Tag Archives: Bakelite

Spiffing up a KBB Blue Line Bakelite Poker 1908-1914


Blog by Troy Wilburn

Here is my old KBB I got from EBay after some light cleaning and buffing. I had found out these were quite rare and was lucky to win the bid on it.

I was thinking after some initial research that these pipes were from around 1910 – early 1920s. Seems it’s a little older than I thought. I got this info from a Kaywoodie and early KBB collector who has had several Blue Lines.

“Your pipe is made by Kaufman Brothers and Bondy, or KB&B, which later (1915) created the Kaywoodie line we all know. But this pipe is Pre-Kaywoodie, as they were making pipes under the KB&B branding from about 1900 to 1914. Bakelite was invented in 1907, so this pipe was likely made from 1908 to 1914, as the Bakelite was quite the technological wonder of the time, and was used in many products (still in use today). These “Blue Line Bakelite” pipes are rare pieces, seldom seen.”

All Blue Lines came with a case but sadly the one for this one is missing. Most pics I’ve seen so far of the Blue Lines, the metal banding has stampings of Sterling Silver and KBB. Mine has none and I don’t believe it’s silver (I think nickel as I could not get all the discoloration from it). Mine may be a lower priced model.

The pipe as it arrived.Blue1 The pipe was in remarkable shape for its age. It was not caked up and the pipe was nice and clean, ready to smoke. All I did was go over it very lightly with some 2500 grit and 000 steel wool over the banding lightly. Then I applied some light buffing and a new coat of wax. The pipe was too original to mess with much .The stem has a gorgeous red color that was bought out with a little brown and then white Tripoli before waxing.Blue2

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Blue7 The stampings are very nice for a 100 year old pipe. As you can see it looks like it was repaired once. The repair looks quite old in person and don’t think it was done anytime recently.Blue8

Blue9 It’s a smaller poker. It is in between the size of a Medico Poker and a Dr.Grabow 85 Poker. It’s around 4 11/16 inch long with a 1 1/2 tall bowl. I will probably dedicate it to my new favorite flake tobacco.Blue10

Hard Rubber and other Early Plastic Used In Pipes – Ronald J. de Haan


While searching the web for information on Bakelite I came across this very interesting article on vulcanite, Bakelite and Casein that were all used at some point in history in making pipes and pipe stems. The link for the article, that includes the photos used to illustrate the various pipes are included is shown below: http://pipeacademy.org/pdf/publications/AIP%20Publication%20PDFS/2001%20Pipe%20Year%20Book,%20de%20Haan%20searchable.pdf
I have edited the article and posted it here without the photos that were used in the original piece. I have not found this concise a description of the materials anywhere else. Thank you Ronald J. de Haan for your excellent research.

This article is an attempt to draw attention to a very interesting field within the area of smoking collectibles. Many collectors of tobacco articles know something about many smoking accessories made out of synthetic material, like ashtrays, match-holders and cigar-cases.

In general though, there is very little knowledge about pipes made out of synthetic material, like hard rubber and other early plastics. Pipes (bowl and stem) that are completely made out of synthetic material are quite rare. This is not surprising, because synthetic material is less heat resistant during smoking, than traditional materials such as meerschaum, clay or briar.

The use of hard rubber for the production of pipes did not come as the result of long research; but is the result of the discovery of vulcanisation in 1839, which increased the applications for rubber enormously.

The introduction of rubber
Rubber is a natural product extracted from the rubber tree, Hevea brasiliensis. The bark of the tree is cut in a controlled way, as not to disrupt the flow of sap so the tree will survive. The milk-like, syrupy substance is known under several names. In the Amazon area the inland name for rubber tree is Cahucha (weeping tree). This word lives on in the French Caoutchouc and the German Kautschuk, both meaning rubber. The name rubber dates from the mid 18th century and was introduced by the famous British theologian and scientist Joseph Priestly.

The story of rubber in the western world begins at the end of the 15th century. On his second journey to America, Christopher Columbus visited the island of Haiti and saw children playing with elastic balls. The material was introduced in Europe as a toy. For the next centuries its application was limited.

In 1731 the French Charles de la Condamine, during a surveyor-expedition in Peru discovered that the local inhabitants used rubber to make their clothing waterproof. They also made shoes and bottles by pulling the material around moulds and letting the rubber harden in the sun or above a fireplace.

The British Thomas Hancock experimented in 1820 with forming rubber by mechanical power after heating the material, which resulted in the first waterproof rain clothes, made by Charles Mackintosh. It was the American Charles Goodyear who patented in 1839 the process of stabilising rubber with the help of sulfur, which is called the vulcanization process.

The vulcanization process
By vulcanising the rubber for a longer time and by adding a larger percentage of sulfur (up to 50%) the product became harder. The result was a new material. It was the first half synthetic plastic made out of a natural product changed by a controlled chemical process.

This new material is known by several names, depending on the production or the appearance: ebonite, because it looks like ebony; vulcanite because of the process of heating, referring to the Roman god Vulcan; hard rubber, which speaks for itself.

One of the first patents by Goodyear states that the new material was used in the production of pipe stems, an application that proved to be very suitable because the material was easy to mould. This hard rubber, though not the most suitable material for pipe-bowls, was used for the production of complete pipes until the 20th century, undoubtedly because of the ease of doing the detailed work. In order to prevent the bowls from melting or burning away, it was necessary to place inserts of meerschaum, briar or clay in the bowl of the tobacco pipe. Cigar and cigarette holders however, were produced without an insert because it was not necessary.

Two other synthetic materials have to be mentioned in this article, because they have been used extensively in the production of pipes, sometimes in combination with hard rubber. These two materials are casein and Bakelite.

Casein
Casein, in full casein-formaldehyde, consists as the name suggests of an important part of the milk protein. Casein can be extracted from skimmed milk with a specific enzyme. By exposing the kneadable doughy substance to the liquid formaldehyde for days or even weeks a new material emerges, which will not melt, even at high temperatures.

It is a so-called thermosetting synthetic material, like rubber (semi-synthetic). The patent for the production of this material dates from 1899 and belonged to the Germans Krische and Spitteler. They called the new material Galalith. Later it became known also as Erinoid, Ameroid and Kasolid. Casein can be coloured easily. A drawback of the material is its sensitiveness to liquid. Long-term exposure to liquid makes the material crack.

The pipe-making industry used the material widely till after the Second World War for the production of cigarette pipes (pipettes), as it could easily be pierced, turned or modeled. The long Charleston cigarette pipes of the 1920’s are made of casein.

Bakelite
Bakelite, officially phenol-formaldehyde, is regarded as the first fully synthetic material. The Belgian born Leo Baekeland invented it in the United States. He succeeded in controlling the long known heavy chemical reaction between phenol and formaldehyde. Controlled high temperature and high-pressure, formed the basis for his patent which he obtained in 1907. The result of the chemical reaction is an amber-coloured resin. Mixed with filling material like sawdust, asbestos or textile fibres the result, after pressing, is a hard thermosetting synthetic material. The most important qualities of this material are its insulation for electricity, its solidity and the possibility of use in mass production.

These qualities made Bakelite the most successful synthetic material in the first half of the 20th century. From 1928 it was also produced as moulded resin. Both the pressed and the moulded forms were suitable for the pipe making industry. Pipes were made from Bakelite and moulded phenol-resin. Complete pipes of Bakelite are very rare because of its lack of heat resistance. Phenol-resin however was frequently used for pipe mouthpieces and cigarette holders because it imitated amber.

Literature
Cool, Patrick and Sessor, Catherine, Bakeliet, Helmond 1993

Engelen, Jos, De Meerschuimpijp, in: Pijpologische Kring Nederland, 20″c jaargang nr, 80 (1988), page 998

Katz, Sylvia, Early Plastics, Shire Publication nr, 168 (1986)

Perree, Rob, Bakelite, Amsterdam 1996

Tymstra, Fred, Bakelieten pijpen met stenen potje, in: Pijpelogische Kring Nederland, 16° jaargang nr, 63, page 566-572 (1993)

Woshner, Mike, India-Rubber and Gutta Percha in the Civil War Era, z.pl., z.j.

Catalogues
Smokers Articles and Walking Canes and Miscellaneous Goods, The Novelty Rubber Co., New York 1877

Price Current, Goodyear’s Rubber MFG Co. And Goodyear’s I.R. Clove MFG Co., New York 1880

Pipes and smokers Articles, Zorn & Co

George, Philadelpia 1892 (reprint by Paul Jung Jr., 1989)

Catalogue General, Bessard-Pignol Gustave, Clermont Ferrand 1894

With special thanks to:
Richard Schoevaart, Amsterdam, Karelloeff, Laren, Jacques Bergmans, Weert.

For the Canadian Pipe Restorer Who Has Everything – Robert M. Boughton


Robert1
Guest Blog by Robert M. Boughton
http://www.roadrunnerpipes.com
http://about.me/boughtonrobert
Photos © the Author

“The old pipe gives the sweetest smoke.”
— Irish Proverb

“Never to be underestimated is the value of shielding the water and the wind from the bowl of the pipe.”
— The Author

INTRODUCTION
Well, this isn’t a truly old pipe as was likely envisioned by the proverbial author of the Irish quote above, although it is vintage, having survived our world since the days of the yippies, give or take a few years.Certainly it can’t be ranked among the great brands, either, although its name is well-known to pipe smokers with a grain of salt or more of experience.

But it is still a pipe of note, if not, say,as fast and exotic as a Porsche or as timeless and exquisite as a Paganini violin piece, still unique in its own way. And being both weather- and spark-proof to boot, for the enthusiastic smoker determined to light up and head out into natural elements including high wind and rain, this is the tool he wants. It’s also a peach of an apple, which is uncommon for its brand, and the bowl is crafted (if not by hand) of Algerian briar – other than the Bakelite swivel cover. For briar of that origin, the grain is even very nice.

What sets this wonderful specimen of a pipe apart from all others of its ilk, though, is the absence of the brand’s initials where they once were inlaid in the stem, before the original plastic piece fell out (as I have since gathered through research is common with older pipes of this type), and the way the hole was filled.

Robert2 By the way, I owe credit for the substitute inlay idea, as opposed to filling the hole with a replacement from a similar pipe or just using black Super Glue, to another restoration guru and my mentor, Chuck Richards. Thanks, Chuck, for the inspired thought, which indeed gives the pipe a definite Southwestern flair, as shall be shown.
So I ask, therefore, what better gift to present to the man who can have his pick from among all the legendary pipes, the man I have come to consider a friend and guide in pipe restoration – Steve Laug – than this simple but utilitarian Mastercraft Weatherproof-Sparkproof, made in France? I mean, Steve has already restored, and in many instances all but re-made, almost every brand and probably every style there is. Besides, he lives in Canada, where such a pipe could really come in handy.

BACKGROUND

Robert3I bought two Mastercrafts – the apple described here and its apparent mate, a tall billiard which had its MC inlay intact – among 19 pipes from an estate. I suppose that makes me responsible for the forced separation of what might have been a lifelong companionship between the two pipes, for all I know. Putting aside any such sentimental thoughts and planning on restoring most of the pipes for sale on my new Website but knowing ahead of time that I wanted to give Steve one of the Mastercrafts, I put considerable thought into which one to make the lucky winner, so to speak. I was seriously leaning toward the billiard because of its larger bowl and the fact that it was all there.

Then Chuck made his breakthrough brainstorm when I asked if he knew where, other than eBay, I might find an old Mastercraft stem with which to replace the smaller pipe’s altogether or extract its precious inlay for re-implant in the original. At the time, Chuck had no idea of my intention to give one to Steve; in fact, I’m sure he thought he was helping me sell the pipe online thanks to the unique character it would have.

Of course, my ultimate choice of the right gift for Steve was made for me on the spot. Dooming the poor billiard to an uncertain future, Chuck’s brilliant advice secured for its more weathered (pun intended) but soon to be made-over adorable petite amiea definite safe harbor in this often cruel world.

THE RESTORATION
With a cursory first look at the over-the-hill pipe, it seems to be a relatively easy restoration, except maybe for the missing stem inlay. Robert4 Robert5 Robert6 In fact, most of the process was indeed standard including the basic mineral water bath and removal of the rim burn. Where the situation escalated somewhat was reaming the bowl, which was crusted with decades of cake buildup that made a huge pile, sanding the inside of the bowl to make it baby-smooth again and cleaning the underside of the Bakelite cover that was difficult to reach given the facts that the only way to remove the thing seemed to be to break it off, and the maximum space to get under the lid was highly limited. Robert7 But I used good old-fashioned elbow grease and ingenuity, and with the reamer and some 150-grit shifting to 400-grit sandpaper, I worked out the three-tiered layers of cake until the bowl was almost down to fresh briar again.

Then I used up quite a few bristly stem cleaners soaked in alcohol getting under the cover and many more through the stem and shank before they came out clean. That alone took considerable time and patience. Robert8 I completed the cleaning of the bowl, shank and underside of the cover with a simple soaking with alcohol while the lid was closed.

The next task was to rub out some scratches and dings in the wood with 600 micromesh, which ended up being most difficult on the sides of the bowl where the Bakelite didn’t prevent me from going, and 1000 micromesh on the Bakelite itself.

Now, for Chuck’s suggestion, which was to insert a piece of genuine New Mexico turquoise into the hole in the stem where the original inlay once was fairly poorly set. The better part of valor being discretion, or good judgment, I was willing to take on the task myself but knew to seize a good opportunity to have it done right. That chance presented itself to me when I bought the desired piece of turquoise at a local gem store (http://www.mamasminerals.com/http://www.mamasminerals.com/).

Consulting the store’s gemologist and jeweler, a gentleman and a scholar named Dennis, on how to cut the small piece of turquoise without shattering it and make it a sturdy new part of the stem, I was surprised when he was intrigued enough by my project to offer to do it himself – for $10.

“I’ve done this kind of thing in just about everything, but never a pipe,” Dennis told me.

And so I accepted his offer, and here are the final results after re-staining the rim, buffing the bowl with White Tripoli and carnauba and doing the same to the stem with Red and White Tripoli before handing it over to Dennis to make his much appreciated contribution:Robert9 Robert10 Robert11 Robert12 CONCLUSION
To be brief for a change, it was all worth it. Over the past two and a half years, Steve has given me so much help and friendship, in addition to the immense support I receive from Chuck, that this small token of my appreciation hardly seems adequate. Thanks again for everything, Steve. May your days and nights in Canada be windy and rainy often enough to keep enjoying this pipe.Robert13

From Annoyance to Enjoyment – the British Buttner Pipe


At least that is the headline for an advertisement for the British Buttner Pipe. I was going through some of my files on the computer and came across this old insert for the Buttner pipes. I remember finding it but don’t remember where. It is a fascinating read and well worth a laugh. It is part of the ongoing saga of building a “better mouse trap” or pipe as the case may be. What made the ad interesting to me is that I have two of these old pipes in my collection and they are certainly a novelty. I am not sure that they fulfill the claim to remove annoyance. As you can see in the photos they are quite a complicated contraption. The outer bowl, or stem and keeper are Bakelite. The inner lining is a replaceable clay bowl that can readily be cleaned like any clay pipe by hot fire. This clay liner sits inside the Bakelite base and then there is an insert that is also clay that can be set into the clay bowl. The tobacco burns in this final bowl and the oils and tars are trapped by the clay insert and a cool clean smoke is delivered through the stem to the smoker. The airway in the final bowl is centered in the bottom.
buttner2a

buttner2b
Here are some photos of my pair and a replacement inner bowl lining. The first photo shows a top view of the pipes and the added insert. The insert came in a metal tin with a Bakelite lid that is pressure fit. The inner clay insert is pristine white and there is a piece of clay that sits in the middle of the bowl. I have never seen these in a functioning pipe so I think that they were part of the packing of the inner lining for shipping. The pipe on the left has a vulcanite stem while the one on the right has a Bakelite stem. The left one is somewhat newer in age than the right pipe. The second photo gives a side view of the pipe.
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The next two photos show the pipe in an exploded view. The first one I have unscrewed the tobacco chamber or bowl from the Bakelite outer keeper. You can see the ring of Bakelite that encases the clay bowl of the tobacco chamber. The chamber itself is shaped like a meerschaum cup. Inside each Bakelite bowl is the clay inner liner. The one on the left is worn and has some damage though it is still smokable. The one on the right is intact. I tried to burn out the tars on this one in my barbeque and was able to remove much of the black buildup on the inside of the liner.
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The next photo shows the inner liner removed from the Bakelite keeper. All three parts of the Buttner system are clearly shown in this photo. Sadly the extra clay inner liner does not fit either of the bowls that I have. You can see the scalloped edge on the liner on the right. When it is in place smoke is drawn from the hole in the bottom of the tobacco chamber into the clay liner where it circulates and tars and oils are collected in the clay. The smoke then exits the liner through the scallops around the upper edge of the liner and is drawn into the airway in the shank and stem. Having smoked these pipe several times I can say that it delivers a dry and cool smoke. As for freeing the pipeman from annoyance – well that is certainly a matter of opinion.
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Another Bakelite Pipe Gadget – Tobacco Jar


Blog by Steve Laug

I seem to be drawn to Bakelite Pipe Gadgets. When this one came up on EBay I could not pass it up. I put in the bid that I was willing to live with and “won” this piece with no other bidders on the table. I have no idea what the age is on it but it is in great shape. The threads on the lid and the jar are undamaged. The Bakelite is a nice dark, mottled finish – almost the colour of a stoved Virginia leaf. The script on the lid looks great and the rusticated surface surround the script is really a nice touch. I believe that it was done to provide a surface to strike a match on once the pipe was loaded with the tobacco. There is a cast pattern of tobacco leaves that form a border on the lid and on the bottom of the jar. There are no dents or cracks in the bowl and it is flawless. I polished it with White Diamond and gave it a light buff with carnauba wax. The jar purports to be airtight but is not. It keeps tobacco fairly well for about a week and then it begins to dry out. It holds a place in my pipe cupboard and is a nice piece of tobacciana. ImageImage