Monthly Archives: December 2012

A Bill Boyle Chubby Apple – A Review


I have been smoking this Bill Boyle chubby apple that I picked up from him for quite a while now and thought it was time to write up a review. This is the second pipe that I have purchased from Bill and I have found both of them to be consistently good smokers. Bill moved from pipe refurbishing and cobbery (crafting handmade cob uniques) to pipe making a few years back and his craftsmanship is progressing quickly. The first pipe I bought from Bill several years back smoked incredibly well, as the internal mechanics were perfect. But it had a thick stem and button that I found uncomfortable. In this pipe he has progressed on the shaping of stems and buttons to the point that it is very comfortable. I think one of the things I appreciate about Bill is that he is always learning and improving.

The latest pipe I purchased from Bill was a Chubby Apple.

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The dimensions for this pipe are as follows:

Length: 5 inches

Height of the bowl:  1.75 inches

Size of the chamber:  .75 inch diameter and 1.5 inches in depth

Drilling through the shank:  5/32inches

Drilling in the stem:  5/32″ to tapered toward the button and funnelled at the button

Weight: 2.0 ounces

The mechanics of this pipe are well done – as are those of my previous Bill Boyle pipe. He has really mastered the drilling and internal design for his pipes. The bowl interior is clean and smooth when it arrived. He uses no bowl coating so the interior of the briar is visible. This one is a clean piece of briar with no surprises (at least on the surface). The airway is centered in the bottom of the bowl as it should be. There are no ragged edges or pieces left behind by the drill bit. The airway is smooth when examined with a light. It is smooth throughout the shank with no ragged edges. The transition from the airway to the mortise is also smooth and clean. The airway in the stem tapers toward the button and ends in a smooth funnel at the button. The button on Bill’s pipes used to be too thick for me and I would file them down to the size I like when they arrived. I mentioned that once to Bill and he made this button to exactly the specs that I spelled out over the phone. The slot in the airway is also smooth and clean with no ragged edges. It is also centred in the button – something that I used to take for granted but have learned to pay attention to on the pipes I buy and the ones I restem.

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The externals – shaping, finish, stem and feel of the pipe are excellent. I like the compactness of Bill’s apple shape. My other pipe is also an apple – ¼ bent. He did a great job cutting it to maximize the grain and highlight the beauty of the piece of briar. The feel in the hand is perfect for me as I find the apple shape a very comfortable shape to smoke. The finish is nicely done. His staining of the pipe is even and smooth with no fading or light spots on the pipe. The contrast of the undercoat with the brown finish coat makes a nice looking pipe. The stain on the undercoat makes the grain really stand out and the overcoat sets it off very nicely. There is one flaw in the bowl on the front of the pipe. It is visible but does not affect the smoking ability of the pipe (see the picture below). The flaw is not terribly deep but Bill chose to stop sanding so that he could maintain the shape that he had chosen for this pipe.

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The saddle stem is hand cut German ebonite and is comfortable in the mouth. For me some of Bill’s earlier pipes had a more drastic slope on them and thus were not as comfortable in my mouth. I found them hard to hold in my jaw. The slope on this one is more gradual. The flat blade of the stem is cut well and is also a good thickness for the look of the chubby bowl and shank. Bill has tapered the edges to meet and create a midline on both sides of the stem. Nicely done! The finish on the stem is also very good. There are no file marks or scratches in the finish. It is a smooth finish and he has polished it a glassy shine. The fit of the saddle to the shank is also well done. There is no gap between the stem and the shank of the pipe. The thin saddle is a feature that I really like on this pipe – it gives is a unique look. The fit in the tenon is snug and smooth.

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I have been smoking the pipe now for long enough to know that it is a smoking machine. It was not terribly hard to break in and after a few bowls the bowl had begun to form a thin cake. I smoke primarily Virginias and Virginia Perique tobaccos in this pipe and it delivers a clean full bodied taste each smoke. The draught on the pipe is quite effortless as it is an open drilling. The briar warms nicely in the hand but does not get hot. If you have not worked with Bill to have him make a pipe for you or have not picked one up on his website http://billboylepipes.weebly.com/ you should give them a try. If your experience is anything like mine you will not stop with one pipe.

You Are About To Experience – A Comoy’s Pamphlet


Another old pamphlet I picked up at an antique store with an old Brigham pipe I found. It had the previous Love That Pipe Booklet and this one in the box with the pipe. The Comoy’s pamphlet has a copy of the guarantee, the shape chart, a guide pipe lines within Comoy’s, the Comoy’s Briar Story, Comoy’s Pipe Care and some of the pouches that used to be available through Comoy’s. Hopefully these photos are clear enough for you to get the idea of the interesting content of the brochure.

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Love That Pipe – RJ Reynolds Tobacco Company


This little booklet “Love That Pipe” is subtitled A Fun Guide To Pipe Smoking. It is full of of helpful information for the long time pipe smoker and new comer to the hobby. It covers lots of topics from choosing a pipe to how to feed and care for it. Kind of an interesting blast from the past.
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Alpha Abrasives – Micromesh Alternative


Blog by Al Jones

Yesterday I reluctantly escorted Mrs. Jones into our new “Hobby Lobby” store. After overcoming the fright of a giant floral area near the entrance, I have to admit there was some interesting items for sale.

I made my way to the model making section and found some products made by Alpha Abrasives that appear to be identical in design and grade sizes as Micromesh. But, these products were significantly cheaper. Later, I found their entire line on their website. Hobby Lobby carried the sheet and pad sets detailed below at the online pricing.

Micro Cloth Finishing Products
http://www.alphaabrasives.com/alpha/micro-cloth-finishing-products.php
– 2″ x 2″ pads @ $8.99/set
– 3″ x 4″ cloths @ $14.99/set (my preference)
– Foam block for holding the cloth (I bought one of these)

Sanding Files
http://www.alphaabrasives.com/alpha/sanding-files.php

Plastic Sanding Needles
http://www.alphaabrasives.com/alpha/plastic-sanding-needles.php

Sanding Pads & Sanding Foam Blocks
http://www.alphaabrasives.com/alpha/sanding-pads-foam-blocks.php

I find that I don’t use the full line of the micromesh and typically only use the last four grades. Alpha does not sell individual grades, but I will inquire about that option

1937 Patent Era Brigham Lovat


Blog by Steve Laug

I picked this little Lovat up in a trio of pipes from EBay. I refurbished the first two – the no name Sandblasted Poker and the Dr. Plumb Statesman already. I have written about them earlier on the blog. Today I worked on the Brigham Lovat. It is stamped Brigham over Can. Pat. 372982. The shape stamp in on the flattened bowl bottom and is stamped 199. The finish was pretty well worn off but there was some nice looking grain on the bowl and shank. The briar actually is flawless with no fills or sandpits. The rim was black and covered with what appeared to be a thin coat of hard tar. The stem was badly oxidized and the brass one dot logo was obscured. Once the stem was removed the Brigham patented filter system was a little hard to remove. The hard rock maple filter was clean but there was a white cobweb like substance in the bowl and in the shank and filter.

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I did a patent search on the Canadian Patent site and found documentation filed with the number stamped on the pipe. I have copied that documentation in the following three pictures. The first picture is a drawing of the Brigham filter system signed by the designer Roy Brigham when it was filed. The next two pictures are the descriptive text of the patent. It is always fascinating to me to discover these pieces of history when I am working on a pipe. This old timer had a story to tell that is for sure. I am not sure when Brigham stopped stamping their pipes with the patent number but in the many that have crossed my desk I have not seen one with the numbers.

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I put the bowl to soak in the Isopropyl alcohol bath with the other bowls while the stem soaked in an Oxyclean bath. Once I took the bowls out I wiped them down and went to work on them. The Brigham is the bowl at the top of the photo below. You can see the grain on it is actually quite beautiful.

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The bowl when dried off is pictured below is quite clean. It has no fills or sand flaws in the briar. It is going to stain nicely and be a great looking pipe when finished.ImageImage

In the picture above you can see the tars on the rim of the pipe. I dried it off and sanded the rim with a 1500 grit micromesh sanding pad to remove the tar build up on the rim. The next two photos below show the rim with the tars removed and the surface smooth. The beauty of this old pipe was that the rim was flawless. There were no dings or dents in it. The outer and inner rim edges were still quite sharp.

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After sanding the rim I sanded the entire bowl of the pipe and also the first sanding on the stem. The picture below shows the sanded bowl. I used 1500-2400 grit micromesh sanding pads, carefully sanding around the Brigham Patent Stamping.

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When I finished sanding I wiped the bowl down with acetone on a cotton pad. I use nail polish remover which is a solution of acetone and that is readily available at our local dollar store. It works well to lift any remaining stain in the briar and clean the surface of any leftover debris from the sanding process. The grain is really standing out nicely in the three photos below and will make a great looking finished pipe. I also continued to sand the stem with a medium and a fine grit sanding pad to cut through the heavy oxidation.

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After sanding with the sanding pads I moved on to wet sanding with 1500-2400 grit micromesh sanding pads. I have a cup of water at hand to dip the sanding pad into and then sand the stem to remove the oxidation. These first three grits of micromesh do a great job in removing the remaining oxidation on the stem. The water begins to turn a brownish yellow as I dip the sanding pad and squeeze out the grit from the sanding. The stem begins to come back to black by the 2400 grit pad.

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At this point in the process I have started to use Meguiar’s Scratch X2.0 before going onto the higher grits of micromesh. I rub on the Mequiar’s with my finger and scrub it into the finish of the stem. Once it is applied I let it dry for a few moments and then scrub the stem with a cotton pad. The next three photos below show the stem after the rub down with the Mequiar’s and a hand buff with the cotton pad.

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After polishing the stem I rub it down with Obsidian Pipe Stem Oil. I find that it penetrates the vulcanite and the remaining oxidation seems to lift to the surface. Once it is dry I continue to sand the stem with the micromesh sanding pads from 3200-12,000 grit.

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After the stem really begins to shine I remove it from the shank and place a dental pick into the mortise to provide a handle for me when I am staining the pipe. This allows me control as I turn it over in my hands. I stained this pipe with Dark Brown aniline stain (Feibing’s Leather Dye). The first photo below shows the pipe ready to be stained and the second is with its first coat of stain. While it is still wet I flame it by lighting it with a match and setting the stain.The flame sets the alcohol in the stain on fire and burns it off.

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Once it is flamed I rub down the bowl with a piece of cotton terry cloth. It removes the surface stain and leaves the stain set in the softer grain. The next series of photos show the pipe after it has been wiped down but not buffed.

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Once I have wiped it down I take it to the buffer to remove any more of the stain and to give it a shine. With this particular pipe the stain obscured the grain a bit so I decided to wipe it down with the acetone to lighten the stain. I wiped it until I got the effect that I desired. I then buffed it repeatedly to get a shine.

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The stain was still a little dark to me and I wanted a bit more contrast in the stain. I wiped the bowl a final time with Isopropyl and then buffed it a final time. I also buffed the stem. I scrubbed the metal tenon with 0000 steel wool to polish the oxidation on the aluminum. It shined as well. I inserted a new Brigham Hard Rock Maple filter and put the pipe back together. I gave the stem a final coat of Obsidian Oil and then when it had dried I gave the bowl and stem multiple coats of carnauba wax on my buffing wheel. I finished with a quick buff with a soft flannel buffing wheel. The finished pipe can be seen in the pictures below.

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Positives and Negatives of the PME Tenon Expander


After reading about it online, I picked up a tenon expander from the Pipe Makers Emporium several years ago. It can be ordered online at http://www.pipemakers.org/tools02.html The website describes it as follows: Tenon Expander: (Three sizes-in-one: 1/25, 1/50, 1/60) “An absolute must for pipe repair! One tool that will do 99 percent of all loose tenons. Throw away that ice pick because this will do a much better job. Heat the Tenon with an alcohol lamp until it is soft. Insert the Expander to the next size. Place Tenon and Expander into cold water to set the Tenon to its new size. Remove the Expander and your Tenon will maintain its new size. .” The sell for $29.00 each

The concept of the tool is actually quite simple – heat the tenon with a heat gun/ hot water or heat the tenon expander tool with a flame or heat source. Once it is heated, push the expander into the tenon and twist it until the tenon expands. Cool the tenon under clean or cool water to set the expansion and then remove the tool. You will notice in the picture below that the tip is tapered and gets larger in diameter the farther you move up the tip toward the handle. By pushing the tool into the tenon you can expand it for a tighter fit in the shank. In my use of the tool I would heat and expand, then cool the tenon in water, remove the tool and try the stem on the pipe for a fit. If it needed more expansion I repeated the process until the fit was snug. The gradated slope on the tenon expander gives you a broad range of possibilities in accomplishing that task. After I had used it for a while I decided to evaluate the tool in terms of its positives and negatives. What about the tool did I like and what were its deficiencies?

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The positives

In thinking through the positives the obvious ones were those advertised on the PME website.

  1. The ease of use is the first thing that stood out with the tenon expander. It is very simple to use even though it came with no instructions. It was not hard to figure out how to use it correctly.
  2. The tapered end is also billed as a positive feature of at first glance as it works to open the tenon to varying degrees and you can repeat the fit until the stem is snug. I will explain in the negatives why I have come to believe that the tapered end is not as great a feature as it initially appears to be when you begin.
  3. The grooves on the handle of the tool are cut to make it easy to hold on to as you work with it.

The negatives

Over time and experience working with the tool I have found some of the features that I first thought were helpful have grown to irritate me and work as limitations of the tool.

  1. The first thing I have learned is that the taper on the end of the expander, while being helpful, is also a negative feature. The expander does not expand the entire tenon but rather the end of the tenon. With use the tenon thus is no longer cylindrical but can flare at the end. The snug fit is thus only for the first 1/8 inch of the tenon. The rest of the tenon is not touching the walls of the mortise.
  2. Heating the tenon to insert the expander makes the tenon very pliable and if you are not careful the tenon can be bent at an angle thus ruining the fit at the shank. I have found that if I heat the expander instead then the tenon does not soften as much and I avoid the potential of tilting the tenon.
  3. A final negative for me is the handle of the expander. I use a pair of heat mitts to hold it as I heat it but if I were going to continue to use it regularly I would make a wooden handle and epoxy the expander into it. In my opinion it would make it more usable.

Other options: As I pushed the limitations of the tenon expander that I purchased I decided to look and see if I could find other tools that would address the negatives that I have spelled out above. I have been experimenting with various sizes of ice picks and awls to use for tenon expansion as they have a longer shank and less taper. This allows me to expand the tenon the entire length of the tenon rather than just the tip. So far they have worked very well. I can easily heat the shaft of the awl or ice pick while holding the wooden handle. They slide into the tenon and are easily twisted slowly to expand the tenon. The final verdict is still out on them as I continue to look for picks and awls with a variety of diameter shafts.

A Unique Attempt at a Cooler Smoker – An LHS System Pipe


I picked this old pipe up in a lot of pipes that was given to me. The pipe is stamped LHS in a Diamond and next to that SEC on the left side of the shank. The right side of the shank is stamped US Patent 1908630 over Other Patent Applied For. I have hunted through the patent information site and could find the original LHS patent under the number above but the descriptions and diagram do not match the system in this pipe. The stem is Perspex I believe, and has the cross hatched metal end on it. That is threaded and connects to a threaded tenon that is connected to the bowl. When I got the pipe out of the box of pipes it was dirty and the rim had a lot of tar. The bowl was not badly caked but had remnants of tobacco left in it. The stem was dirty and opaque. The internal filtering system was black with tars. The stem also had some crazing in it – this happens when alcohol is used on Perspex stems.

I reamed and cleaned the bowl of the pipe and the rim and then scrubbed the exterior of the bowl with Murphy’s Oil Soap undiluted. I wanted to leave the original light finish without removing any of the stain so I carefully rubbed on the soap and wiped it off. The rim actually came clean very easily and the bowl was ready to go. I took apart the internal contraption and cleaned that with Isopropyl alcohol and also cleaned the shank with pipe cleaners, shank brush and Isopropyl. One the internals were clean I worked on the stem and cleaned it out with soapy water, pipe cleaners and cotton swabs. The finished pipe was then waxed with multiple coats of carnauba wax on my buffer and then polished with a soft flannel buff.

Anyone have any information on this pipe? It is an unusual piece of pipe history and I continue to hunt down information. Thanks for your help and thanks for looking.

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Reworking a Dr. Plumb Statesman


The second pipe in the lot of three pipes I picked up on EBay was this long shanked billiard. The first one I refurbished and posted about was the no name poker that I wrote about here. This one was stamped Dr. Plumb over London Made over Statesman on the underside of the shank. The sand blast was very nice on it. In fact I like the deep grooves and flow of the blast on the briar. The rim was shot. It had been sanded smooth (may have been smooth originally to match the smooth portions of the bowl). It was also no longer flat. When the pipe was laid down on the rim it rocked in every direction. It was rough and pitted from tapping the pipe out. The bowl was a bit out of round and the previous owner had reamed the inner rim with a knife at an angle that really damaged the inside rim and the roundness of the bowl. The stem had the same white calcification on it as the poker. This one also had teeth marks and dents in it. The slot on the stem was closed with the white calcified material and there was no open airway in the stem. The shank was dirty and clogged and the bowl needed to be reamed in the lower portion. The first four picture show the pipe as it was when it came to me.

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It had the same alcohol bath as the poker and I am including the same photos of that process I included in the previous post. It soaked for two hours and then I took it out and dried the bowls off with a soft cloth. I also soaked the stem in Oxyclean to soften the calcification on the button area.

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In the photo below you can clearly see the flaw in the briar of the Dr. Plumb (the pipe on the right side of the photo). The alcohol bath softened the fill and it fell out of the crevice. It was quite large but not deep. It appears to me that it opened up larger as the pipe was blasted. You can also see in the second photo below the shape of the bowl and rim of the pipe.

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The first thing that I decided to address with regard to this pipe was the rim. I set up my board for sanding the top. I anchored the sandpaper to it. I used a pretty heavy grit for this one because I needed to remove quite a bit of the top to smooth it out and remove the rockiness of the pipe. I used a medium grit emery paper. I hold the pipe flat against the board and sandpaper and sand it in a circular fashion clockwise. I don’t know what the point is of that but that has been my practice for as long as I remember. The next two photos show that process. Once I had the top level once again I sanded it in the same manner using 240 grit sandpaper and then 400 and 600 wet dry sandpaper and water. I finished sanding the top with the micromesh sanding pads from 1500 – 12,000 grit.

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The next photo shows the finished topping of the bowl. The grain is quite nice and will stain well in contrast to the roughness of the blast. The second and third photo below show the repaired fill in the shank. I used briar dust from the topping of the bowl and packed it into the crevice with a dental pick. When it was full I dripped super glue into the dust. Once it was dry I used a wire brush on the shank rather than sandpaper. I wanted to remove the signs of my repair without sanding the fill. The shank looked really good when that job was done. The pipe was basically ready for a coat of brown aniline stain.

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I used my dental pick for a handle by inserting it into the mortise and then used Fiebing’s Dark Brown Leather Dye. I diluted it 2 to 1 with Isopropyl alcohol to get the colour I was aiming for. Once I coated it with the stain I flamed the stain to set it in the grain. I repeated this several times to make certain I had stained all the crevices and blast. The first picture below is of the wet pipe. The second is of the bowl after flaming the stain. I light wooden matches and ignite the stain. The alcohol burns off and the pipe then is dry to touch.

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At this point in my refurbishing process I took the bowl to the buffer and buffed the bowl lightly with Tripoli and the repeated it with White Diamond. My goal was to buff of the high areas and make a bit of contrast. I also wanted to buff the rim to make it a bit lighter than the blast and have it match the smooth patch on the bottom of the shank.

I then went to work on the stem. I heated the dents to raise them as much as possible and then sanded the stem with 220 grit sandpaper to remove the remaining tooth chatter and also to remove the calcified area around the button. I cleaned out the stem with pipe cleaners and a shank brush to remove the tars and oils and to open the stem. I used the dental pick to clean out the slot in the button. Once that was done I sanded the stem with a fine grit sanding pad and then progressed through 1500, 1600, and 2400 grit micromesh before scrubbing the stem with Maguiar’s X2.0 scratch polish. I rub it on with a cotton pad and let it dry a bit before rubbing it off. I finished sanding the stem with 3200 – 12,000 grit micromesh pads and then buffed the stem with White Diamond. I coated it with Obsidian Oil and then when it dried I coated it with multiple coats of carnauba wax. I waxed the rim and the smooth part with carnauba and then used Halcyon II wax on the sandblast. I buffed the pipe with a light touch on the cotton buffing wheel to polish and then hand buffed it with a shoe brush. Here is the final product – ready to fire up!

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Once I had posted the pictures of the pipe above when I blew them up to see them more clearly the top of the rim was full of scratches and obviously to me needed more work so I just finished reworking the rim and restaining it. IMG_9265IMG_9264

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A No Name Sandblasted Poker Restored


I picked up this threesome pictured below on EBay. The first photo is the one posted by the seller to show the pipes that were for sale. I bid and won the auction. The threesome arrived this week and I decided to tackle the refurb on the poker first. Something about it grabbed my interest.

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When it arrived I unpacked the box to find that the three pipes were a bit worse for wear than the original picture above. The side shot of the photo obscured the tooth marks and oxidation of the stems. The poker had a white build up on the stem, almost a calcification that was rock hard and would need a soak to deal with. The finish was not too bad on the bowl – just a little spotty and dirty. The finish is a sandblast on the bowl that is quite deep and nicely done. The shank has a combination sandblast and rustication on it. The bottom of the bowl is smooth and there is a small ring of smooth briar next to the stem on the shank. The rim had originally been rusticated but appeared to have been sanded virtually smooth. It had a slight build up of tars and oils on it. There was a faint rustication pattern but the stain was gone under the grime. It looked as if the owner had sanded the rim clean and then left it to smoke it as it was.

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I decided to ream the bowls on all three pipes. Once that was done I put all three in an alcohol bath – a jar with isopropyl alcohol. I leave the alcohol and replenish it as it evaporates or is used up. Once a month I pour it off and clean out the sediment in the bottom of the jar. The alcohol is dark and seems to give the briar a good patina as it soaks in it. It removes the stain a bit and also the grime and grit of the finish. I let all three bowls soak for several hours and then removed them and dried them off before setting them aside for the night. I also soaked the stems in a bath of Oxyclean while the bowls soaked. I find that this soak softens the calcification on the stems and also loosens the oxidation making it easier to deal with once I work on the stems. The picture below shows the bowls just after I removed them from the bath and had not dried them off.

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The next four pictures show the bowls after they have been dried off and you can see the state of the finish on each of the pipes. The first one on the left side of the first picture is the little patent Brigham Lovat. The finish is clean and ready to work on. The middle pipe is the no name poker. The last pipe on the right is the Dr. Plumb Statesman long shanked billiard.

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The poker came out very clean. The finish was ready to rework. The bowl had an undercoat of oxblood stain that is clearly visible and would pretty much determine the colour I would use in restaining it. In the photo below you can see the bowl rim of the poker in the middle. The faint rustication is visible and you can see that the rim had been sanded. In the second photo below you can see the smooth bottom on the poker and see the scratches in the briar that will need to be dealt with.

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I used my rustication tool, the modified Philips screwdriver and reworked the rustication on the rim following the faint pattern that was visible. Once I had it way I wanted I worked on teh scratches on the bottom of the bowl. I sanded the bottom with micromesh pads 1500, 1800 and 2400 as the scratches were not deep. When I was finished and they were smooth I decided to restain the bowl with oxblood coloured aniline stain. I applied the stain with the dauber that came with the stain, making sure to get the stain in all of the crevices of the blast and the rustication. Once it was applied I flamed the stain and then set it aside to dry. I took it to the buffer once it was dry and buffed the bowl with Tripoli and White Diamond to polish the stain and give some depth to the finish. At this point in the process the pipe bowl was laid aside and I worked on the stem.

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The stem took quite a bit of work. Not only was it calcified at the bit end but it also had some fairly deep scratches on the top of the stem. These needed to be sanded out to remove them. The stem also had some of the bevel of what appears to be a replacement stem blank. It may not be but it has all the look of one. It fits well but the edge bevels on the sides of the stem rather than a smooth transition from top to edge show the lack of finish to me. I wanted to sand out the scratches and the bevels and smooth the transition to a smooth edge with no bevels. I used some 280 grit sandpaper to begin with and progress through a medium grit sanding pad, a fine grit sanding pad, 400 and 600 wet dry sandpaper and water. Once I had the finish smooth and the bevels removed I then worked on the stem with the micromesh sanding pads from 1500 – 12,000 grit. I used 1500 – 2400 grit with water and was able to remove the remaining scratches. After that I used the Maguiar’s Scratch X2.0 polish on a cotton pad and rubbed the stem until it was smooth. I wiped off the polish and then proceeded to use the remainder of the micromesh pads. I gave the stem a coat of Obsidian Oil and set it aside to dry. I then used some Halcyon II wax on the bowl and hand polished it with a soft cotton buff. Once I finished that I wiped down the stem and gave it a buff with White Diamond and then gave the entire pipe multiple coats of carnauba wax until it glowed.

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Wind caps – integrated and add on


Blog by Steve Laug

Wind caps have always intrigued me. I have picked them up over the years more by accident than by design. They have come on pipes that I have picked up in EBay lots and those I have found in thrift shops and antique malls. I honestly don’t think I have ever purchased one new. At least that is how I remember it in the recesses of my aging memory. I know why they were designed and what their intention was from the start; but I suppose for me they are more of a way of keeping the tobacco in the bowl in my coat pocket and not all over the pocket than they are about protecting the pipe in blowing wind. I tend not to smoke my pipe in a windy area so I don’t use them for that. Probably as close as I come to using them for their original purpose is when I am smoking a pipe while walking in the rain here on the Wetcoast of Canada. They keep the errant rain drops out of my bowl and thus keep the pipe smouldering nicely while I walk outside on a rainy day.

When I look at the wind caps in my collection (I say collection because I have about six I think and any more than one makes a collection) I see that there are probably three basic designs. In the pictures below the two on the top are spring loaded. The first on the left has two small tags on each side that are compressed and the lid is put in place on the pipe. Once in place the tags are released and the cap is held in place. The multiple holes in the top aid the flow of air to the tobacco and do not restrict the burning of the tobacco. The second design, the one on the top row, right side is also spring loaded. But instead of tags the design has a cylinder across the middle of the cap and in that is a spring and two pistons that are compressed and the lid is place on the bowl. Once it on the bowl the pistons are released and the cap holds on to the sides of the bowl. This one has fewer and larger air holes and seems to work equally well. Both of these designs make relighting the pipe a bit of a chore as the cap needs to be removed, the pipe relit and then the cap put back in place. Because of this I rarely use these caps when going on my walks. They tend to be relegated to the task of keeping the tobacco in the bowl and not spilling around my jacket pocket while I am traveling to and from work or appointments.

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The second row of wind caps is similar in design and function. Both of these are held in place by metal triangular tabs that extend into the bowl and rest against the sides of the bowl. They can be bent to fit different bowl diameters. Do not assume that just because they look like spikes they are to be driven into the briar of the bowl rim. I have to tell you that I have cleaned up several older estates that had these installed in that manner. It was almost as if the owner had put the cap in place with a hammer. I believe that the true use of them is to pressure fit the cap to the bowl and adjust the fit until it is tight. Both of these models have a centre portion to them that is like a coiled spring. In fact it flexes like a spring when touched. The airspace on both of these is quite generous and keeping the pipe lit is no trouble at all. I have a third one like this but it is missing the centre bead. It still works great though. These by far are my favourites in terms of wind caps. They are hinged so that to relight the pipe is no problem; the top is opened by the small handle on the cap. The top opens to allow access to the inside of the bowl. After relighting, the cap is pushed back into place and the smoke continues.

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Besides these aftermarket wind caps I have several older pipes which incorporate them into the design of the pipe. In the first series of pictures below is an older Red Point with a silver cap attached to a silver rim that was original equipment for the pipe. The lid has a handle on the front and on the top that enables it to be opened for loading and relighting as necessary. The domed cap and the look of the pipe speak of a past generation of pipe smokers. The bling on the pipe makes it look rich and elegant.

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A second pipe that I have with an integrated wind cap is what is commonly known as Hurricane pipes. This style of pipe was made by several English pipe makers. The one I have is an F&T Shipmate made for Abercrombie and Fitch. The wind cap on it is made of Bakelite and is pinned toward the bottom of the bowl on each side. It is hinged and tips backward toward the smoker for loading and relighting. The first photo below shows the cap from the sides and the top of the bowl. It has the appearance of a pepper shaker. The next two photos show the same pipe with the wind cap opened.

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The third pipe in my collection with an integrated wind cap is a Wally Frank that I posted about earlier on the blog. It is pictured below in a series of photos. In this model the cap is made of a briar dome that swivels on a metal pin that holds the cap to the bowl. To load and relight the pipe the pipeman only has to swing the cap to either side. The workings of this wind cap are very simple and uncomplicated. The beauty of the design is that the cap can be removed and the pipe smoked sans cap. The cap is not integrated into the design of the bowl in a manner that makes removing it a major change to the pipe.

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As can be seen from the various wind caps, both integrated and aftermarket, they are here to stay. The wind caps and pipes pictured come from different times and eras but they all incorporate the same basic design purpose. I rarely use the three pipes with the integrated cap. It just seems like one more thing to fuss with. The aftermarket add on caps work for me as described above – a means of keep a loaded bowl safe in my pocket for a later smoke.  When I reach for a wind cap I reach for these. They work best for my purpose as when I have taken the bowl out to smoke I just remove the cap and put it in my pocket to reuse later. It typically does not see another use until the time I need to carry another bowl in my pocket.