Daily Archives: October 6, 2024

Restoring a JHW (Jack H. Weinberger) Shield Freehand with gold amber acrylic stem


by Steve Laug

When Jeff and I were contacted about an estate in Santa Cruz, California, USA for sale I was excited to see what was in the lot. There were several with no other stamping on the shank than JHW. I have to say that I have seen very few JHW pipes and my heart skipped a beat when I saw not just one but 7 pipes with that stamping. All were Freehands and all were very unique – maybe even odd you might say! We purchased the estate on 05/28/2024. I am working on the fourth of the pipes. Now you might ask who is JHW? Why so excited about three initials? Well I have to tell you right up front that JHW is Jack H. Weinberger. Who is that? That does not help either? Jack H. Weinberger was a pipe maker in West Caldwell, New Jersey. Still not helping? He hired young lads from the local high school to help him out as he carved 10-12 hours a day. Two of these are none other than Curt Rollar and Mark Tinsky went on to become the American Pipe Company. There was a long list of pipe carving luminaries who came through Jack’s shop and JHW pipes but these two you probably have heard of. So JHW or Jack H. Weinberger was an important part of the American Pipemaking scene and gave many carvers a start and they have continued to this day. Now maybe you understand my excitement – being able to work on a few of Jack’s pipes and bring them back to their former glory.

This pipe I chose to work on was another unusual one. It is a great piece of briar with a mix of grain all the way around the bowl and shank culminating in a tight pattern on the face of the shield shaped of the bowl. It is a beautiful piece of briar! But Jack chose to use this block very differently than most would have used a plateau block. He made a Full Bent style pipe but with a shield shaped bowl. The bowl is his take on a Full Bent with a shield shape. The side of the bowl have diagonal streaks of grain. The front of the bowl and back of the bowl was nice tight grain patterns. Very unusual but something just calls out to you. When the pipe came to us it was dirty with grime ground into the finish. There was a thick cake in the bowl and lava on the rim top and inner edge. There appeared to be some darkening around the inner edge of the rim and on the top itself. It was dirty but that did not hide the beauty of the briar. The stem is a fancy saddle made out of variegated gold/brown/amber acrylic. There was light chatter on both sides just ahead of the button. Jeff took photos of the pipe as a whole before he started his cleanup work. I include them below. Jeff took some close up shots of the rim top to show the bowl and cake. You can see the lava on the plateau rim top and the inner edge. The stem photos also show the condition it was in when we received it. Lots of promise with the pipe but some work too! Jeff took some photos of the sides – top, bottom, left and right to give a sense of the lay of the pipe on the block of briar. It is certainly unusual and unique. Here are some photos of the stamping on the underside of the shank. The J is a stylized pipe followed by uppercase HW.Take some time to read the great writeup on Pipedia and JHW pipes and influence they had on the American pipe making scene. It is a well written and enjoyable read. Here is the link: (https://pipedia.org/wiki/JHW_Pipes).

Armed with that information I turned to work on the pipe itself. Jeff had cleaned up the pipe with his usual thoroughness. He reamed the pipe with a PipNet pipe reamer and removed the rest of it with a Savinelli Fitsall Pipe Knife. He scrubbed the bowl with undiluted Murphy’s Oil Soap with a tooth brush. He rinsed it under running warm water to remove the soap and grime. He cleaned out the inside of the shank and the airway in the stem with alcohol, cotton swabs and pipe cleaners and shank brushes. He soaked the stem in Briarville’s Pipe Stem Deoxidizer and rinsed it off with warm water. I took photos of the pipe before I started my part of the restoration work.  The rim top cleaned up really well. The rim top and inner edge of the bowl look good. The bowl itself was very clean and the pipe smelled fresh. The stem surface had light tooth chatter on both sides near the button.The stamping on the left side of the shank is clear and readable. It is stamped as noted above. I removed the stem and took a photo of the pipe to give a sense of the whole.I started my work on the pipe by gently cleaning up the inner edge of the bowl. I used a folded piece of 220 grit sandpaper to remove the darkening and light damage on the edge.I polished the briar with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped the bowl down with a damp cloth after each pad. I take photos of the three groups of pads for my own viewing primarily as I am looking for progress in polishing. Once again, by the end of the process it looked quite good. I rubbed the bowl and shank down with Before & After Restoration Balm. I worked it into the surface of the bowl sides and shank with my fingertips. It works to clean, enliven and protect the briar. I let the balm sit for 15 minutes and buffed with a cotton cloth to raise the shine. The grain came alive. I set the bowl aside and turned my attention to the stem. The tooth chatter and marks were so minor that I polished the acrylic stem with micromesh sanding pads – 1500-12000 grit pads to remove them. I wiped the stem down with Obsidian Oil after each sanding pad. I used Before & After Pipe Polish – both Fine and Extra Fine to further polish the stem. I rubbed it down with a final coat of Obsidian Oil and let it dry. This Jack H. Weinberger (JHW) Shield Shaped Full Bent with an acrylic saddle stem is a great looking pipe with some beautiful grain around the front and sides of the bowl. The grain around the bowl is quite stunning and works well with both the shape and the polished gold and amber acrylic saddle stem. I put the stem back on the bowl and carefully buffed the pipe with Blue Diamond on the buffing wheel using a light touch on the briar. I gave the bowl and the stem multiple coats of carnauba wax on the wheel and followed by buffing the pipe with a clean buffing pad. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished Jack H. Weinberger (JHW) Shield Shaped Full Bent fits nicely in the hand and feels great. Give the finished pipe a look in the photos below. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 ½ inches, Outside diameter of the bowl: 1 ¾ inches wide x 1 ½ inches deep, Chamber diameter: ¾ of an inch. The weight of the pipe is 2.08 ounces/59 grams. I will be putting it on the rebornpipes store in the American Pipemakers Section shortly. If you are interested in adding this pipe to your collection send me a message or an email. Thanks for reading this blog and my reflections on the pipe while I worked on it. I appreciate your support and time!

A Strangely Stamped Tall, Thin Stack – Dan Shape Reformed Pipe Dan Wonderful 52 259


by Steve Laug

The next pipe on the worktable is an interestingly shaped pipe made by Pipe-Dan. It is a backward canted stack, tall and thin shank with a taper vulcanite stem. The finish is a nice looking sandblast. The bowl sides show birdseye in the blast and the front and back of the bowl show cross grain. It gives the pipe a very unique finish. The rim top of the bowl is also sandblasted. The pipe is stained with a medium brown. It truly is a beautiful finish. The pipe is stamped on the underside of the shank and reads DAN followed by Shape- [over] Reformed [over] 52  259. That is followed by Pibe Dan [over] WONDERFUL [over] Copenhagen. The finish was very dirty and worn looking with a lot of grime and oils ground into the valleys and crevices of the blast. There was a thick cake in the bowl overflowing in lava filling in the rim top. The tapered vulcanite stem is heavily oxidized and had calcification with light tooth chatter on both sides near the button. Jeff took some photos of the pipe before he started his cleanup work. He took photos of the bowl and rim top to show their general condition. You can see the thick cake in the bowl. The cake and lava are so thick that it is not clear what the inner edge of the bowl looks like at this point. The lava also fills in the grooves and crevices in the finish of the rim top making it almost smooth. The vulcanite stem is heavily oxidized and calcified. There are also light tooth marks and chatter on the stem on both sides. The button appears to be in good condition. The photos below show the condition of the stem. Jeff took some photos of the sides and heel of the bowl to give an idea of the sandblast finish giving the tall bowl a very tactile finish. You can also see the debris in sandblast around the bowl and rim. I cannot wait to see what it looks like once it is cleaned and polished. He took several photos of the stamping on the underside of the shank to capture it for me. It is clear and readable. It runs on the underside of the shank as noted above. It is clear and readable.Before I started working on my part of the restoration I decided to do some research on the brand to see what I could learn. I turned first to PipePhil’s site to get a quick overview of the brand (http://www.pipephil.eu/logos/en/logo-p3.html). There found the following information. I am also including a screen capture of the pertinent section from the site and the text in the sidebar.

Brand created in 1943. The shop (Danish name: Pibe-Dan) which closed in 1991 was run by H. Dan Christensen. He sometimes designed pipes but he is merely renowned for having helped young artisans like Tom Eltang, Preben Holm, Jes Phillip Vigen, Hans Hartmann

Pipe-Dan let the pipe maker stamp his own name on a pipe along with the shop’s name.
The line name “Shape-Reformed” means that a traditional shape had been redesigned.
I turned then to Pipedia to get more history and background to the brand and potentially more information on the pipe (https://pipedia.org/wiki/Pibe-Dan). I quote the article in full as well I have included a photo from the site showing the storefront.

The House of Pibe-Dan was founded in Copenhagen in May, 1943, and was named for H. Dan-Christensen, nicknamed Pibe-Dan. Pibe-Dan (Pipe-Dan) unfortunately closed in 1991, but during the 48 years it was in business it was the ultimate place to find pipes by Danish masters.

Pibe-Dan would often let the pipemaker stamp his own name along with the company name… Pibe-Dan published its first catalog in the late 1950’s and, as was the case with W.O. Larsen, published it in English given their international customer base. While they sold pipes by Stanwell, Kriswill, Brakner and others, the classic pipe sold from Pibe-Dan was the Dan Shape-Reformed Pipe, which had a very tall vertical bowl, and were hand made of Corsican briar. Pibe-Dan claimed that the design was longer, drier, cooler and more even smoking. The Shape-Reformed was available in various lines including the Danois, Standard, Champion, Half Chimney and others.

At the same time, Pibe-Dan had a long history of also including pipes by Danish artisans in their catalog. Sixten Ivarsson’s Peewit, Oliphant, Ukulele and other shapes first appeared in Pibe-Dan’s catalog, and other artists who either began with or sold through Pibe-Dan include, among many others, Hans Hartmann, Gert Holbek, Sven Knudsen, Tom Eltang, Arne Nygaard, P. Holtorp, Poul Hansen, and Ph. Vigen, among others. The legendary Preben Holm sold pipes to the Pibe-Dan shop before his sixteenth birthday in 1963, and soon after was selling twenty to thirty pipes a week to the company, with Pibe-Dan setting the prices. This relationship continued until 1968.

From that information I learned that the line name “Shape-Reformed” means that a traditional shape had been redesigned. This shape was the classic pipe sold by the company. They described the pipe as having a very tall vertical bowl and hand made from Corsica briar. They claimed that the design was longer, drier, cooler and more even smoking. The Shape-Reformed was available in various lines.

Now I had a pretty good idea of how the pipe was stamped and made. With that information I moved forward to work on the pipe itself and see what I had to do with it. When I received it, Jeff had once again done an amazing job cleaning the pipe. The bowl was very small – about ½ inch in diameter so he reamed it with a Savinelli Fitsall Pipe Knife so that we could see the walls of the bowl and assess for damage. He cleaned the internals of the shank and stem with alcohol, pipe cleaners, cotton swabs, shank brushes and alcohol. He scrubbed the exterior with undiluted Murphy’s Oil Soap and a tooth brush. He rinsed the pipe under warm water. He dried it off with a cloth and then let it air dry. The stem was scrubbed with Soft Scrub and soaked in Before & After Deoxidizer. It came out looking very good. The finish on the bowl and the rim top cleaned up nicely. I took pictures of the pipe to show how it looked when I unpacked it. The bowl looked good in light of where it started. The stem looked much better with just a few tooth marks on each side of the stem just ahead of the button. He had done his normal thorough clean up – reaming, scrubbing, soaking and the result was evident in the pipe when I unpacked it. I took photos of the pipe before I started my work on it. The shape and finish on this pipe is very unique.I removed the stem from the shank and took a photo of the pipe at this point. You can clearly see the condition, size and shape of the pipe. I started my work on the pipe by working over the rim top sandblast with a brass bristle wire brush to knock off the debris in the grooves of the sandblast. It looks better.I worked some Before & After Restoration Balm into the surface of the briar with my fingertips. The product works to clean, enliven and protect the briar. I let the balm sit for about ten minutes and then buffed with a cotton cloth to raise the shine. The photos show the bowl at this point in the restoration process. I polished the stem with micromesh sanding pads – dry sanding with 1500-12000 grit sanding pads. I wiped it down after each sanding pad with a cloth containing some Obsidian Oil. I finished polishing it with Before & After Pipe Stem Polish – both Fine and Extra Fine and buffed it off with a cotton cloth. I wiped the stem down with a coat of Obsidian Oil to protect the vulcanite and slow down oxidation. Putting this unique pipe back together was rewarding. The change in condition and appearance is what I look forward to with every pipe. I put the stem back on the bowl and buffed the Dan Shape-Reformed Wonderful 52 259 Canted Stack lightly with Blue Diamond on the buffing wheel. I carefully avoided the stamping on the shank during the process. I gave the bowl multiple coats of Conservator’s Wax and the stem multiple coats of carnauba wax on the buffing wheel and followed that by buffing it with a clean buffing pad on the buffer. I hand buffed the pipe with a microfiber cloth to deepen the shine. The finished pipe is quite beautiful and is a uniquely shaped Danish made Dan Pibe Shape-Reformed Stack. The finish on the bowl combines various methods and stains to give it a living and tactile nature. It is very well done. Give the finished pipe a look in the photos below. I can only tell you that it is much prettier in person than the photos capture. The dimensions of the pipe are Length: 5 ½ inches, Height: 2 inches, Outside diameter of the bowl: 7/8 of an inch, Chamber diameter: ½ of an inch. The weight of the pipe is 22 grams/.81 ounces. Thanks for walking through the restoration with me as I worked over another beautiful pipe. I will be adding it to the rebornpipes store in the Danish Pipe Makers section soon. If you want to add it to your collection send me an email or a message! Thanks for your time.