Tag Archives: The Everyman London Pipe by Comoy’s

Restoring and Repairing a stem on The Everyman London Pipe 332 Sandblast Billiard


Blog by Steve Laug

This next pipe is another that has been here for a very long time. I have no idea where I purchased it or whether it came to me in a trade for labour. I don’t remember. I have worked on quite a few of these Comoy’s made The Everyman Pipes over the years and find that they are well made and quite nice. The pipe is stamped on the underside and reads The [over] Everyman [over] London Pipe. That is followed by Made in London [over] England followed by the shape number 332. This particular pipe has a rugged and deep sandblast around the bowl and shank. It has been stained with a cordovan or dark brown stain. The bowl had been well reamed but there was some lava on the rim top blast. Internally it smelled quite clean with no residual aromatic smell in it. The stem was oxidized, calcified and had some tooth chatter and marks on the top and a chip out of underside in the stem and button. It was not large but it was very present. I took some photos of the pipe to give a sense of what I saw before I started my cleanup work. I took photos of the rim top and inner edge of the bowl to show the lava coat in the sandblast rim top and darkening on the inner edge of the bowl. The photos of the stem show the oxidation, calcification and the tooth marks and chatter on both sides ahead of the button. You can also see the chip out of the button on the underside of the stem.I took a photo of the stamping on the underside of the shank. It is faint but still readable as noted above. I took a photo of the three bars inserted on the left side of the stem. I also took a photo of the bowl and shank separated to show the condition of the pipe. It really is a great looking pipe. Before starting my cleanup work on the pipe I turned my favourite go to sites on background of brands. The first is Pipephil’s site (http://www.pipephil.eu/logos/en/logo-e4.html). There I looked up The Everyman brand and confirmed what I remembered about it being made by Comoy’s. From there I turned to Pipedia (https://pipedia.org/wiki/Comoy%27s). I went directly to the section on Comoy’s pipes. This advertisement on the various lines of Comoy’s of London pipes as present. I copied the graphic and have included it here.There was also a shape chart that showed the 332 Large Billiard. I have drawn a red box around it for simplicity.With that done I started my restoration of the pipe. I worked on the lava build up on the rim top and the burn damage and darkening on the inner edge of the rim. I worked over the rim top with a brass bristle wire brush. I was able to clean up the debris that filled in the sandblast finish on the rim and remove the tars. I scrubbed the externals of the bowl and shank with undiluted Murphy’s Oil Soap and a tooth brush. I rinsed the soap and debris off the bowl with running water. I repeated the process until the rim top and the externals were very clean. It looked very good at this point. Somewhere along the journey the pipe had been reamed and the bowl was smooth. There was nothing to do in terms of reaming the bowl or sanding the bowl. The bowl itself was clean of cake or debris. Just to check on the cleaning of the rest of the pipe I turned to clean the mortise and the airway in the shank and stem. It was quite dirty and needed a thorough cleaning. I scrubbed the out with pipe cleaners, cotton swabs and Isopropyl 99% alcohol. Many pipe cleaners and much time passed and the draught was clean and open in both the stem and the shank. I worked some Before & After Restoration Balm into finish of the briar with my fingertips to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The Restoration Balm really makes the grain stands out beautifully.  I set the bowl aside and turned my attention to the stem. I cleaned up the oxidation on the stem surface around the button with 220 grit sandpaper to prepare for the repair to the button. I wanted a clean and non-oxidized surface to work with so that the glue would stick. I wiped it down with alcohol after each sanding until the surface was clean and has some slight roughening from the sanding.I coated the end of a folded pipe cleaner with Vaseline and inserted it into the slot below chipped section. The Vaseline would prevent the black CA glue from sticking to it in the stem when I put it on the stem. I filled in the chipped area with KMS rubberized super glue and repeated the layers of glue until it was built up.I removed the pipe cleaner from the slot and set the stem aside to cure. I took a photo of the repair on the button and a photo from the slot end. I would need to build the slot up a bit but it was starting to look very good.Once the repairs cured on the underside of the stem I filed them flat and recut the button edge with a small file. I used a small slot cutting tool to smooth out the slot in the button. I sanded and reshaped the button with a folded piece of 220 sandpaper and also worked over the oxidation that remained on the stem. I started polishing the stem with 400 grit wet dry sandpaper.I took photos of the repaired stem after I had shaped it and it looked very good at this point. I need to polish it more but I like the looks of the repaired button and slot.I scrubbed the surface of the stem with Soft Scrub and cotton pads to remove the deep oxidation in the stem. It was a lot of oxidation but it came out with repeated scrubbing with the pads. It looked much better when finished.I polished the stem with micromesh sanding pads – wet sanding with 1500-2400 grit pads and dry sanding with 3200-12000 grit pads. I wiped the stem down after each pad with Obsidian Oil. I finished the hand polishing of the stem with Before & After Pipe Polish – both the Fine and Extra Fine polishes. I gave it a final coat of Obsidian oil and set it aside to dry.The Everyman London Pipe 332 Sandblast Billiard was finished. I polished the bowl and stem with Blue Diamond to polish out the remaining small scratches. I used a very light touch so as not to damage the stamping on the shank. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax. I buffed the pipe with a clean buffing pad to raise the shine. I hand buffed it with a microfiber cloth to deepen the shine. The pipe polished up pretty nicely. The depths of the sandblast came alive with the buffing and works well with the polished black vulcanite saddle stem. Altogether this The Everyman London Pipe 332 Billiard pipe has a rich look. The finished pipe is shown in the photos below. The shape, finish and flow of the pipe and stem are very well done. The dimensions are Length: 5 ¾ inches, Height: 1 ¾ inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 1.48 ounces/42 grams. I will be putting it on the rebornpipes store in the British Pipemakers Section soon. If you are interested in adding it to your collection let me. I have one of these and they are a cool dry smoke. Thanks for walking through the restoration of this fine old Comoy’s made pipe. It was a pleasure to work on.

As always, I encourage your questions and comments as you read the blog. Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipe men and women who hold our pipes in trust until they pass on into the trust of those who follow us.

Another Change of Pace – The Everyman London Pipe 291 Smooth Billiard


Blog by Steve Laug

I decided to work on another pipe from the fellow in Kitchener, Ontario who sent me some pipes he needed cleaned up. He had been referred to me by my local pipe and cigar shop. While I am not currently adding more pipes to my queue of repairs I have made a commitment to the shop to work on pipes for their customers. Generally they have one or two pipes that need a bit of work. This fellow sent me the following email:

I just came across my smoking pipes that I’ve had in storage for about 40 years. I’m wondering what you’d charge to have them refurbished. There are 17 in total (11 are Brighams and 6 are various).

It turns out he said he had 17 pipes. That was certainly more than I expected but I communicated that there was a large queue ahead of him and I would have to fit them in as I could. He was fine with whatever time it took. He sent me the following photos of his collection that he wanted restored. The first photo shows his eleven Brigham pipes – all very interesting shapes. The second photo shows the six various pipes in the collection – A Republic Era Peterson’s System 1312 (Canadian Import), A Bjarne Hand Carved Freehand, a Comoy’s Everyman London smooth billiard, a GBD Popular Dublin 12, an English made Kaywoodie Rustica 72B, a Kriswill Bernadotte 60 with a broken tenon. When the box arrived there were two additional pipes included for a total of 19 – a Ropp 803 Deluxe Cherrywood Poker and a Comoy’s Sandblast Everyman Canadian 296. It was a lot of pipes! I have been randomly choosing the next pipe to work on and chose The Everyman London Pipe 296 Canadian that was not included in the photos of the collection that he sent me. It was a surprise when it arrived.

When I unwrapped it the pipe it was a smooth finish Billiard. It was stamped on the left side of the shank and read The Everyman London Pipe. On the right side of the shank it was stamped with the circular Made in London England COM stamp. Near the shank bowl junction on the right side it also had the shape number 291. The finish was dull and dirty looking but had nice grain under the grime. The rim top had some darkening on the top and the beveled inner edge. There was also a lava overflow from the cake in the bowl. The tapered stem was oxidized and had tooth marks and chatter near the button on both sides. There was also some calcification for about an inch up the stem. The stem also had the standard Everyman three silver bars on the left side.     I took close up photos of the bowl and rim top to show the condition of the bowl and thick lava on the top and the beveled rim edge as well. You can also see the cake in the bowl. It is hard and quite thick. I also took close up photos of the stem to show its condition as mentioned above.      I took photos of the stamping on the sides of the shank to show what I was speaking about above. It is very faint but readable. It reads The Everyman London Pipe on the left side and Made In London, England in a circular COM Stamp on the right. That is preceded by the shape number 291. There is some nice grain around the bowl and shank.    I am including the information I also included on the sandblasted Canadian I just finished (https://rebornpipes.com/2020/03/06/time-for-a-change-of-pace-the-everyman-london-pipe-296-canadian/). I turned my favourite go to sites on background of brands. The first is Pipephil’s site ( http://www.pipephil.eu/logos/en/logo-e4.html). There I looked up the Everyman brand and confirmed what I remembered about it being made by Comoy’s. From there I turned to Pipedia (https://pipedia.org/wiki/Comoy%27s). I went directly to the section on Comoys pipes. I found this shape chart. The shape number 291 is shown as a Basic Billiard. I  have drawn a green rectangle around it in the photo below. (The red boxed pipe in the photo below was The Everyman London Pipe Canadian that I had finished prior.With this pipe I am working on another of this pipe man’s non-Brigham pipes from the nineteen pipe installment. I went to work on it immediately.I reamed the bowl with a PipNet pipe reamer using the second and third cutting head to take the cake back to bare briar so I could inspect the walls. I cleaned up the remnants with a Savinelli Fitsall Pipe Knife. I sanded the bowl walls with 220 grit sandpaper on a piece of dowel to smooth them out and further examine them. I was happy that the walls looked very good.  I also scraped off the lava on the rim top and edges with the Fitsall Knife to begin the cleaning process. I scrubbed the surface of the bowl with undiluted Murphy’s Oil Soap and a tooth brush to remove the grime and grit from the briar.      I cleaned out the mortise area and airway to the bowl and shank as well as the airway in the stem with pipe cleaners, cotton swabs and alcohol. I scraped it with a dental spatula and followed up with the cleaners. It was obvious that this had been another one of his favourite pipes as it was heavily smoked.  I used a folded piece of 220 grit sandpaper to clean up the darkened rim top and beveled rim edge. I was able to remove the darkening and the remaining lava.     I polished rim top and sides of the bowl with micromesh sanding pads – wet sanding with 1500-12000 grit pads. I wiped the bowl down after each sanding pad to remove the dust and debris from the sanding. The bowl was looking very good after the final polishing pad. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the briar with my fingertips and a horse hair shoe brush to clean, enliven and protect it. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. Mark Hoover’s Balm is a product that I have come to appreciate and one I use on every pipe I have been working on. It really gives depth to the sandblasted finish on the briar. I set the bowl aside and turned my attention to the stem. I rubbed the stem down with Soft Scrub on with a cotton pad and it removed the oxidation and the calcification build up. It looked a lot better. I sanded out the remaining tooth chatter and oxidation with 220 grit sandpaper and started the polishing with 400 grit wet dry sandpaper.      I rubbed down the stem with Denicare Mouthpiece Polish, a red gritty paste and a cotton pad to remove the remnants of oxidation and to blend in the sanding. The stem is starting to show promise at this point in the process.      I polished the stem with micromesh sanding pads – wet sanding it with 1500-12000 grit pads. I wiped the stem down after each sanding pad with a cotton pad to remove the sanding debris.  I finished polishing the stem with Before & After Pipe Stem Polish – both fine and extra fine. I finished by wiping it down with Briarville’s No Oxy Oil and buffing it to a shine.   I finally feel like I am making progress on this 19 pipe lot from Eastern Canada. With the completion of this one I have finished 12 of the pipes. I put The Everyman London Pipe Billiard back together and buffed it with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax. I hand buffed the pipe with a clean buffing pad to raise the shine. It is fun to see what the polished bowl looks like with the grain on both sides and rim standing out with stark clarity. Added to that the polished black vulcanite stem with the shining silver coloured bars was beautiful. This nicely grained The Everyman 291 Billiard is nice looking and feels great in my hand. It is another light and well balanced pipe. Have a look at it with the photos below. The dimensions are Length: 5 ¾ inches, Height: 1 7/8 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. Once again I am looking forward to what the pipeman who sent it thinks of this restoration. Only 7 more of these pipes to do in this lot! Thanks to each of you who are reading this blog. Remember we are not pipe owners; we are pipemen and women who hold our pipes in trust until they pass on into the trust of the next pipeman or woman.