Category Archives: Pipe Related Essays

Short and not so short essays on pipes and tobacciana

James Upshall Bark (Unsmoked) Restoration


As my screen name for this blog implies, I’m a pretty big James Upshall fan. To this point, all of my Upshalls are smooth pipes of the various grades (P, S, B and ungraded). This pipe, my 8th Upshall, was advertised as “unsmoked”. The Ebay pictures were lousy, but the price was right and the seller took refunds, so I rolled the dice. I was pleasantly surprised with a beautiful Bark finish pipe and in perfect, unsmoked condition. Of course the stem was oxidized, which proved to be more stubborn than it appeared.

James_Upshall_Bark_Before (1)

James_Upshall_Bark_Before

James_Upshall_Bark_Before (3)

I didn’t want to soften or damage any of the stem edges on the saddle stem, so I started with a relatively fine, 2000 grit wet paper. I used a combination of popsicle stick and small, flat needle file to get the oxidation out of the creases. That took considerable effort, but I’m pleased with the results. I followed next with 8000 and 12000 grades of micromesh, also utilizing the sticks. Working around the small, stamped logo, was challenging. The stem was then buffed with white diamond and then plastic polish.

I worked in some Halycon II wax on the bowl, which was in mint condition. I used an old toothbrush to work the wax into the rough finish and then buffed it with a clean cloth.

I’m very excited to smoke this one, as it is my first unsmoked James Upshall. I’ve handled other Bark finish Upshalls in the past and some of the stem work was not to my liking. This one looks to have a good grade of vulacanite and has the feel I’m accustomed to on my polished Upshalls. The button is particularly appealing and has perfect mouth feel. I’m not a real clencher, so smaller profile buttons are to my liking. The Bark finish feels superb in my hand and it is a bit similar to the Sea Rock on my Castello. After the Rhodesian and Bulldog shapes, the classic Bent Billiard is next on my preferred shapes list.

I have several large Upshalls in my collection and I’m focusing on obtaining only smaller pipes now. Fortunately, this one isn’t too far out of my comfort zone at 60 grams. It is also about the same size as my Castello 4k pipe (also a bent billiard).

James_Upshall_Bark_Gallery (6)

James_Upshall_Bark_Gallery (1)

James_Upshall_Bark_Gallery (2)

James_Upshall_Bark_Gallery (3)

James_Upshall_Blasted - SAMPLE

The Pipe Hunt – Rule # 6: Never let them see your excitement


Growing up I remember a wrestling coach in high school giving us his wisdom regarding our opponents from a particularly tough school. “Never let them see you sweat” was his rule about setting a climate in which you could win over an opponent. For me Rule #6 is a variation on that adage. While a seller is not an opponent they are nonetheless your opposite in the purchase of a particular pipe. To put it simply Rule 6 is “Never let a seller see your excitement about what you have found”. I know this goes contrary to everything in me that wants to shout when I have found a super deal. When I turn over a pipe of a certain shape or colour, or move a pipe from underneath several others I can feel the adrenalin rise as my instinct about the pipe is met with an affirmative. It is at that moment that I hold back my exclamatory “yes” and carefully add the pipe to the lot I am carrying around the shop or have the seller carry it to the cash register to hold until I finish my hunt through the shop. I hold “yes” in and save the exulting until I am in the car or on the pipe forums!

Truthfully, this rule should probably be moved somewhere toward the top of the list of things I keep in mind when on a pipe hunt, because it has become a part of me on the hunt. I am quiet as I move through the store with the clerk as they unlock the cabinets that hold the pipes that I want to see. To help tame my enthusiasm I pick up pipes from the pipes on display that I have no intention of purchasing and “carefully” look them over and make quiet comments. Finally when I have gone through the lot I pick up the object/s of my attention and make a few general comments about the condition. Typically the clerk then carries it to the front for me and I am free to keep looking for more pipes. Though sometimes I carry the new find around the shop with me while I look at other pipes.

Even at the cash register I do not let on about my excitement over a find. I keep up the banter if I am in the mood or just quietly pay the bill and leave the shop. I have found that most sellers in shops or antique malls have no idea regarding the value of their old pipes and rather see them as stage props – hence a high price, or as dirty items that have a minimal value – hence a low price. The only time I talk about the prices is if the prices are outlandish. For instance recently I was in a Northern Alberta town here in Canada and the owner was selling a relatively new Grabow with a chewed stem for $120. I showed her on my phone what a new cost and she shrugged and said that in her town the local theatre guild and actors pay the prices she has for these items to use in their plays. Needless to say I kept my coin in my pocket and shook my head as I walked away.

I am looking for seller who sees the pipes they have as old and dirty items that they hope will sell but are not holding their breath over. I have found some great deals this way. I will give three examples from different times and years of my pipe hunting to illustrate the point. I found a nice mid 50’s Dunhill Shell billiard at a local thrift shop for $12. The sticker covered the white dot on the stem but the shape and blast caught my eye.
DunhillBilliard

I found a small group 2 sized saddle billiard Dunhill Tanshell from the 60’s for under $20 in an antique mall in the US. It was hidden in a box of old junk pipes in a far corner of the shop. It was not locked in a cupboard but rather in an old porcelain jar with the stems inserted in the jar and the bowls sticking out the top. The blast on the pipe caught my eye so I pulled it out of the jar for a better look and found that I was holding a Dunhill.
Tanshell001

More recently I came across a beautiful Comoy’s Gulidhall Liverpool for $30 in a shop in the Edmonton. It was on a shelf with other old beat up pipes and ratty pipe bags, broken pipe racks and old tins. It was toward the back of the shelf but the grain on this pipe caught my eye and it came with me the rest of the hunt in that shop.
IMG_0778

The trick to this rule is to look and when you see them either pick them up and carry them with you or if the case is locked, note the case number and get the dealer to take them out of the case for you to examine. If the dealer unlocks the case for you then they typically want to carry them to the front for you. Play it cool with this and say that you will continue walk about the shop to look and “think” about your purchase.

You might wonder about the necessity of this rule but I can tell you it is critical in working deals and ongoing future deals with sellers. They key is to know that when you walk away happy with your amazing find, that they also are more than happy to have rid themselves of what they see as an eyesore. I have watched the price change drastically when a seller picks up on my excitement about the great price on a particular pipe. They read my reaction and I have seen the prices both escalate and de-escalate based on my response. I have had them decide quickly to not sell the pipe and when I came back at a later date the price was pushed through the roof and no longer something I would buy. I have also had them immediately back peddle and raise the price while I was standing there with excuses of mismarked prices or mistaken identification. It is critical to play your cards close to your chest when working a deal on these pipes. The words of a Kenny Rogers song, the Gambler hold true here; “You have to know when to hold ‘em and know when to fold ‘em.”

I have learned the lessons of this rule the hard way. It is very difficult to contain my excitement when I find highly valuable, collectible pipe. It is hard to not get worked up with the joy of the find. But I have found that if I do not let the cat out of the bag while I am looking the seller will let go of it at a bargain price of even less than it is marked or at the very least will not jack up the price so that next time you pass through the pipes are marked double and triple the price you paid for the first one. This rule is well worth remembering and practicing as you work the hunt.

Good hunting!

Pipe Time: A discourse on pipe smoking & the question of time – Eric Boehm


I want to take this time to thank Eric Boehm for his contributions to the rebornpipes blog. I am posting this contemplative piece written by Eric some time ago for your reading pleasure. It is great to have some of the pieces that Eric has written available for each of us to read and enjoy. Thanks again Eric.

time-warp I’ve often wondered what makes pipe smoking special. Why writers, thinkers, contemplatives and philosophers advocated so strongly for the pipe. Was it simply Lady Nicotine calling or was there something deeper in the act of smoking a pipe?

Physicists tell us that the fourth dimension (after the three coordinate spatial dimensions of x, y & z) is time. Man’s preoccupation with time is all-consuming and dominates center stage of the human experience. Work, money, science, religion, war – indeed, human history itself – all share time as the central paradigm. Einstein and modern physics are obsessed with time. Time cognition or time awareness in humans therefore is central to the human condition. Therefore, any substance or human activity that alters our perception of time is of great interest. In my opinion, the ability to alter the perceived rate of time as experienced by pipe smokers is perhaps the true gift given from the New World Amerindian to the Old World European.

The consumption of tobacco in a pipe, being a protracted affair, forces you to stop normal activities related to work and play. And during this temporary cessation of daily activity, one is afforded the opportunity to look towards the horizon, ponder, and think on the larger picture. In this sense, protracted tobacco consumption in a pipe allows one to slow down – to cheat time in a sense.

This ability to slow time perception also is related to life span, I believe. In that animals and plants with longer life spans grow slower. If we measure animal life span by heartbeats, we realize that both the elephant and the mouse have the same number of heartbeats – about a billion and a half. It’s just that there is a greater interval of time between the beats in an elephant (28 beats/min.) with a corresponding lengthening of its life span as compared to the mouse (500/min.).
Doctors tell us a slower resting heart rate is the key to a longer life. It’s counter-intuitive that exercise which temporarily elevates the heart rate, in fact helps to lower the overall heart rate when the body is at rest, between exercise events, thus extending life. Of course time doesn’t really stop in the objective sense because of tobacco. But to the pipe smoker it seems to, in the subjective sense. And perhaps that’s all that really matters.

Doctors tell us anything that increases the distance between heart beats – anything that slows down the resting heart rate – lengthens life. Maybe when Ponce de León was searching for the Fountain of Youth in Florida in the early 1500s, he didn’t realize he had the gift of life in hand already. It was called tobacco. The Indians smoking on the sidelines already knew this.

Pipe smoking eases you into the present moment – savor your pipe & you’ll savor your life.

A Review – A Cody Huey Moustache Man Pipe Tamper


Blog by Steve Laug

A few days ago during my lunch break I was glancing through my twitter feeds and came across a tweet by Cody Huey showing some tampers that he had carved that looked a lot like Tiki carvings. I was intrigued with his work and had not heard of him before so I tweeted him and asked the cost. He responded quickly with gracious thanks and sent me a link to his website and store. I scrolled through his tampers that were up for sale and placed an order for a new tamper. Here is a link to his website if you are interested in his work http://codyhuey.com/

tamper1

I am always interested in learning about the artisan that I am buying from so I read through his website with interest. I spent some time on the page where he wrote about his carving and his life. The part where he wrote about the connection to his granddad and his carving was fascinating to me. It seemed like he was truly continuing the family tradition. I have included his words and a picture of the two of them from his site below to give you an idea of the carver.

20130326-101255

“I started carving right after hurricane Ike. We were without power for 14 days so I had to find something to keep me occupied. I would carve fish, shamrocks, and hearts. My grandfather was a avid wood worker. I can remember him making me rubber band guns and yo-yos when I was just a youngster. He was always cutting pieces of wood and making beautiful things out of it. He made shelves, stools, and things like that. I was working on a Texas Star for him just before he passed away. After his passing I put it down for a couple of years. I have now finished it and it is in my shop. The mustache men came from me wanting to carve something a little more detailed. At the same time I was just getting back into pipe smoking and found that the faces I was carving fit perfectly into my pipe as a tamper. After talking to my dad and showing him some of my work he said that I have the talent of my grandfather but with a lot more creativity. I really enjoy carving because it is a way for me to relax and still feel somewhat connected to my PaPa.”

The picture below is one I copied from Twitter. It shows some of the tampers that he has carved – his daughter calls them the moustache men. There is a rustic and interesting quality to each of them that makes them unique.
tampers

My tamper arrived yesterday and I have to say Cody packs a great package. He included a note card with a sketch of a Samurai tamper! It is very unique looking. He also included a handful of Werther’s Original Coffee flavoured toffees. He had no idea that those are one of my favourites. I then removed the well wrapped tamper to see which one he had sent me. I peeled off the wrapping and it revealed that he had sent the tamper on the far right in the above photo.
IMG_2682

Through Twitter I asked him to include some information regarding the wood he used in these tampers. Cody sent along the following information. “Each tamper is hand carved out of Pecan trimmings. Each one is a little different depending on how the Pecan limb is. They are carved, lightly oiled and buffed with carnauba wax.”

I could not be happier with my tamper. It fits well in my hand. The wood is gently curved with a slight notch below the moustache that fits perfectly against my finger when I holding it to tamp my pipe. The carving is well executed and is kind Cody’s take on Tiki carvings. The tamper is cleaned of the bark and then carved. The majority of the tamper is the clean yellowish wood that has been smoothed after carving. Cody left the layer under the bark on the last ¾ inches or so of the tamper at the bottom edge. It thus has the dark colour in the area that will spend its time in the bowl of my pipe. I think this is an ingenious idea as on my other wooden tampers this part darkens quickly due to the ash and tars of the burning tobacco.
IMG_2684

IMG_2683

Those who read this review have a look at Cody’s site and join me in enjoying these uniquely carved tampers. I know that you will not be disappointed.

Thank you Cody for a well made tamper with individualized and unique carving, nicely done! Your craftsmanship is evident in the finished product. Thank you for the nicely done finish on the piece and the well packed shipping. It came promptly through the mails without any problems. The card and the candies was a nice touch. I will enjoy this tamper for a long time to come. Glad to have been your first international order.

A Book Review – The Pipeman’s Companion by Ogden’s of Liverpool


74522My copy of this book was published by Interfocus Publishing, Bristol, England. It is marked a First Edition and dated 2000. The cover of this of my edition is seen to the left and is the publisher’s original illustrated card wrap cover [softback]. It contains 59 printed pages of text with colour illustrations and photographs throughout.

On the inside cover there is a dedication that reads: To Pipe Men Everywhere from Ogden’s of Liverpool.
Across the page from the dedication is a Welcome from the editors that reads as follows:

“The Pipeman’s Companion is an unashamed celebration of the pleasures of the pipe and pipe smoking. It is brought to you by Ogden’s of Liverpool – Britain’s leading pipe tobacco manufacturer, whose world renowned brands include Gold Block, Amphora and the best-selling St. Bruno. The Pipeman’s Companion is also an invaluable reference work that all discerning pipe men will want to return to time and again. We have attempted to cover every fascinating facet of the history and practice of pipe smoking, with the aim of enhancing every pipe smoker’s understanding and enjoyment of this most satisfying of pastimes – be they experienced by pipe men, or eager new recruits. Ogden’s of Liverpool, with its distinguished past, looks forward to remaining a trusted companion to pipe men for many years to come.”

A brief glance at the table of contents gives a clear idea of what is included in the pages of the book.
Chapter One – pages 2-11 – The Smoking Story, Five Hundred Years of Pipe Smoking
Chapter Two – pages 12-20 – The Tobacco Story, Blended to Perfection
Chapter Three – pages 22-33 – The Pipe Story, Crafted with Devotion
Chapter Four – pages 34-39 – The use and Maintenance Story, A Friend for Life
Chapter Five – pages 40-47 – The Ogden’s Story, Sweet Smell of Success
Chapter Six – pages 48-53 – The Antiques Story, Bringing the Past to Life
Chapter Seven – pages 54-57 – The World Story, Pipe Smoking Across the Globe
The Glossary – pages 58-59 – Pipe Smoking, Tobacco and Pipe Terminology

The book is a beautiful table top sized book filled with highly readable text and many photos of pipes, etchings, artwork and photos of antique pipe and tobacciana. The sidebars of each page are filled with historical pictures and short notes on all things pipe and tobacco related. These side bars run next to the main body of the text and are a pleasure to read by themselves. In Chapter Three there is a great photo spread and short side bar expanded over several pages about Bill Ashton Taylor and his Ashton pipes. It has some great photos of Bill turning bowls, filing stems and flaming stain on newly made pipes. Include are charts of pipe shapes and the anatomy of a pipe etc. The pipe chapter includes not just briar but also Clay and Meerschaum with some great photos of carving and shaping Meerschaum pipes.

Chapter Four on pipe maintenance is well written and includes material on pipe lighters, matches, pipe reamers and tampers. This chapter has charts on reaming correctly and on common pipe problems solved. It is interestingly written with a great wealth of information in the space of a few pages generously interspersed with colour photos of pipes and pipe tools.

Chapter Five is a history of Ogden’s of Liverpool from its beginning to the early years of the 2000’s. It is again richly written and there are some amazing photos included of tins from the Ogden Tobacco line as well as great photos of the factory and production floor. The side bars in this section continue the tradition of the previous chapters in including tidbits of information and historic photos and artwork. For instance there is a full page of advertisements and posters for St Bruno. These alone are fascinating.

Chapter Six is on Antique Pipes and gives a collection of photos of all kinds of pipes. There is a front spread of carved Meerschaum pipes that is beautiful. Some of the pipes are huge while others are delicate and unusual. There is for instance a cased set of a Victorian couple lying in bed – two pipe bowls inserted under the “Covers” with stems set in the cover of the pipe case.

Chapter Seven is a quick world tour through word and photographs of the state of pipe smoking. It is well written and captures the universal appeal of the pipe and tobacco.

The book ends with a useful glossary of terminology. It covers pipe shapes, pipe anatomy, pipe repairs and types of tobacco and cuts of tobacco. It also covers pipe accessories and how they are used. It is a helpful list with short definitions.

The Pipeman’s Companion is a well written book that is a great read and visual display of all things pipe related. It is easily a book that could be read as you smoke your favourite bowl of St. Bruno’s or as you sit and read by the fire on a cold winter’s evening. It will provide hours of enjoyment and is a great refresher to the long time pipeman as well as important information to the new pipe smoker. It truly welcomes us into the world of pipemen throughout history. Well done Ogden’s of Liverpool for a well crafted book on the world of the pipe. Thank you for your work in producing this book.

A Book Review – Barling’s International Exhibition, London 1851 Pipe Catalogue


Blog by Steve Laug

Barling Catalogue
I purchased this facsimile/reproduction catalogue of 28 pages on EBay a bit ago. It cost approximately $20 USD and the seller had quite a few available at the buy it now price.

They printed a run of 200 copies and this one is 010 of 200. It is copyrighted by Jesse Silver. There is an email address included inside the cover should you want to order a copy of the catalogue noblebrush53@yahoo.com

Included with the catalogue is a print of the Barling’s Factory. The inside is nicely done and indeed looks vintage. The type is in two colours – a reddish brown and a black. There are also nice etchings of the various pipes. Each page shows four pipes, each one number and named. The names are quite catching. Here are a few for interest sake: The Goodwood, Birkenhead, Savernake, Aberdeen, Nymph, Bent Army, Corinthian, Sydney, Elegant, Trojan and Victorian. The names don’t always reflect the shape of the pipe but sometimes do as in the Bent and the Straight Army. Some of the short chubby pipes also have unique names: The Gordon, Sporting, Hunt, Jap are just a few of the names. The overall feel of the book is like a trip back in time to a simpler and quieter era. The catalogue opens with the words: these are just a few of the many shapes that are available in Barling’s Celebrated Pipes.

I wanted to include the opening page of the catalogue for your reading pleasure. It is a note from B. Barling & Sons, London and reads as follows:

“We have much pleasure in presenting our New Catalogue illustrating some of the principal shapes and specialties in our celebrated EB/WB Briar Pipes.

Our pipes being so well and universally known (without artificial aid of advertisements), we will not here dwell on their perfection, but would ask you to kindly peruse this book, which will no doubt introduce to you some new patterns.

If you are not already a smoker of our pipes, we hope that it will lead to your giving them a trial and thus testing their quality and workmanship, we ourselves being confident of your ultimate judgment and satisfaction.

Every department of our factory being under our own practical and personal supervision, ensures every pipe turned out by us coming under our direct notice. This fact, coupled with the excellence of the materials used in their manufacture, has given our pipes a reputation second to none in the smoking world, a reputation we firmly intend to maintain and strengthen.”

I find the introduction to the catalogue a fascinating read and one that has proven to be true even in our day over 150 years later. Barling’s Pipes are still seen as quality pipes that deliver a great smoke. I have Pre-transition, Transition and Post-transition pipes and though there are certainly differences in quality of workmanship in the later pipes they nonetheless are good smokers. The pages of the catalogue are full of information both in the form of the photos and shape names and numbers but also in the stampings on the pipes and the linking of certain shapes to others with a note on the size. For instance, the Hunt, No. 344 a diamond shank billiard, is a parallel shape to shape #324 which is larger and shape #566 which is smaller.

After the main shapes portion of the catalogue the pages turn toward specialty items such as Crocodile and Morocco cases which are noted to be “unsurpassed for durability and finish” and can be obtained for any Barling pipes as a Single or a Companion case. There are several pages o of pipes with unique covers – with shapes from flat to domed, with hinges and with chains holding them in place. These are truly beautiful looking pipes. Something I was unaware of was that Barling’s made Meerschaum lined pipes as well. They show three examples with a note that they can be made for any shape of Barling’s pipes. I had to laugh at the note (so contrary to much I read today on the forums regarding meer lined pipes) that “Our Meerschaum Lined Pipes we can recommend for cool and sweet smoking. They are suitable for hard smokers and also for those who do not like briar…”

The catalogue ends with what for me has become a bit of a wish book – Specialties in Companions and Cased Amber Briars. These are the beautiful cased singles and pairs of pipes – one with a vulcanite stem and one with an amber stem on matching pipes. Others have a bent pipe and straight pipe with a military bit with two sets of stems – vulcanite and amber. Some have stem extensions made out of albatross wing bone and others have three pipes in a case. These cases are the Crocodile and Morocco cases spoken of above. The economy of size and shape make these great pocket cases for the pipes they contain. I am forever on the prowl for a set like these to add to my collection.

If you want to have a piece of history in the form of a catalogue that gives you a real feel for a time long gone you could not do better than pick up a copy of this facsimile. It is a treat for the Barling’s pipe collector and smoker and would also be a great piece for anyone who wants a nostalgic glimpse at the past.

The Pipe Hunt – Rule # 5: Never pass up pipe parts when you see them


Year ago now, I was visiting a lawn mower repairman who worked out of a shop in his back yard. I have a 30+ year old Snapper gas powered mower that works great and have had parts and gears that have broken or seized up. Joe always is able to get things back in tip top shape. It always starts with one pull of the cord. On one of my first visits to Joe he looked at what I needed and took me into his workshop. He reached up to a shelf that held many small bins and took down one that had several of the parts that I needed. He selected the one he wanted and within short order fixed my lawn mower. I asked him about the part bins and he said that he scavenges parts from where ever he can. He buys broken mowers and strips them down and buys parts whenever he can. He stock piles old parts – some of them are no longer are made so his bins are truly a treasure trove. Over the years I continue to go back to Joe and he keeps my old lawn mower running like a watch. He never has to go and buy parts because his bins hold much.

You might ask what that has to do with pipes and pipe refurbishing. Well in a very personal way it set the course of my pipe repair work. I have never forgotten Joe’s example with lawn mower parts. Since I don’t fix lawn mowers or motors I collect a totally different set of parts. I love refurbishing old pipes so I have started my own bins of pipe parts. I am looking forward to the day when I can set up a small shop of my own the yard where I can have the parts readily accessible when I am working on things. Until that time I collect the parts and store the bins in cupboards and drawers in the basement and laundry room. I have several bins of stems – old stock unused, scavenged used stems from broken pipes, new stem blanks in a variety of shapes and sizes. I buy stem blanks from Ebay and from Pipe Makers Emporium and new and used old stems where ever I find them. Currently I have them divided into a tin of round stems and a tin of different shaped stems. I also have bags of tenons, tins of stingers, a shelf of broken briar pieces and a box of bands of different sizes and shapes. I collect as many pipe parts as I can find from as many places as I find them.
IMG_2374

IMG_2375

If you were to follow me around on the hunt, you would see that I don’t just look for pipes that I can refurbish or collect. I also keep an eye out for pipes that can be cannibalized for parts. I find them in the pipe lots I buy on EBay (like the pictures below) – these often have extra stems, bands, broken pipes and parts that can be recycled and put to use again. (The photos below come from random EBay ads that are of the type that I usually bid on. There are a lot of redeemable parts in the lots below. I include them to give an idea of the things I look for.)
hunt1

hunt2

hunt3

hunt4

hunt5

hunt6

I email online estate pipe sellers and ask if they have old stock used stems that they want to sell. I literally look everywhere I can think of in the process of the hunt. I have stems and parts shipped from Denmark, Sweden, Germany, England, the US and Canada. I also scavenge for them. I pick up pipe parts at flea markets, antique shops, and thrift and rummage shops. Sometimes they are attached to beat up old pipes that are worthless and other times they are sitting in an old cigar box or tobacco tin. I bring them home and the stems and the old briar are kept for repurposing in my repairs.

When I find them in a shop of any kind I make an offer to the seller for the lot and have had success in picking up the parts at a good price. Both the seller and I are happy with the deal. But important to the process is to not just look for parts – any pipe can supply parts for you. I have bought chewed stems for the sole purpose of rescuing the logo from the stem. I have heated and removed metal tenons from stems, removed threaded parts from the tenons of broken pipes to use as replacements, removed stingers and labeled them for use in pipes that I come across that had stingers that were either broken or missing. I have also removed inserted logos from the shanks of broken pipes for reuse. I have also cut down broken stems, shortened them to fit and cut new buttons for them. I also pick up pipe bowls that can be cleaned up and restemmed. I have found some amazing old pipes that have been great smokers when repaired with a new stem. I rarely skip over bowls because I find that there are many uses for them. Worst case scenario – I have sold packages of bowls and stems for others to practice on.

There truly is no end to the parts you can strip off old pipes and very little that truly needs to be thrown away. I have found that most parts can be repurposed and used on other pipes in my repair work. Thus I always keep an eye on the minutiae of the pipes I am looking at – seeing them for the whole but also seeing the individual parts that can be reused. I never pass up buying parts and search regularly for them.

I am thankful to my lawn mower repairman Joe for giving me the vision to craft Rule #5. It has served me well and will be a part of the hunt for as long as I am hunting.

Syroco Pipe Rests – Reconditioned and Brought Back to Life


When I bid on a recent Ebay lot the thing that caught my eye were the two pipe rests in the pictures. They appeared to be in good shape other than the dust and grit that had built up over the years. The first one was a two pipe rest that was made to look like tree stumps and a pebble beach or path. The second one was a single pipe rest that was a moccasin shape. They looked to be made out of Syrocco – a material that I am familiar with because of several other pipe rests that I have in my collection.
pipes6

pipes8

They arrived at my home this afternoon and awaited me when I returned from work. I opened the box and took them to the basement worktable to clean them up. However, before I went to work on them I was curious to know more about them and what the material was that made up the pieces. I used Google to hunt down information on the product and the company that made them. From the web here is what I found out.

Syroco was founded in 1890 as the Syracuse Ornamental Co. It employed generations of Central New Yorkers until it went out of business in 2005 (or 2007 some conflict in dates at this point). By then, it was making those ubiquitous plastic Adirondack-style chairs. But in its early days, the company produced unique products made from a mixture of wood flour and a casting resin. The pipe rests above are examples of that technique. They made a wide variety of products from their recipe such boxes designed to hold playing cards, picture frames, candlestick holders, ashtrays and bookends made from the wood resin.

I also hunted down information that related to a collection of Syroco materials that resides in the Special Collections Center at Syracuse University. There was an abstract there that confirmed the information on the company – from its beginning to its closure in 2005. The abstract also had the following to say about the materials used for the Syroco products – They were known for molded wood-pulp interior decorations and gift and novelty items that resembled hand-carving. Later they integrated polymers into their molding process and then moved entirely into plastics production.
I did a bit more digging into the history of the company to find out more about the founder and what they made. I also wanted to learn more about the molding process that went into the product. I found the following information. I summarize it in the next paragraphs and also include bibliographic information for those interested in digging deeper.

“The company was founded in Syracuse, New York in 1890 by immigrant Adolph Holstein, the Syracuse Ornamental Company (Syroco) and originally specialized in decorative wood carving for the local residential market. Their early products included fireplace mantelpieces and other types of interior decoration popular in late Victorian homes. To meet increasing market demand and sales opportunities Holstein developed a material looked and felt like wood but that which could be shaped, allowing multiple pieces to be produced through a molding process. The new product, which combined wood pulp brought from the Adirondacks with flour as a binder and other materials to give it strength, was extruded and then cut to fit compression molds, which had were made from original carvings in real wood.

The process favored shallow molds with little undercutting, and this served well for the creation of a wide variety of “carved” relief work to be applied to different sorts of flat surfaces such as walls, furniture and caskets. Production of this new molded product, known as SyrocoWood, was the mainstay of the company’s production through the 1940s. The finished material could be smoothed and varnished to look like wood, or it could be painted. Sales catalogues from the early 1900s through the 1920s offer hundreds of varieties of moldings, capitals, brackets, volutes, and reliefs of vases, garlands, cartouches, scrollwork, and other details in a variety of styles.

Syroco operated from a large factory complex on 581 South Clinton Street in Syracuse acquired from Smith Corona Typewriter Company. The company remained in the hands of the Holstein family for three generations, with some of Adolph’s children and grandchildren taking over management and sales positions. At its peak, about 400 workers were employed at the plant.

By the 1930s the company had also developed an extensive line of gift and novelty items made of “SyrocoWood” and also “Woodite,” a combination of wood flour and polymer. In the 1960s the company began to use injection molding for some of its products, but did not entirely abandon its old processes.

Syroco added more lines of injection molded plastics when a new plant was opened in nearby Baldwinsville in 1963 which was entirely geared to plastics production, especially PVCs and polystyrene. The company began to use plastic in new “modern” designs and new forms for clocks, mirrors, tables and a range of household items. In 1968-1969 the company launched its “Lady Syroco” home products. Beginning in 1986 Syroco produced a popular line of lawn furniture.

In 1965 the company was bought by Rexall Drug and Chemical Company (which soon changed its name to Dart Industries). Dart owned Tupperware, from which Syroco gained more knowledge of injection molding. Syroco was purchased by the Syratech Corporation of Boston in 1986 which expanded its patio furniture production. In 1995 Syratech sold Syroco to Marley PLC of Sevenoaks, England, and in 2004 Syroco was purchased by Vassallo Industries of Puerto Rico which closed the plant in 2007. In April 2010 Tessy Plastics purchased the 270,000 square foot Syroco plant to be used for storage and distribution.”

Sources:
“Corkscrews of the Syracuse Ornamental Company,” online at vintagecorkscrews.com
Hannagan, Charley. “Syroco plant closes,” Syracuse Post-Standard, June 18, 2007.
Alexander Holstein, interviewed by Sam Gruber, Syracuse, New York, Nov. 8, 2010.
Sorcher, Jamie. “Brits in deal for Syroco,” HFN The Weekly Newspaper for the Home Furnishing Network, April 3, 1995.

Armed with the information I had gathered and now understanding what the pipe rests were made of I was better able to begin cleaning and restoring them. I cleaned the grooves and carved crevices in each piece with Everclear applied with cotton swabs until the surface was free of the dirt and grit that had built up in those recesses over the years.
IMG_2333

IMG_2335

IMG_2336

I then dried the surface of the pieces with a soft cotton cloth and restained them. I decided that rather than using an aniline stain on them I would use a linseed oil based stain made by Watco. I chose to use a walnut coloured Danish Oil on both pieces. I applied the stain with a cotton swab until all the surfaces were covered and the pieces looked new with a slight shine.
IMG_2362

IMG_2363

IMG_2364

Once both pieces were finished I set them aside to dry over night. The linseed oil would protect the finish and the stain would soak into the surface of the pipe rests.
IMG_2365

IMG_2366

IMG_2367

In the morning both pieces had dried (though still slightly tacky). By this evening they should be completely dry and ready for use. The pictures below show the finished pipe rests.
IMG_2368

IMG_2369

IMG_2370

IMG_2371

IMG_2372

IMG_2373

The pipe rests have dried nicely. The moccasin has a semigloss finish to it and looks really nice. The two pipe rest with all the nooks in the stumps and roots is taking longer to dry. The high ridges are dry and semigloss. The deep grooves are still slightly tacky and thus more shiny. It has taken a day and a half for it to dry.

The Pipe Hunt – Rule #4: Buy estate pipes that challenge your refurbishing abilities


When I formulated Rule #4 it was a natural outcome of my pipe refurbishing self-training. I purchased according to what I wanted to learn until I had learned it. For me this method of buying old pipes provided the class time/workshop time where I could practice some of the tips I was reading about and learning from others in the online community. I have never been particularly shy about asking “how” and “why” questions. Ask my daughters and they will tell that one of my nicknames is “Why”. Buying pipes according to what I wanted to learn in refurbishing quickly became a habit that I really did not take time to think about until I was ready to move on to something new. I often picked pipes that I really was not interested in keeping in my collection but because they had problems that would be teaching/practicing opportunities for me. This has been the case each step along the learning curve for me. In the rest of this article I will trace out my journey in refurbishing through the kinds of pipe I bought. Through this monologue on the journey you will see my process and the method to my madness.

When I began my refurbishing education in earnest my earliest purchases were pipes that were dirty and caked but did not have any issues requiring technical skills. I was looking for very straightforward cleanup jobs. The bowls just needed to be reamed and cleaned and the stems cleaned and deoxidized. They were not chewed on or beat up on the edges of the rim. They were not charred or badly damaged. They had merely been smoked and used. I bought that kind of pipe and worked on them until I was ready to move from learning how to cleanup minimal external and internal issues. I wanted to learn how to clean a pipe from the inside out. I bought reamers – actually I have over twenty different kinds now residing in my work kit. I tried them all until I found the ones that worked best for me. I read about processes of cleaning shanks and bowls. I bought a retort and learned how to use it. I practiced with salt and alcohol treatments. Everything I did was done with a single purpose in mind – to learn how to clean a pipe. Once I felt comfortable in the process of cleaning out a pipe it was time for me move on and learn other aspects of the craft.

The second skill I wanted to learn was to refinish a pipe bowl. This influenced the type of pipes that I hunted for and purchased. I looked for ones that still had intact stems with little damage but bowls that needed to be refinished. I bought sandblasted bowls, rusticated bowls, smooth bowls all types and shapes. I wanted to learn how to remove the finish from a pipe and then to prepare it for restaining. This involved different methods for cleaning each kind of finish.I learned to top a bowl and remove damage to the inner and outer edge of the rim. I learned to steam out the dents in the bowl and to remove or minimize dings and scratches. I learned to sand smooth bowls and rims with varying grades of sandpaper and micromesh sanding pads. Each step in sanding taught me to be pickier regarding the scratches and sanding marks I left behind. Once you have a pipe almost finished and have to start over and resand you quickly learn to work at the preparation more carefully. I spoke with several pipe makers to learn the art of staining and where to get the aniline stains. I learned (and I am still learning) the techniques of staining and practiced them on many pipes. I worked on various colours and blends of colours. I worked on understains and overstains. I worked on learning how to do contrast stains. I worked on buffing the bowls and sanding them after staining. It was a great learning curve, one fueled by the kinds of pipes I bought.

The next step in my refurbishing course came from the previous one. After staining old pipes and still being bothered by the fills that were eyesores to me I decided to learn how to replace the old pink wood putty fills. I tried a variety of methods all learned on bowls I picked up at garage sales, antique malls, junque stores and thrift shops. The idea was to remove the fill and replace it with something that would take the stain. I tried putties and filler sticks and still was not happy. I tried wood glue and briar dust mixed with a bit of stain and was a bit happier. But I found that the wood glue dried shiny and still stood out on the bowl. I moved on to try superglue and briar dust and am very pleased with how it works. It is a dark colour in contrast to the lighter/pinker colour of the putty but it is solid and hard when it dries and does darken with the stain. I began to look for pipes with fills to remove and practice on in the stores. I found many pipes that I practiced on and then passed on to the racks of new pipe smokers. The pipes I worked on had begun to look better and better but I still had much to learn. Everything up to this point was pretty simple and cosmetic. The real challenges were just around the corner for me.

It was time for me to learn stem repairs with a greater degree of technicality. I say repairs and not restemmingbecause as yet I had not tackled that aspect of refurbishing. With that objective firmly in mind I was on the hunt for and purchased pipes with tooth marks, bite throughs on the stems, cracks and broken pieces. I wanted to learn how to make patches on the stems and also to recut and shape a new button on the stem. I shortened the stems. I cut buttons with files and sanding blocks. I learned to shape slots in the button with needle files. I called repair people and pipe makers to make sure I got the right tools. I bought and discarded many in the process of building the right kit. I worked with epoxy patches mixed with vulcanite dust. I worked with patches using pieces of vulcanite and epoxy. I worked with superglue and finally settled on black superglue for patching holes and bite through areas. In the process I learned to use heat from a hot water bath, a heat gun and then even a lighter to raise bite marks in the stem and to reduce tooth chatter. I learned a variety of methods to remove oxidation. All of this was part of the process of learning to refurbish stems.

When I felt more competent in the stem repairs I wanted to learn how to fit new stems to the bowls. I went on to purchasing bowls that were missing stems and learned how to turn the tenons on precast stems and to shape the stems with a Dremel and files. I bought precast stems from Pipe Makers Emporium and also bought lots of used stems on Ebay and scavenged them from broken pipes. The learning included fitting tenons, shaping stems, adjusting the taper, making saddle stems, reducing the diameter at the shank, countersinking the shank to make for a tight fit, shaping the button and opening the slot in the end. Lots of experimenting took place in learning to use the PIMO tenon turning tool which meant that some tenons were too small and others too large. All were part of the process of learning to use the tool, its limitations and methods of working around those limitations.I also learned how to shape a stem from a piece of rod stock. Each step was part of the education for me in stem repair and shaping. You can see with this method in mind I bought many bowls that later I ended up giving away and/or selling very cheaply. They ended up being good pipes for starters.

I always keep an eye out for pipes that push the limits of my restoration abilities to see if I can learn new tricks and tools. For me the purchasing of estate pipes is for my ongoing education. I am always looking for better methods and learning new methods and acquiring new skills and tools. The above paragraphs spell out my learning journey. A few more years down the road I will add new skills and thus new paragraphs to the learning journey. The long and short of Rule #4 is to buy for the purpose of learning.

A Short Story: A Blend of Tobacco at the Root of a Friendship


One of my side hobbies is to collect old photos of pipemen (both hard copies and electronic versions) and try to craft a story from them. I love to try and imagine the lives of the men and women in the photo and then write a short story from there. This particular story came to me from a photo I have had on my hard drive for quite a while. One day this past week I sat down and looked at it and the story came to me. You might imagine a totally different story and so might I on a different day. That is the fun of the process for me. As for this version of the story I am sure it will be revised over time but I thought I would share it as it currently stands. Thanks for taking time to read it.

2friends Henry and Paul first met at the local pipe shop in Gastown. Henry had come in to replenish his supply of his favourite tobacco and Paul was behind the counter working as a clerk. They were close to the same age and both had a love for their pipes. Being young they did not have a large collection of pipes. In fact if you had followed them home from the shop and seen where they each lived you would understand that like many young men renting a room in the city and working long hours they did not have much more than a change of clothes, a few books and a pair of boots. These two each had the pipe in their mouth, a pouch of tobacco and a match safe full of dry matches in the pocket of his coat. They both had a nail with a large head that served as a tamper as they smoked.

The day they met it was a rainy Vancouver day – normal for November. Henry was on a lunch break from his office on Cordova Street and had run over to the shop to pick up some tobacco. As he came through the door he was surprised to see that Richard was not working that day – or at least he was not out front. Rather, behind the counter stood a dapper young fellow with a waistcoat and watch fob. His sandy coloured moustache matched his hair perfectly. Henry had always wanted to grow a moustache but just did not have much luck with it. Once the young man had finished with his customer he introduced himself to Henry.

“Good afternoon sir, my name is Paul. I am new in the shop so I have not met many of the regulars yet. By new, I don’t mean I am new to the trade. I have been working in Victoria for several years at the Old Morris Shop and just moved to Vancouver. I stopped by and introduced myself to Richard and he hired me. What can I help you with?”

Henry replied, “Good to meet you Paul. I just came to pick up a couple of tins of my regular tobacco. I am quite taken with Dunhill Nightcap and I am just about out. I will take two tins of that if you have them. I am also interested in trying one of Richard’s blends that is kind of like Nightcap. Do you have any recommendations?”

They both made their way to the tobacco counter to see what Richard had available. Henry looked and smelled a few of the blends but nothing quite caught his fancy. So instead of one of the regular blends Paul decided he would custom blend a batch for Henry. He took down the recipe book and found the blend he was looking for. It would provide a base for the mixture he had in mind. He had a few additions of his own that he would put in the new blend. He took down the jars of tobaccos that he would blend to make the batch for Henry. He mixed the components noted on the card on the blending board, added his contributions and then tossed them together to mix the pieces. All the while Henry was watching the “chef” at work. He was amused at the drama of the production in front of him. Paul was so intent on his work that he almost forgot that Henry was there. He just mixed and checked the recipe and when he was done looked up. He had to laugh at himself.

“Sorry about that old chap. I was so intent on the mix that I totally lost sight of the customer. Have a whiff of this. Do you have your pipe with you? Dumb question, I know but it has happened so often that I always ask. Load a bowl of this and see what you think.”

So Henry did just that, he took his pipe from his coat pocket tamped out the dottle and then loaded a bowl of the “recipe”. He took his time packing the bowl – mind you it did not take too long. The whole thing from the question, to the mixing to the filling a bowl had taken a few minutes. When he had a bowl packed he lit a match and drew on his pipe. The smoke curled around his head as he breathed out. He was quiet for a while as he tasted the new blend.

“Hmmm, this is good stuff. I can taste the Orientals, the Latakia, the Virginia and is that a bit of cigar leaf?” He contentedly puffed on his pipe. This was a good blend.

Paul answered, “Yes I put a dab of cigar leaf in – my addition to the recipe. I always have liked the added taste that it brings to a blend. What do you think? Remember it will only deepen in flavour as it sits in your pouch.”

Henry silently puffed his pipe, drawing the smoke into his mouth, sipping the flavour and letting it curl out around the mouthpiece. This was truly a good smoke.
“Excuse me Paul, what time is it? I need to get back to the office before I am late. Can you pack that up for me and I will settle up. I will continue to smoke it over the weekend and be back in on Monday at noon. I am thinking I will need to get some more of this if it continues to smoke this well.”

With that Paul picked a small tin from under the counter, packed in the 4 ounces of his recipe and sealed the tin. He wrote the mixture components on a card and put it on file with Henry’s name and a date. Next time around it would be just a matter of following the recipe – kind of a My Mixture Gastown style. He handed the newly tinned batch to Henry with the words, “Enjoy the new blend my friend. I am sure I will see you Monday and we will adjust things as necessary.”

Henry went out the door, saying over his shoulder, “Talk soon Paul. I am pretty sure this one will be a keeper. I just have a good feeling about it.”

The door bounced closed and once the chime over it was stilled Paul went back to work, cleaning up the remnants off the blending table and putting them in a jar that Richard kept under the counter. The jar was beginning fill up with a good bunch of tobacco and would soon go into the leavings bags that were sold at a great price to the daring pipemen who came through the door.

by Steve Laug 10/21/13