to scrape away the high spots of lava and a brass bristle tire brush to work on the rim top and remove the buildup there. With the bowl reamed and rim top cleaned I scrubbed the sandblast finish. This is pretty much my process in cleaning either sandblast or rusticated finishes. I scrubbed it with undiluted Murphy’s Oil Soap and a tooth brush to remove the grime from the grooves and canyons of the blast. I worked over the tarry lava overflow on the rim with the tooth brush and a brass brush. I rinsed the pipe under running water to remove the grime. I dried it off with a soft towel. The pictures below show the finish after scrubbing and rinsing. I scraped out the inside of the mortise with a small pen knife to break away the tarry buildup on the walls of the shank. I cleaned out the internals of the bowl, shank and the airway in the shank and the stem with alcohol, pipe cleaners and cotton swabs until they came out clean. It was very dirty in the shank and stem but it not only looks clean but smells clean now. I worked some Before & After Restoration Balm into the briar on the bowl and the rim top. I worked it into the nooks and crannies of the sandblast surface with my fingertips to clean, enliven and protect the wood. I let the balm sit for about 20 minutes and buffed it off with a soft cotton cloth and then polished it with a horsehair shoe brush. I took photos of the pipe at this point in the process to show what the bowl looked like at this point. I gave the bowl several coats of Conservator’s Wax and buffed it with a shoe brush to raise the shine. The bowl looks really good at this point. The sandblast grain just shines and is showing all of the layers of colour that make up a Shell finish. I set the bowl aside and turned my attention to the stem. I sanded out the marks and tooth chatter on the surface of the vulcanite with a folded piece of 220 grit sandpaper. Generally I find that these older Dunhill stems are made of very high quality vulcanite, but this one the sanding dust was brown from the oxidation. I polished the stem with Denicare Mouthpiece Polish to take out the oxidation at the button edge and on the end of the mouthpiece. I also worked hard to scrub it from the surface of the stem at the tenon end.I polished out the scratches with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the stem down after each sanding pad with Obsidian Oil. I polished it with Before & After Pipe Stem Polish – both Fine and Extra Fine. Once I had finished the polishing I gave it a final coat of oil and set it aside to dry. I put the bowl and stem back together. I polished the bowl and stem with Blue Diamond to polish out the scratches in the briar and the vulcanite. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The contrast of colours that show up in the sandblast of the Shell briar bowl looked good with the polished black vulcanite. The Dunhill Shell 310 F Unique looked really good. I am astonished that in this collection of 25 most of the lot are billiards and I have yet to find a repeat shape number. Just slight variations on size, shape and length. Really interesting. The pipe has that classic Dunhill look that catches the eye. The finished pipe is shown in the photos below. The dimensions of the pipe are Length: 6 inches, Height: 1 3/4 inches, Outside diameter of the bowl: 1 1/4 inches, Chamber diameter: 3/4 of an inch. This is the fourth Dunhill Shell from the many pipes that will be coming onto the work table and eventually be posted on the rebornpipes store if you are interested in adding it to your collection. Thanks for reading this blog and my reflections on the pipe while I worked on it. I am having fun working on this estate.