Tag Archives: rusticating

Reworking a John Bessai Pipe


Blog by Steve Laug

I picked this old pipe up on EBay for a very cheap price. In fact I think the postage was more than the pipe. I had read on the forums that John Bessai carved some great smoking pipes.

Pipedia has this information http://pipedia.org/index.php?title=Bessai

John Bessai was a long time pipemaker, repairman and tobacco shop owner who operated his pipe shop at the “Old Arcade” in Cleveland, Ohio. The shop was opened in approximately 1898. It was a small 2-room shop where he hand-crafted his own pipes in the back room and could work when customers were not there. Like so many other shop made brand, John Bessai’s limited production was quickly acquired by regular customers and thus his craftsmanship remained little known outside of Ohio and the Midwest. While his name is known by pipe collectors in the Midwest, his work is seldom seen elsewhere! He died before 1969. Nevertheless, John Bessai left behind a small number of classic shaped pipes; all were made on-site. They are praised worthy of collecting and reflecting skills well beyond most American pipe makers. John Bessai’s logo “JB” appeared as one letter as the “back” of the “J” and the “back” of the “B” share a single line. The logo was stamped on the stem and on the left side of the shank. His son Herb Bessai took over the business and also continued making pipes. He closed the shop in about 1978.

I was excited to have one of his pipes and looked forward to its arrival here in Canada. When it came and I opened the package I loved the shape and the feel of the pipe, but the large fills really bugged me. I cleaned up the pipe and gave it a smoke to see if I would even keep it. It smoked incredibly well and the draw was effortless. It was comfortable and lightweight so it seemed like one that I would keep. But what to do with the fills that covered the right side and the front of the bowl puzzled me. I wanted to keep the pipe clearly a Bessai pipe. I did not want to destroy what he had carved but I wanted to do something to deal with the fills.

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So I decided to rusticate it with a leather-like rustication and then give it a contrast stain on it give it an interesting look. I used my rustication tool (the pipe and nails that I have written about in another post on the blog) to cut into the finish and rusticate the surface of the bowl. Once the bowl was rusticated to the place I liked I took it to the buffer and buffed off the rough spots and made the overall surface smooth to the touch. I then stained it with a coat of black aniline stain and flamed it to set the stain. Once it was dry I took it to the buffer and removed the black stain on the high spots with a Tripoli buffing pad. I then took it back to the desk and gave it a coat of medium brown aniline stain and flamed it. I let it dry and then buffed it with White Diamond. I then buffed the whole pipe with White Diamond to polish the stem and bowl and gave it several coats of carnauba wax. I used a light touch on the bowl as I did not want to fill the grooves with wax. ImageImageImageImage

Carving one of my own


Every so often I get the urge to carve a pipe of my own. I have done it from scratch, drilling the airway and bowl but often it is just as much fun for me to buy a pre-drilled block with its own stem and rework it into something I like. The pictures and essay below will take you through my process with a pipe I picked up off EBay for almost nothing. When you look at it some of you will recognize that for awhile in the 80’s and maybe earlier Singleton sold these pipes as Caveman Pipes. They were rough and were stained and waxed, stamped Singleton Caveman pipes and sold as is. I have always thought that they were ugly and looked unfinished. This one just begged to be reshaped – at least that is the excuse I gave when the package arrived and my wife commented on “yet another pipe”.

The first four photos give a good sense of what it looked like when it arrived at my house. It was a fairly small piece of briar and there was no way of knowing what lay beneath the surface of the block. It was stained and waxed. The stem was oxidized a bit but it did not matter as I was going to reshape it and make it my own. The last photo of the four shows the Caveman stamping I was referring to earlier.

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I took out my Dremel with the larger sanding drum, replaced the sandpaper cylinder with a new one and began the process of removing the briar and making a shape that I liked and that I felt the briar held inside. The next three photos show the block with much of the briar removed and a shape is beginning to come out. I bring it to this point in the shaping process with the Dremel and the sanding drum. It works great for me. Some of you may notice the nicks from the Dremel on the saddle of the stem. Those are a pain but I was not worrying too much about it as I planned to shape the stem a bit more as well and those would disappear in the process. Also note, the shank is still not the diameter of the saddle on the stem at this point. From this stage one I do the shaping by hand with 100 grit sandpaper. It makes short work of the remaining excess briar. You will also see some burn marks at the bowl shank junction from the sanding drum – nothing that will not sand off. There are also sand pits and flaws beginning to show up in the surface of the briar.

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Much sanding went on before I took the next series of three photos. I used the 100 grit sandpaper to remove much of the excess and then progressed to 220 and 240 grit sandpaper to bring the shape to the stage in these photos. I also sanded the saddle of the stem and the edges of the blade to match the line of the shank. I wanted the flow to be uninterrupted by the juncture of the two materials and I wanted the transition to be smooth. There were many sand pits visible at this time on the sides, top and bottom of the bowl and the shank. It is always a bit of pain to get to this point in the shaping and sanding and not be able to get rid of them. This left me with a bit of a quandary. What should I do to get the best finish on this pipe? I dislike fills and did not want to use putty in any form on this pipe. I figured the next bet would be to rusticate the pipe and give it an interesting texture for the prestained finish.

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I used a tool that I fashioned out of a fistful of galvanized nails, a piece of steel pipe, a cap and nipple coupling. It looks like the photos below. It is the tool on the left. I also used a florist’s frog (pictured on the right) to give the finished surface a different touch.

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Before I used the tool on the surface of the briar, I wrapped the saddle of the stem and a 1/8th inch band with black electrical tape. I wanted to protect the saddle and the small band of briar from being rusticated with the tool. It is a work horse but is not subtle in its deep cuts. I wrap the cap end with a thick towel to protect my hand when I pushed the points of the nails into the briar. I pushed the head into the briar and twisted the tool back and forth to cut the surface of the briar and roughen it. The next series of four photos show the rusticated surface of the pipe after I finished with the nails and also after I rubbed the florist’s frog across the surface to knock off high points. I was aiming for a finish that has the look of aged leather so I wanted no roughness left but I wanted a crinkled, wrinkled look to the briar.

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The next two photos show the pipe after I gave it a black understain. I used black aniline stain and applied it with a dauber. Once the pipe was covered I used a lighter to flame the stain to set it deeply in the briar. My goal was to have the black stain set deeply into the crevices of the rustication once I had buffed it. (I have learned that when I am staining to always start with the darkest stain and work toward the final lighter coat.) Once the stain was dry I took it to my buffer and buffed it with Tripoli. The buffer removed all of the black stain from the smoother, higher surfaces and the band next to the stem and the rim. The only black stain remaining was in the crevices and pits in the briar. At that point I restained the pipe with a medium brown aniline stain and flamed it as well. I took it to the buffer and this time buffed with Tripoli and White Diamond. I wanted the brown to give a top coat and allow the black to show through. I also wanted to smooth the surface a little to make it smooth in the hand.

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The final series of photos show the finished pipe. I think I achieved the look of old worn leather I was aiming for with this rustication and staining. I worked on the stem and smoothed it out with 400 and 600 grit wet dry sandpaper and water. Once the scratches were gone I worked through the usual regimen of micromesh pads from 1500 to 6000 grit. These gave the stem a good polished look. I finished it on the buffer with White Diamond and multiple coats of carnauba. The bowl was waxed with Halcyon 2 wax so that I could avoid the wax build up from carnauba in the crevices of the rustication. I gave the entirety a final buff with a clean flannel buffing pad. This one has become a favourite smoker of mine. It is perfect size to fit in my jacket pocket and it is a veritable furnace for good Virginia Flake tobacco.

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