Tag Archives: Meerschaum lined Citation Pipes

Restemming and Restoring a Citation 614 Rusticated Meerschaum Lined Oom Paul

by Steve Laug

In November I received an email from Mario about working on some of his Dad’s pipes. Here is what he wrote to me.

I am desperately seeking help restoring and repairing some of my dad’s smoking pipes. I have tried reaching out to the only two known pipe repair establishments I could find in the entire country but one is not currently taking repair orders and the other said she didn’t want to try to repair these pipes without having even seen them. Would you be willing to take on the repairs or can you recommend anyone? Thank you much!!!—Mario

I wrote him back and asked him to send me photos of the pipes. He sent some single photos of the meerschaum bowl and stem, several of the leather clad Canadian and the photo of the rack and six pipes shown below. I looked through the photos and this is what I saw. There were two leather clad pipes a Canadian and a Pot. Both of them were cracked on the shanks and had been self-repaired with wire to hold the cracked shank together. The leather cladding was torn and the stitching was rotten and broken around the bowl. To me they were both irreparable. There was a lovely older Meerschaum with a horn stem that needed a good cleaning and repairs to the horn stem. There were two Knute Freehand pipes with original stems that were dirty but fixable. The plateau on the smooth one had a large chunk of briar missing. There was a Wilshire Dublin with a chewed and misfit stem. Finally, there was a billiard that had been restemmed with a fancy GBD saddle stem on it. They were a messy lot but I told him to send them on to me. They arrived yesterday and the condition of the pipes in the photos was confirmed. They were a mess and needed much work. I have included Mario’s group photo below to show the lot.This afternoon I decided to start working on the Oom Paul next. It was the one on the left centre on the bottom of the rack in the photo above. It was an Oom Paul shape with a bent round shank and the saddle stem had a huge bite through on the topside of it. The bowl had a thick cake on the walls and a heavy lava coat in the rustication on the rim top. It was internally a mess. The finish was dirty and had grime ground into the sides of the bowl. There seemed to be line around the bowl top that hinted at the bowl being lined with meerschaum. The shank was in good shape with no nicks or cracks. The pipe was stamped on the underside of the shank and read Citation in script (followed by) the shape number 614 [over] Italy. The shape number and Italy stamp tell me the pipe was made by Savinelli. There was no other stamping on the shank sides. The stem was correct but chewed beyond repair and would need to be replaced. I took photos of the pipe when I unpacked it to examine it. I have included those below. I took a photo of the rim top to show the condition and the interesting ring on the rim top. I also took photos of the heavily damaged stem. I took a photo of the stamping on the underside of the shank. It is clear and readable as noted above. I took a photo of the bowl with the stem removed to give a sense of the proportion and appearance of the pipe without the stem. You can see the damage on the stem top so it is no question that it needs to be removed.I remember having worked on a Citation before but could not put my finger on what I knew about it. I did a quick search on rebornpipes and found a blog I had restored and restemmed a Citation that had been meerschaum lined (https://rebornpipes.com/2015/12/24/a-surprise-when-working-on-the-citation-812-canadian/). Fortunately, I could see what looks like a smooth ring around the inside of the bowl. As I examined it I found that ring around the inside edge of the bowl was a meerschaum lining. I knew that I was working on a Meerschaum lined Oom Paul.

I carefully reamed the bowl with a PipNet Pipe Reamer remove from the bowl leaving bare meerschaum. I cleaned up the remnants of cake with a Savinelli Fitsall Pipe Knife and removed the remaining debris. I sanded the bowl walls smooth with a piece of 220 grit sandpaper wrapped around a piece of dowel. I scraped the lava coat off the rim top – both the rusticated portion and the smooth ring of the meerschaum bowl top with the Savinelli Pipe Knife and removed all of it. I cleaned out the internals of the bowl and shank with pipe cleaners, cotton swabs, shank brushes and 99% isopropyl alcohol. It was very clean and it looked and smelled far better.I scrubbed the externals of the bowl and shank with undiluted Murphy’s Oil Soap and a tooth brush. I worked over the bowl, shank and rim top with the soap and then rinsed it off warm water. The bowl looked extremely good. There were some significant burn marks on the rim top and inner edge but the bowl itself was very clean. Once the bowl had dried I touched up the stain on the rim top to match bowl colour. I used a Walnut Stain Pen to colour the briar and leave the meerschaum rim clear for polishing.I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips and a shoe brush to clean, enliven and protect the briar. I let the balm sit for a little while and then buffed with a cotton cloth to raise the shine. The Balm did its magic and the grain stood out. I went through my can of stems and found one that was the right taper for the pipe bowl I was working on. It had the right look and would need shaping. The stem is very similar to the original that came on the pipe and should look very good.I cleaned out the internals of the stem with alcohol and pipe cleaners. There was some tars and oils in the airway and it took some work but it was clean. One of the odd things on this pipe was that the inside of the shank had a piece of black electrical tape stuck in it that had come off the tenon sometime along the way.I sanded the stem with 220 grit sandpaper to reduce the overage in diameter on the top and the left side of the saddle (forgot to take photos). I smoothed out the sanded portions and the sanded tooth marks with 320-3500 grit sanding pads. I wiped the stem down after each pad with an Obsidian Oil cloth. It was beginning to look very good.I polished the stem with micromesh sanding pads – 1500-12000 grit pads. I wiped it down with a damp cloth after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. This restored and restemmed Savinelli Made Citation 614 Rusticated Oom Paul with a new vulcanite saddle stem is a great looking pipe now that it has been restored. The beautiful rusticated finish stands out and gives depth to the bowl and shank sides. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel. I gave the bowl and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing the entire pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The rim top shows Meerschaum Lining and other than darkening it was in great shape. The finished Savinelli Citation 614 Meerlined Oom Paul is a beautiful pipe, but it fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 inches, Outside diameter of the bowl: 1 ¼ inches, Chamber diameter: ¾ of an inch. The weight of the pipe is 58 grams /2.01 ounces. This is the third of six pipes that I am restemming and restoring for Mario from his Dad’s collection. I look forward to hearing what he thinks of this newly restemmed pipe. Thanks for reading this blog and my reflections on the pipe while I worked on it.

A Surprise when working on the Citation 812 Canadian

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Blog by Steve Laug

This Citation (second pipe down in the first column in the photo on the left) is a sister pipe to the Savinelli Classica 812 Canadian that I just restored. It is stamped Citation and 812 on the bottom of the shank. The sand blast is nowhere near as beautiful as the Classica but it has a charm all its own. It appears to be a combined blast and rustication – hard to explain but it is just too consistent to be a normal sand blast. It appears to have been rusticated and then blasted lightly. It has a dark brown stain as an undercoat and a light brown over the top. The high points on the finish are lighter brown and the smooth portions are also lighter brown.

The bowl had a pretty heavy cake and the lava had overflowed onto the rim. The finish was dirty but otherwise in decent shape under the grime. The rim appeared to be in good shape under the grime and there were no nicks or dings in the outer or inner edge of the rim. The stem that came with the pipe was not the original and it had been poorly fit to the shank. It was narrower than the shank and pinched at the saddle portion. It still had all of the fill marks from the person who had fit it to the shank. The underside of the button and a large chunk of the underside of the stem were missing. I would not be sad to throw away this poorly cut broken stem.

Inside the shank was pretty dirty and plugged. I could not blow air through the pipe and did not dare to try sucking on the shank. Who knows what might end up in my mouth! I would need to remedy that situation and I would need to make a stem for it. This would be a beautiful little pipe to go with the Savinelli Classica once it was finished – kind a light and a dark version of the same shape. At this point little did I know what kind of surprise lay ahead for me as I cleaned it up and restored this little pipe. The photo below shows the two pipes together. The next four photos give a clear picture of the state of the pipe – its finish, broken stem and tarred and cake rim and bowl. You can also see what I mean when I say that the finish is far to uniform for a sand blast but looks to have both a blast and a rustication. Someone help me out on this if you have any information.

I went through my can of stems and found a clear acrylic taper stem that would work perfectly with this pipe and with a little shaping would go well with the dark look of the finish. The tenon almost fit perfectly from the start. I only needed to lightly sand it to get a snug fit against the shank. The diameter of the stem was a little bigger than the shank of the pipe all the way around but would easily be shape to fit well.

I took a close up photo of the rim to give an idea of what I was working with on this bowl. The second photo below shows the stamping on the pipe.

If I had known what I found out later in the refurbishing process I would never have taken the next steps in the clean up. But I was oblivious so I did them unwittingly. I used the smallest PipNet reamer cutting head to take back the cake to what I thought was bare briar. I used a small pen knife to even up the job of cutting back the cake to smooth.

I scrubbed the outside of the bowl and the rim with Murphy’s Oil Soap and a tooth brush and fine bristle brass tire brush to clean off the tars and lava that had overflowed the top of the bowl. I rinsed the pipe under warm water to remove the soap and the grime and dried it off with a cotton towel. The cleaned finish even more clearly looks to be a manufactured look to approximate a sandblast finish. But it was a great tactile finish and once polished would look great.

I gave the bowl a light rubdown of olive oil like I had on the Classica. It brought the colours in the briar to the front and it is going to be a beautiful pipe.

In the photo above you can see what looks like a smooth ring around the inside of the bowl. This was my first clue that things were not necessarily as they appeared. I went back to read a post on Facebook by Geoff Carmell about a Citation pipe he had found. Sure enough the finish was the same and the ring around the inside edge of the bowl was a meerschaum lining. With the way I had man handled it – reaming and scrubbing with the brass bristle brush it is a wonder that I had not damaged the bowl. I would do some work on cleaning that edge a little more gingerly later. Now I had to fit the new stem.

I sanded the stem with a Dremel and sanding drum carefully working it down to the same diameter as the shank and fitting the flow of the curves on the oval shank. This has to be done carefully and with a steady hand or you have to repair the damaged shank or cut another stem to fit. I proceed carefully and slowly. The photos below show the rough fit of the stem after the Dremel and sanding drum work.

I sanded the rough fit stem with 220 grit sandpaper to smooth out the scratches and fine tune the fit to the shank. I also sanded it with a medium and a fine grit sanding sponge to further fine tune the fit.

The next photos show the newly fitted stem and what the pipe will look like with the clear stem. It still needs a lot of sanding including file work on the airway and the button. It has a small airhole in the end of the button but I will need to cut and shape a slot.

All of the internal work and the work on shaping a slot are done with my collection of needle files. It looks like a lot of files but I usually only use three different files – a round, an oval and a flat oval. I use both the larger and the smaller files in these three shapes.

The slot is progressing from a round hole to more of an oval shape that matches the shape of the button. Still a lot of filing to do to get it finished. I worked on the button, slot, and airway to smooth things out and open them up with the smaller files as well. When I drilled the airway to turn the tenon the drill left a ridge on the inside of the airway in the stem that is a bear to sand out. I worked on it until it was as smooth as I could get it. There is still a small line in the airway but it is smoother than it was when I started. I am going to have to get some tapered drill bits. That would have made this task a minor hiccup in the process rather than a several hour ordeal. The airway is wide open and takes a fluffy pipe cleaner with ease.

I sanded the end of the button and slot with 220 grit sandpaper to remove the scratches and then went through the micromesh pads to polish it. I worked the stem over with micromesh sanding pads, wet sanding with 1500-2400 grit pads and dry sanding with the remaining pads 3200-12000 grit.

With the stem done I figured I could put it off no longer. I had to work on the airway. It was seriously clogged. I could not push a paper clip through or even an ice pick. I used the drill bit on the KLEENREEM and could not get it through. I had to soak it with an alcohol wetted pipe cleaner to soften the plug and then I used a paper clip to push through the plug finally. Then I had to work through the drill bit and the pipe cleaners to get all of the gunk out. Finally I have good airflow. I cleaned out the shank with alcohol and pipe cleaners until they were clean. I cleaned the meerschaum lining on the rim with micromesh sanding pads and patiently just sanding the meer edge and the bowl. I was able to get much of the tars off the meer and now it shows golden. There are several spots where it is stained very dark. I buffed the bowl and rim with Blue Diamond and did the same to the stem. I gave the stem several coats of carnauba wax and the hand waxed the bowl with Conservators Wax. I buffed the pipe with a clean flannel buff and then with a microfibre cloth to raise the shine. The finished pipe is shown in the photos below. I like the way it came out. (In the photos of the full pipe the stem came out looking opaque but it is absolutely clear as can be seen in the close up photo.)